In recent years, country music fans who can’t stand today’s rap-infused “bro-country” sound have found a home in bluegrass. Many modern traditional groups sample from both the songs and sounds of '80s and '90s country, while many male and female
Author: John Curtis Goad
Into the Blue – Davis Bradley
For every headlining, nationally touring, IBMA Award-winning group out there, there are a dozen local or regional bluegrass acts keeping the roads hot and the little clubs and community centers packed. In the northern Virginia area, one of those groups
Something Out of the Blue – The Rice-Menzone Alliance
I’m usually excited to see new groupings of my favorite musicians, if just for the chance to hear what artists who normally don’t play together sound like when they do. The Rice-Menzone Alliance, a new duo from Mountain Fever’s ever-growing
Blind Alfred Reed: Appalachian Visionary
Ted Olson, a professor of Appalachian Studies at East Tennessee State University, has become known as a go-to person for information on the early recorded music of northeast Tennessee and southwest Virginia. Some music fans may recognize his name as
Last Night, Tomorrow – The Dappled Grays
The Dappled Grays, an Atlanta-based band that has been together for just over sixteen years, is the kind of group that doesn’t let stylistic boundaries confine them. They call themselves a bluegrass band, and they are a bluegrass band –
Back to the Mountains – Po’ Ramblin’ Boys
The debut album from the Po’ Ramblin’ Boys, Back to the Mountains, is music for people like my dad. Old school bluegrass fans, who grew up on Flatt & Scruggs and the Stanleys, who believe that Bill Monroe set the
Familiar with the Ground – The Boxcars
A new release from The Boxcars is, for many bluegrass fans, a time to celebrate. The group is one of the most talented collections of artists currently on the bluegrass circuit, and they generally release extremely tasteful albums with well-rounded
Dave Adkins Band at The Station Inn
These days you never really know what a band is going to sound like when you hear them live, although you can usually bet they’re not going to sound exactly like the track you heard on your favorite bluegrass radio
Just Ten – Presley Barker
When I see young children hailed as musical prodigies in the bluegrass world, I usually wonder if their early technical skill will translate into a true superstar career, with not just the knowledge to arrange notes in a complicated manner,
The Gospel Side of Bill Emerson & Sweet Dixie
As a follow-up to 2014’s well-received Dancin’ Annie, Bill Emerson & Sweet Dixie has released a compilation album of the group’s favorite Gospel tracks from their previous albums. The Gospel Side of Bill Emerson & Sweet Dixie pulls from the