Here’s something I had been expecting to see for some time – hoping, even. Bluegrass has long been intertwined with its Gospel music tradition, though that aspect is far less universal than it once was. As the appeal of the music has grown beyond its roots in the rural southeastern United States, the topical themes of newly-written material has grown as well.
It seemed certain that adherents of religious faiths other than the Christian Church would be drawn to mimic the sort of Gospel traditional that exists in bluegrass music, and apply it to the beliefs they hold as true. Given the numbert of Jewish people who have been drawn to perform in bluegrass and acoustic music, I had expected to see this coming from that camp.
And so it has.
Mare Winningham may be known to readers as an actress, having appeared in dozens of movies and television programs over the past 30 years, but not many may realize that she has also been pursuing a career as a singer and songwriter, with three albums to her credit. Though raised in the Catholic Church, Mare converted to Judaism in 2003, and that change is the focus of her newest CD, Refuge Rock Sublime.
Released this spring on the Craig & Co label, Winningham’s CD mixes folk, bluegrass and Gospel music influences with Jewish musical idioms and themes, It is not a bluegrass record in any understandable sense of the term, but Jewish fans of acoustic and folk styles might want to give it a listen – as might folks interested in such cross-cultural musical ventures.
Perhaps we will eventually see a more thoroughly bluegrass recording that mixes Jewish faith principles with the sonic themes of bluegrass Gospel – or even Christian themes other than the predominant rural southern staples. My own private joke has been that someday my own Catholic faith might inform a bluegrass song about The Miracle at Fatima or The Feast of the Assumption.
Now that would clear a festival site in a hurry.