• Hat Creek Recording Company

    In bluegrass music, most of the attention is usually focused on the musicians themselves – they are the ones in the spotlight, after all. However, sometimes we forget to think about the men and women behind the scenes who work

  • Behind The Mic with Brian McNeal

    Today we launch a new feature which we hope will be a weekly column highlighting the many bluegrass broadcasters who report their spins for our Bluegrass Today Weekly Airplay Chart. We want to give them a little bump for helping

  • Fly Me Home – Mark Whitt

    There’s no denying that almost every bluegrass musician recording and performing today has been influenced by the artists who came before them, particularly “founding fathers” like Bill Monroe, Flatt and Scruggs, and the Stanleys. Most musicians choose to honor those

  • Let it Shine – Tammy Jones Robinette

    There’s not that much distance between bluegrass Gospel music and Southern Gospel, and many artists find themselves drifting back and forth between the two throughout their careers. Groups like The Isaacs and Dailey and Vincent, while prominent in the bluegrass

  • Monroe marker in Asheville?

    As a general rule, we (Bluegrass Today) try to refrain from posting news about an individual Kickstarter-type campaign unless it concerns something of particular interest to the bluegrass community, but William Smith Monroe certainly fits the bill – no pun

  • Taproot – Three Tall Pines

    As long as there has been bluegrass music, musicians have been reinventing older songs. With their latest release, Taproot, Massachusetts-based quartet Three Tall Pines offers their takes on instantly-recognizable classics made famous by Bill Monroe, The Stanley Brothers, and other