Audie Blaylock

615 Hideaway Records has a new single for Audie Blaylock and Redline, the first from their upcoming project with the label. It furthers Audie's stated intent to preserve the sound and feel of traditional bluegrass music through new and original

The title given the latest release by the veteran combo Audie Blaylock and Redline may, at first, seem something of a misnomer. While Blaylock (guitar, vocals) and his compatriots in Redline — Even Ward (banjo), Mason Wright (fiddle) and Reed

(615) Hideaway Records has produced a music video for their first single from Audie Blaylock and Redline, Love Is An Awful Thing. True to form, it's a hard-driving bluegrass number, written by Redline bassist Reed Jones, with a vintage vibe. That

The newest single from Audie Blaylock & Redline, the second from their current project, Originalist, offers an interesting take on Acts, chapter 3. This is the familiar story of St. Peter curing the lame man at the Temple in Jerusalem following

The title of their latest album, Originalist, is a perfect descriptor for Audie Blaylock and Redline, and how they go about creating their style of traditional bluegrass. The word is used to define a theory of constitutional interpretation in the United

Audie Blaylock & Redline have released a pair of new singles from their next album, Originalist. Blaylock has been performing in bluegrass since he was in his teens, signing on as mandolinist for Jimmy Martin at 19, and touring with The

Paul Kurtz and Audie Blaylock with a bucket o' beans. Promotional collaborations between bluegrass artists and major advertisers have been a part of our music from the very beginning, so much so that they have become part of the folklore of

Mason Wright is the new fiddler with Audie Blaylock and Redline. The Rocky Mount, VA native has been playing fiddle since he was a young boy, performing with his family band, The Wright Kids. After attending college at the Shenandoah Conservatory,

Here's another batch of photos Frank Baker took over this past weekend at the Delaware Valley Bluegrass Festival. More yet to come.

Perhaps the most difficult problems facing bands of any genre is the desire to grow, stay relevant, honor one’s identity, satisfy fans, and make every project better than the last. That last issue has resulted in a bit of a gap