An issue much on the minds of performing artists and songwriters these days is the rapid growth of streaming audio services like Pandora or Spotify, which offer targeted music streams designed to follow the tastes of individual listeners, but which fall outside the legislation controlling how artists and writers are compensated for radio play. Our David Morris takes a stab at explaining how this is a hardship with a personal example.
I’m not asking you to stop because I know you won’t. But I do have a humble request: if you hear something you like, please consider buying the album, or at least purchasing the song from iTunes or elsewhere. I’m a non-performing songwriter. Allow me to give a little economics lesson about what that means. After I write a song, I have to decide if I think the song has a reasonable chance of being recorded. If I think it does, I pay for a demo recording. The cost is usually $100 to $200. For copyright protection, I pay another $35.
If no one records the song, that money doesn’t get recovered. If someone does record it, I have a shot at covering expenses.
As a songwriter, I get 9.1 cents for every unit sold. So if my song is recorded by a band that presses 1,000 copies (sadly, pretty typical for many bands), I get $91 (if I’m the only writer). Still not enough to cover the costs, but if it gets radio play and played at live shows by the band, I have a shot.
But with more and more listeners streaming music for little or no cost, fewer and fewer CDs are being sold. Yes, many streaming services DO pay songwriters, but it’s a tiny fraction of a cent, and I do mean tiny.
So fewer and fewer songwriters make back the cost of demoing and copyrighting their songs.
No, I don’t write songs to get rich. But I do have bills to pay. Don’t fall for the argument that downloading services give artists and writers valuable exposure that pays off with sales later. The songwriters are for the most part anonymous, and exposure doesn’t put food on the table.
That’s my rant. Listen to streaming services if you must. But if you want good music to survive, buy the music you love. And listen to the radio. That’s only way to make that happen.
Thanks for reading.