When I saw Ricky Skaggs & Kentucky Thunder perform in 2005, they dedicated a portion of their show to reminding the audience that the following year (2006) would mark the 60th anniversary of the founding of bluegrass music.
It is widely held that bluegrass was born when Bill Monroe performed with Lester Flatt and Earl Scruggs at The Grand Ole Opry in 1946, along with Chubby Wise and Howard Watts. Though Monroe had named his group The Bluegrass Boys before these men joined the band, it was this combination of musicians who gave the music we now know so well its defining parameters.
Skaggs made a point of referring to this event, and the music that these pioneers made, before the band played a number of songs from that era, in a style remarkably faithful to the original recordings. I’m not sure if this is still a staple of his live show, but I’m sure it will be next year when his next CD hits.
Honoring the Fathers of Bluegrass: Tribute to 1946 and ‚Äò47′ is scheduled for release on March 25, 2008. The 12 tracks are envisioned as a tribute to the Original Bluegrass Band, comprised of songs they recorded over that seminal two year stretch. The list is one sure to stir the passions of any die-hard traditionalist.
| Why Did You Wander | Mighty Dark To Travel | |
| When You’re Lonely | Toy Heart | |
| Remember the Cross | Bluegrass Breakdown | |
| Mansions For Me | Little Cabin Home On The Hill | |
| I Hear A Sweet Voice Calling | I’m Going Back to Old Kentucky | |
| The Old Cross Roads | Sweetheart You Done Me Wrong |
And Skaggs has the band to pull this off. Banjo picker Jim Mills is a serious student of Earl Scruggs’ music, and tenor singer Paul Brewster can soar as high as Monroe ever did. Skaggs is, of course, a gifted vocalist and a fine Monroe-style mandolinist himself. Fiddler Andy Leftwich, though a youngster, can surely emulate these “ancient tones,” and guitarist Cody Kilby and bass player Mark Fain are equally up to the task.
Ricky said that the idea for this CD came to him when he came across some live recordings of Monroe’s band in ’46 and ’47, and he felt that he had a chance to both honor the men who brought this music to life, and also tell their stories in the music.
"We wanted to tell their stories through music, honoring their arrangements and their tempos, bringing 1946 to the present for the next generation of listeners. Every generation needs to be educated. If you don’t tell the stories of the fathers (of the music), the next generation will forget. That’s what this record is about."
Yep… 2008 is shaping up to be a fine year for recorded bluegrass music.
