On A Saturday Night – J.M. Clifford

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J.M. Clifford

When the COVID-19 pandemic began in 2020, it proved to be a deeply challenging time for many around the globe. For musical artists, the ensuing lockdown became a fruitful time, creatively speaking. This was especially true for Brooklyn based singer/songwriter, J.M. Clifford, who wrote many songs while quarantined in his apartment. These compositions would ultimately serve as the basis for his debut project, On A Saturday Night.

This album touches on various themes, many of which Clifford has experienced personally, such as loss and acceptance. The opening track, Kick the Drum, is a reflection of the bluegrass community that he came to discover in Brooklyn, New York, while Damn Shame focuses on the aftermath of a failed relationship and coming to terms with the emotions that surround it. 

The greatest strength of On A Saturday Night is the stylistic choices that were made. Slow Rollin’ Train is performed in the vein of a traditional bluegrass piece while other songs such as the title cut, On a Saturday Night and Reservoir are rendered as slow ballads. The project’s sole instrumental piece, Crooked Bars, and the final track, Georgia Stars, are performed in a wonderful old time string band fashion.

J.M. Clifford has what I would describe as a subtle, yet emotive quality to his singing. This particularly comes through on Dollar Store Roses and Trouble Comes Tumblin’ Down. Clifford strikes a delicate balance between inserting his own emotions into the performance while not stepping on the gas too much, vocally speaking.

On A Saturday Night is a wonderful debut project. While the material is autobiographical in nature, each of the songs is delivered in a compelling manner that any listener can connect to. J.M. Clifford is an adept new talent and I’m eager to see what he’ll bring to the table going forward.

About the Author

Picture of Braeden Paul

Braeden Paul

Braeden Paul has been involved in various capacities of bluegrass music. A Texas native, Paul has been part of several Dallas-based bands as a mandolinist. He also serves on the board of directors of the Southwest Bluegrass Club in Grapevine, TX. As a writer, Braeden has also contributed numerous music reviews to the Bluegrass Society of America Facebook page, and is the co-author of Texas Bluegrass History: High Lonesome on the High Plains.

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