• Spargel… get your Spargel!

    I’m on a flight across North America right now, the second of three legs of my trip home from our recent European tour. This seemed like a good time to write this column, because for one thing the deadline is

  • German phrasebook for the touring musician

    Greetings from Prague, in the Czech Republic, where our European tour is starting this week. Before I go on to much less serious and important subjects, I want to acknowledge a big loss in bluegrass music, especially for northeastern bluegrass fans:

  • Capotasto and the flat 1

    In his comment on last week’s column about stage communication, Dick Bowden requested that I write a follow-up article on band members who don’t know the number system. I don’t as a rule answer this kind of request, unless it’s

  • Seinfeld in Gnash… kick it off!

    Well, I was going to continue the discussion we were having about on-stage communication, but it’s gotten too loud in here to be heard (cyberspace can be so noisy!), so I guess I’ll just call out the numbers with my

  • Music Stands and Meaningful Looks

    On-stage communication between musicians can take many forms and is required for a variety of purposes, some vitally important, some completely unnecessary but at least amusing. One of the biggest reasons for communication during a show is to assist someone in