• City on a Hill – Mile Twelve

    The Boston-based band Mile Twelve take inspiration from their allegories. Their name refers to a mile marker on their hometown’s southern parameter, while their sophomore set, City on a Hill, references the fact that Boston boasts a long held reputation

  • Calling After Me – No Time Flatt

    The fact that Western Tennessee’s No Time Flatt chose to name themselves after a true bluegrass icon says something about their commitment to the cause. However it also doesn’t negate the fact that this band isn’t wholly tied to tradition.

  • Originalist – Audie Blaylock and Redline

    The title given the latest release by the veteran combo Audie Blaylock and Redline may, at first, seem something of a misnomer. While Blaylock (guitar, vocals) and his compatriots in Redline — Even Ward (banjo), Mason Wright (fiddle) and Reed

  • Salem Town – Backline

    With the two previous albums they’ve recorded so far, Backline have clearly made a formidable impression on their newfound fans and admirers. Singer Katelyn Ingardia is the band’s prime presence, and her stunning vocals electrify every song that finds her

  • Renaissance – Billy Droze

    As has been noted on these pages previously, Billy Droze has all the makings of a superstar. With any number of hit singles to his credit — which he’s penned for The Grascals, Junior Sisk, Flatt Lonesome, Darryl Worley, Shenandoah,

  • Fireweed – Natalie Padilla

    It would be hard to imagine an album more genuinely inspired or better imbued with sincerity than Fireweed, the latest offering from Natalie Padilla, a musician, educator, and enthusiast whose career has found equal standing in the worlds of both