Ricky Skaggs makes Music to My Ears

Ricky Skaggs has long resided at the crossroads of traditional and experimental, from picking with Bill Monroe at the age of 6 and Flatt & Scruggs one year later, to his recent work with rock keyboard whiz Bruce Hornsby and the jam band Phish, with high-profile gigs with Ralph Stanley, J.D. Crowe and the New South and Emmylou Harris in between.

He’ll be at the same address for Music to My Ears, due out Sept. 25 on Skaggs Family Records. The new project will be “at least 75 percent bluegrass,” he told Bluegrass Today, and will include songs intended as tributes to Doc Watson, who died while Ricky was in the studio, and Bill Monroe.

But there’s also a tradition-bending guest vocalist, Barry Gibb of the Bee Gees, who wrote and will sing on the song Soldier’s Son. Readers who want to get a sneak preview of how they sound together can check out their performance of When the Roses Bloom Again, a Civil War song they sang a couple of weeks back on the Grand Ole Opry.

http://www.youtube.com/watch?v=meMZNiHURe0

 

Ricky and Barry met in an elevator years ago at the Rock and Roll Hall of Fame (the Bee Gees were being inducted and Ricky was inducting Bill Monroe), and they’ve been pals ever since. In fact, don’t be surprised if Barry, the only surviving member of the trio of brothers, records a bluegrass project at some point.

(Bluegrass is a far cry from the disco tunes that made the Brothers Gibb rich, but some of their earlier work translates well and is occasionally heard on the festival circuit, so it could work.)

“He holds country music and bluegrass so close to his heart,” Ricky said.

So, of course, does Ricky, although he acknowledges that some fans of the music still resent the fact that he “left” bluegrass to play with Emmylou Harris and then detoured further into country music. To those who think that way, he has a quick answer: “I never left bluegrass. Go back and listen to the records, goofballs.” He chuckled after he said it, but he sure seemed to mean it.

Music To My Ears - Ricky SkaggsThe title track of Ricky’s new project with Kentucky Thunder is a song written by Mark Simos, Lisa Aschmann, and Becky Buller in which Ricky says he “did my best Ralph Stanley.” The tribute to Doc Watson is Tennessee Stud, while the nod to the Father of Bluegrass comes from a song Ricky and Nashville writer Gordon Kennedy collaborated on called You Can’t Hurt Ham. It tells the story behind one of Mr. Monroe’s legendary utterances, which lends itself to the title of the song.

Ricky is among the most successful pickers of his generation, and he has a pile of trophies to show for it, including 14 Grammy awards and a dozen statues from the International Bluegrass Music Association. But he says he’s where he wants to be right now.

“I’ve had the awards and all that stuff. The joy I had back then cannot compare to the joy I have now, just making the music that I want to make.”

It’s a pretty safe bet that the music he makes on the upcoming CD will, indeed, be Music to My Ears – and to a lot of other ears as well.

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About the Author

David Morris

David Morris, an award-winning songwriter and journalist, has written for Bluegrass Today since its inception. He joined its predecessor, The Bluegrass Blog, in 2010. His 40-year career in journalism included more than 13 years with The Associated Press, a stint as chief White House correspondent for Bloomberg News, and several top editing jobs in Washington, D.C. He is a life member of IBMA and the DC Bluegrass Union. He and co-writers won the bluegrass category in the Chris Austin Songwriting Contest at MerleFest in 2015.

  • Dawn Kenney

    Having a hard time getting my head around Barry Gibb doing a BG Project. Love his writing though. Hope he proves me wrong!

  • Ivor Trueman

    It could be good, what with the B.Gee’s brother harmony vocals, and songwriting talent… Perhaps he’s a ‘closet’ bluegrass fan like Led Zeppelin’s John Paul Jones?

    I’m no longer surprised, when a ‘bluegrass’ artist stretches their legs and goes & does something different(*), but I am surprised if/when a rock/pop/disco or even ‘country’ artist does ‘bluegrass’ 🙂

    I guess also that the Bee Gees would have been influenced by Elvis & Everly Bros’ early on, so it wouldn’t be too surprising if they were Bill Monroe fans.

    Let’s hope it’s worth buying!

    Cheers
    Ivor

    (*) eg Ralph Stanley’s cover of the Lou Reed/Velvet Underground’s “White Light / White Heat” song for the imminent ‘Lawless’ film.

    PS: Here’s a bluegrass cover of the B.G’s disco classic ‘Staying Alive’:-
    http://www.youtube.com/watch?v=n86h-3Zv7LU

  • Jon Weisberger

    When BMI held a reception to welcome Mr. Gibb to Nashville a couple of years ago, David Harvey put together a band to provide music – including grassy arrangements of a half-dozen or so Bee Gees tunes – for the occasion, including myself, Barry Crabtree, Jan Harvey, Patty Mitchell and Tim May. Gibb was appreciative. I don’t see why people surprised when someone else besides them likes bluegrass!

  • I love Ricky’s quote in there: “I never left bluegrass. Go back and listen to the records, goofballs.”

    It’s so true! He took “Don’t Cheat In Our Hometown,” “Don’t Get Above Your Raisin’,” and “Uncle Pen” to the masses. What a traitor! Some people just make you shake your head.

  • Donald Teplyske

    The quote from R.S., “Go back and listen to the records, goofballs” is telling. It is an example of the wiffs of arrogance that have surrounded him for the last ten years, making it diffifult for me to appreciate his music without holding my nose.

    Heck, the suggestion that Barry Gibb may come exploring bluegrass didn’t impact my blood pressure a bit in comparison.

  • Shawn Cramer

    Donald, that is an interesting take you have on R.S. I obviously don’t know the man personally, but in every interview I have seen him in he has come across as a very humble guy. And I haven’t heard any rumblings about him being arrogant before. I guess it could all be an act for the press. Without being there to hear HOW he said those words, I will refrain from passing judgement. I kind of agree with Daniel that he did bring bluegrass to the masses. Add a little electric stuff and some drums to some bluegrass standards and you have a lot of what R.S. was doing when he was winning CMA awards. Are there other indications of him being arrogant that I am unaware of? Like I said, interesting take. Not disagreeing, just find that outlook something I had not considered.
    Shawn