Remembering Those Who Left Us in 2013

Before we get too far down the path in 2014, we at Bluegrass Today wanted to offer one last remembrance and tribute to the pickers, promoters, DJs and friends of bluegrass who left us in 2013 and are now playing in the Angel Band.

Young or old, accomplished or just setting out, these folks (listed in chronological order by the date of their death) all left their mark on the music we love:

  • Larry McDaniel, a longtime announcer for WDET in Detroit, died Jan. 4 at the age of 72.
  • Joe Biggs, who played bass in regional bands in Pennsylvania and Virginia, died Jan. 20.
  • Billy Joe Foster, who appeared as a fiddler with Bill Monroe and the Blue Grass Boys, died Jan. 23 at 51 years old. He also played bass with Country Gazette and several instruments with Ricky Skaggs and Kentucky Thunder.
  • Russell Wilson, noted tenor singer with the Wilson Brothers, died Feb. 7. He was 67 years old.
  • Alvin Breeden, retired banjo player for the Virginia Cutups, died Feb. 27 at 70.
  • Burke Cole, who hosted the Marshall Bluegrass Festival in Central Michigan, died March 3 at 71.
  • Geoff Morris, an Australian bluegrass radio host who made countless friends at IBMA events over the years, died March 5 at 70.
  • Maro Kawabata, a bluegrass guitarist from Japan who later moved to Nashville, died March 6. He was 51.
  • Bob Mavian, known to many by his stage persona, Gibson Case of the Case Brothers, died April 20. Before playing mandolin for the Case Brothers, he was a banjoman for Tex Logan and the Sykes Boys.
  • Country star George Jones wasn’t a bluegrasser, but he recorded one album in the genre, Bluegrass Hootenanny, with Melba Montgomery in 1964. He also influenced a number of bluegrass singers over the years. The Possum died April 26 at 81.
  • Bill Lowe, a songwriter, DJ and performer (Bill Lowe and Cripple Creek), died April 28 at 82.
  • Roger Smith played banjo and fiddle for Bill Monroe and the Blue Grass Boys in the mid-1950s. He died May 22 at 86.
  • Lyle Miller, a mandolin picker and teacher in Nebraska, was 96 when his death was announced June 4.
  • Kenny Sloas, who played banjo for the Sloas Brothers and the Dixie Play Boys, died June 20. He was 78.
  • Furman Wilson, a founding member of the Primitive Quartet, died July 2 at 71.
  • Highly regarded banjo builder Harry Lane died July 9 at 72.
  • Dwight Moody, who performed with the Virginia Playboys and the WBT Briarchoppers, died July 12 at 83. He was also a radio host, teacher and publisher.
  • Cowboy Jack Clement, wasn’t a bluegrasser per se. He made his name in country music, but earns a spot on this list for producing records for three bluegrass Hall of Fame members: Doc Watson, Mac Wiseman and John Hartford. His death, at age 82, was reported on Aug. 9.
  • Bobby Slone earned a spot in bluegrass lore by playing bass and fiddle on one of the genre’s seminal recordings: J.D. Crowe and the New South, which was released in 1975. He was 77 when he died on Aug. 12.
  • Leo Duffy played banjo for the Duffy Brothers, a band that helped popularize bluegrass music in Britain. He died Aug. 17.
  • Margaret Holt, who played guitar and banjo in an era when it wasn’t common for women to do those things, is also the mother of Aubrey, Jerry and Tom Holt of The Boys From Indiana. She died Sept. 8 at 96.
  • Gene Bretecher, a Canadian banjo picker, played and recorded with the Northern Gentleman and on his own. He died Sept. 15 at 74.
  • Tommy Scott, a jack-of-all-trades, performed with Curly Seckler and in medicine shows, appeared on the Grand Ole Opry and was a songwriter. He was 96 when he died on Sept. 30.
  • Jim Shumate played fiddle in the Blue Grass Boys and on the first record made by Lester Flatt and Earl Scruggs after they left Bill Monroe’s band. But his biggest accomplishment, in terms of its impact on bluegrass music, might have been introducing Monroe to Scruggs. He died Oct. 10 at 91.
  • Bill Duncan played guitar during two stints with the Blue Grass Boys. He died Oct. 19 at 84.
  • Doug Davidson, the resonator guitar player for Laurel River Line, died Oct. 21 at 45.
  • Alex Campbell, who played with the New River Boys and Girls (later just the New River Boys), died Oct. 24 at 90. He was a DJ as well.
  • Zak McConnell, mandolinist and a founder of The Fiddleheads, died Oct. 29 at 26.
  • Ken Palmer, who played mandolin and sang for the Dixie Flyers in Canada, died Oct. 30 at 65.
  • Myron Dillman is remembered as the resident jokester, handyman and fill-in fiddle player at the Bean Blossom festivals, which are owned and operated by his son, Dwight. He died Nov. 3 at the age of 79.

Too many, gone too soon. But their music lives on — in memories and on records.

Maro Kawabata passes

Popular Japanese bluegrass artist Maro Kawabata died unexpectedly yesterday at the age of 51. He left behind many friends in the worldwide bluegrass community, who remember him fondly for his kindness, good humor, and superb musicianship.

Maro was born in Kyoto, where he was raised, before coming to the United States for college. He returned to Japan after completing his studies but eventually settled in the US, and was living currently in Nashville. Repeated trips back home with prominent American grassers in tow made Kawabata something of a bluegrass ambassador in his homeland. Artists such as Sammy Shelor, Don Rigsby, and Terry Baucom had accompanied him on these tours.

Fittingly, Bill Monroe was Maro’s introduction to bluegrass; at 12 years old, he discovered Monroe performing on Japanese television. Soon he was collecting Monroe albums and studying the music with intensity along with his brother, Takaharu.

His reputation as a strong bluegrass guitarist was solidified with a 2010 solo project, Sunset Drive, which we reviewed at the time of its release. The album featured contributions from Shelor and Rigsby, along with Adam Steffey, Andy Ball, Rickie Simpkins and Ronnie Rice. Maro was also assisted by fellow flatpickers Wyatt Rice and Richard Bennett.

A previous recording, Carolina Blue, was released in 2001 on Copper Creek Records.

Here is a video of Maro picking Daley’s Reel with Hiroki Maeta in Onomichi, Japan a few months ago.

 

Maro was in Japan when he passed. Details about his death are sketchy at this point, though he had been hospitalized in Fukuoka earlier this year. No information about arrangements has been announced.

R.I.P., Maro Kawabata.

Maro Kawabata takes his music back home

Maro Kawabata is a bluegrass musician, born and raised in Japan, but who lives now in the United States.

It was as a child in Japan that he first heard the music of Bill Monroe, the music that marked him forever as a follower of the bluegrass way. After attending college in the US, Maro returned home where he met and married an American woman. The music called again, bringing him to Canada to perform, with Maro and his wife, Sandra, ultimately settling in Ohio.

An album featuring Kawabata, Sunset Drive, was released in 2010 and he has made occasional musical privileges back to the land of his birth to share his own brand of bluegrass with devotees in Japan.

He is there now, in fact, finishing up a 2 week tour with some notable musical friends here in the States, Don Rigsby, Terry Baucom, Rickie Simpkins among them. Cindy Baucom, who is playing bass on the tour, sent along a number of photos that capture the fun they would seem to be having.

 

Review: Sunset Drive the CD

Not long ago we wrote about the Sunset Drive tour of Japan. Now we bring you news of the recording for which the tour was named.

Maro Kawabata brought together several of his friends and heros for the recording Sunset Drive. The line up includes: Wyatt Rice, Patty Mitchell, Rickie Simpkins, Sammy Shelor, Ronnie Rice, Don Rigsby, Adam Steffey, Andy Ball, and Richard Bennett.

The CD is on the Flatpicking Guitar Magazine label, FGM Records, which might lead one to assume that it’s mostly instrumental and flatpicking guitar oriented. While the guitar playing of Maro and Wyatt does serve as an anchor for the project, the very first track dispels the notion that this CD is only for those who enjoy flatpicking. Of the 12 tracks on the recording only 5 are instrumentals, 7 are vocal numbers. Vocal duties are split between Patty Mitchell, Don Rigsby, Andy Ball, Richard Bennett, and Maro himself contributing to a nice rendition of the old A.P. Carter tune, Found Affection.

I would be remiss though if I didn’t point out the fine instrumental aspects of this CD. Even on the vocal tunes the solos and fills both, reflect the tastefulness and musical maturity you would expect from the likes of Rice, Shelor, Simpkins, Steffey, and Maro himself, who contributes some very fine guitar playing to this project.

The instrumental tunes proved to be very enjoyable. The first of which is a catchy tune written by my friend Keith Yoder, Skipping Stones. The old, familiar Banks of the Ohio also proved to be one of my favorite cuts. Simpkins utilized a viola on this cut which gave it a unique sound.

With both Maro and Wyatt playing guitar, not only are we treated to some great lead guitar solos on each tune, but throughout the CD, the glue holding everything together is some of the finest rhythm playing one could hope to hear. The two players manage to compliment each other well, not muddying up the sound with two guitar, but actually making each other, and everyone else as well, sound better. That’s the signature of a great guitar player!

If you like great guitar playing, whether it be flatpicking or strait up bluegrass, you owe it to yourself to check out Sunset Drive. Here are a couple short samples to whet your appetite.

[http://traffic.libsyn.com/thegrasscast/these_tears.mp3] – These Tears

[http://traffic.libsyn.com/thegrasscast/found_affection.mp3] – Found Affection

[http://traffic.libsyn.com/thegrasscast/banks_ohio.mp3] – Banks Of The Ohio

Sunset Drive in Japan

Maro Kawabata is a Japanese native who came to the states some 20 years ago. His interest in bluegrass music led him to record a solo project for Copper Creek Records, Carolina Blue, in 2001, and then plan a tour in Japan to promote the CD. He took Sammy Shelor, one of his heroes, with him on that tour. In 2007 Maro and Sammy went back and took Jennifer Strickland with them.

That second tour had as its focus the demonstration of opportunities for cross cultural exchange through bluegrass music. Since 2007, the tour has become an annual event. We had the opportunity to speak with Maro yesterday, and gather some additional information about the tour, the musicians involved, and the bluegrass in Japan.

Here’s a listing of each of the five tours, and which musicians have participated.

2001: Maro Kawabata, Sammy Shelor
2007: Maro Kawabata, Sammy Shelor, Jennifer Strickland
2008: Maro Kawabata, Sammy Shelor, Andy Ball and Shin Akimoto
2009: Maro Kawabata, Sammy Shelor, Andy Ball, Rachel Johnson and Shin Akimoto
2010: Maro Kawabata, Don Rigsby, Terry Baucom, Patty Mitchell and Rachel Johnson

When Maro began planning for this year’s tour, he was in the studio working on his latest CD, Sunset Drive. Don Rigsby was in the studio with him and expressed an interest in going on the tour. As the two began to talk, the lineup of the tour began to take shape.

For the Sunset Drive 2010 Japan Tour, Mr. Rigsby contributed a great help to choose musicians to travel with and I carefully chose musicians that would fit the tour purpose and quality.

Maro told us that his particular interest in taking Terry Baucom stemmed from the fact that he considers Terry to be somewhat of a legend who the Japanese audience hadn’t had many opportunities to see. Patty Mitchell sang on the CD and it seemed like a natural choice to take her along as well. Of course, Rachel Johnson had gone last year, and Maro decided he wanted her along again this time around.

I asked Maro how he would gauge the popularity of bluegrass music in Japan.

With the influence of Folk music in the late 70s, Bluegrass music was introduced to Japanese college students and began to gain popularity in the late 70s and 80s. There are some die-hard Bluegrass lovers in Japan and they are the ones supporting our tour every year.

He said the popularity, expressed as a percentage of the population who enjoys the music, would be roughly equal with that of the U.S. My next question was to ask him how the tour was received this year, with both Don and Terry along.

We did a lot of straight bluegrass music on this tour and our performance was very well received among the Japanese audiences at each venue. Needless to say, having high profile veteran musicians such as Don and Terry on the tour is huge plus.  Don and Terry are both strongly established in the Japanese Bluegrass scene.  I am so glad that we were able to provided quality music to those who had such high expectations from our past  tours.

As the conversation continued, I asked Maro how he would gauge the overall success of the tour, especially in terms of accomplishing its mission.

The 2010 Sunset Drive tour was very successful, we have accomplished our mission to provide the grass roots cross cultural experience and we visited hospitals to play our music to their patients.  We also did some work shops for the college students who are learning Bluegrass music among their college club activities.  I hope our time spent with those younger generations would motivate them not only to play music but to incite an understanding for international good. This year, we have raised almost $1,000.00 in donations for Nashville Flood Victims.  We are very appreciative and humbled by the generosity of people in Japan.  The funds raised on tour will be donated to the city of Nashville and the Red Cross on June 11,2010 by Hon.Hiroshi Sato, Consulate General of Japan in Nashville.

Maro tells us that he intends to continue this Japanese tour on an annual basis. His passion is to provide a grass-roots level cultural exchange between his native country Japan and his (now) home country of the United States. He also expressed a desire to tour here in the US as well, so we’ll be on the look out for that!

It was mentioned earlier in this article that Maro recently recorded a new CD titled Sunset Drive. The tour was named after the CD. Sunset Drive will soon be available from FGM Records. We’ve obtained a copy and will post a review soon, so keep your eyes open for that.

While they were in Japan, the band had the opportunity to interact with other Japanese bluegrass musicians. During one such instance, the Japanese bluegrass band Longing For The Southland, asked Terry Baucom to join them onstage for a turn through the song Yellow River. Here’s the video of the performance.

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