Round Window Press announces Wes Corbett and other banjo books

Round Window Institute, the non-profit entity that manages Banjo Summit and the Modern Mandolin Workshop, has announced the launch of a print side, Round Window Press, to publish instrumental transcription projects.

The first book will be for virtuoso modern banjoist Wes Corbett, including tablature transcriptions for his 2021 Cascade album. The record features ten of Corbett’s instrumental compositions, bridging all of the contemporary three-finger banjo styles – roll-based, single string, and melodic. He has become a prominent name in the jamgrass scene as the banjo man with the Sam Bush Band this past few years.

Cascade Transcriptions for 5-String Banjo will be available on April 26, and pre-orders are enabled now online. The book sells for $25, and includes notation for all the banjo solos from the record, plus performance notes from Wes for those learning his music. Special details and difficult passages are pointed out with tips on how to execute them in the notes for each piece.

Round Window is a project of Jake Schepps and Adam Larrabee, both contemporary banjoists with a mission to support and promote taking the instrument beyond bluegrass music, with a focus on classical and composed music for the five string. They have plans for several other books in the near future, including a set of Béla Fleck transcriptions from My Bluegrass Heart, and one for Larrabee’s 24 Preludes Volumes 1 and 2.

Jake shared a bit about what they hope to offer with Round Window Press.

“We are hoping that the Cascade book (and those to come) are very new and different. We have focused on readability, and each note was considered whether it is intuitive or not (that being normal within the standards of bluegrass banjo technique). If it was not, or fit into a theme of Wes’s playing, we added right- and left-hand fingerings (though keeping most off the page to avoid clutter). Each tune has an introduction from Wes and detailed Editor’s Notes highlighting the stylistic choices Wes has made, and how he employs some of his characteristic techniques.

Tunes are presented in a lead-sheet format with chords so it is obvious how each tune is structured and could be played with others.While not an instructional book, we include a detailed ‘How to Use This Book’ section in hopes that these ideas can be incorporated into your own playing. Also included is a section on Sample Backup. Us banjo players have a good sense in bluegrass how to back up songs and fiddle tunes, but not much is written bout how to back up new acoustic tunes with altered chord changes and different grooves.

And there is a lot more. It is the book Adam, Wes, and I always wanted as we were coming up.”

Wes provided the transcriptions for the melodies, or heads, of the tunes, and Adam did the solos. Jake served as editor and proofreader. The Cascade book will be offered initially in print form, though PDF download options may be added at a later date. A PDF book of chord charts for all of the songs on Cascade is also in the works, edited by Alex Hargreaves.

We have had a glimpse at the Corbett book, and it is quite professionally produced with easy to read typeset tabs.

This a very welcome development in the banjo world. Expect to hear more from Round Window Press in the near future.

Track Premiere: Mary Evelyn from Wes Corbett’s banjo project

Wes Corbett, banjo player with the Sam Bush Band, has a banjo solo project coming December 4 called Cascade.

He has graciously agreed to let us share the first single today, Mary Evelyn, a highly lyrical banjo tune he recorded with Paul Kowert on bass, Sierra Hull on mandolin, Alex Hargreaves on fiddle, and Chris Eldridge on guitar.

Corbett is a perfect example of what creative young banjoists are producing with the instrument these days. Built on the foundation of the three finger style developed by Earl Scruggs, Wes combines those techniques with the wide open vistas that a more melodic approach offers to a composer and player. This song is arranged for a bluegrass quintet, as used by Bill Monroe, but with all the musicians applying the same sort of free thinking attitude in their accompaniment and solos.

The result is a highly listenable banjo instrumental, that feels as though it is telling a story through sound.

Wes tells us that the inspiration came from someone dear to him.

“Mary Evelyn was written for my grandmother on my mother’s side in 2013. The main melodic ideas came directly off the banjo, which wasn’t typical for my writing process that’s usually focused on using my voice to find melody. In the months leading up to making this record I spent a huge amount of time working on arrangements with co-producer Chris Eldridge, and Mary Evelyn was consistently a quagmire. We struggled to figure out exactly how to bring it to life, but when this spectacular band finally got together it became clear that we should just treat it like we were jamming on a fiddle tune. The whole thing fell into place and it’s now one of my favorite tracks on the record.”

See what you think…

Mary Evelyn is available now wherever you stream or download music online. The full Cascade project will release on December 4 on Padiddle Records.

For more details, visit Wes online or via his social media accounts.

Wes Corbett to Sam Bush Band

The Sam Bush Band has announced that Wes Corbett will join the group on banjo. He steps into the spot filled by Scott Vestal this past 15 years.

The native of Bainbridge, Washington comes to Bush after an already stellar career with several edgy contemporary bluegrass outfits. While teaching banjo at Berklee in Boston he performed as a member of Joy Kills Sorrow and The Bee Eaters, and then played banjo with The Molly Tuttle Band when he moved to Nashville.

Corbett’s musical training started with piano when he was a toddler, but he switched over to banjo in high school. He was able to continue his studies on the instrument at the California Institute of the Arts, and has been in demand as an instructor and sideman ever since. Wes is an extremely accomplished player, quite adept at the sort of modern style that Vestal has made a part of Sam’s sound since the early 2000s.

He tells us that it’s a bit humbling to hook up with a legend like Bush.

“I am thrilled and honored to join the Sam Bush Band. Sam’s music has had a significant influence on me as an artist, so to share the stage with him and his amazing band is a dream come true. I’ve always been in awe of Scott Vestal’s virtuosity and musicality, so to follow in his footsteps is a tall order. I will strive to honor what he created, and to play with a strong sense of self, just as he always has.”

Bush made this cute little video to welcome Wes to the band when he was officially announced last week.

For his part, Scott tells us that he is focusing on his studio work as the owner/engineer at Digital Underground in Hendersonville, TN. There he stays busy recording bluegrass and acoustic artists, and often also serving as producer as well as laying down banjo tracks.

Work has just been completed on Bluegrass 2020, a reprise of the annual records he made between 1995 and 2001, featuring more straight ahead arrangements of bluegrass instrumentals. Like those classic albums, the new one will be released on Pinecastle Records, featuring picking from Scott, Cody Kilby on guitar, Patrick McAvinue on fiddle, Dominick Leslie on mandolin, and Curtis Vestal on bass.

Keep an eye out for that on Pinecastle later this year.

You can find all the Sam Bush Band dates online.

Banjo Summit launches in Colorado

Colorado banjoist Jake Schepps will be no stranger to Bluegrass Today readers, as both a noted player and a correspondent/reviewer.

Though he came up in the bluegrass world, Jake’s interests have since expanded to include modern classical music on the five string, a milieu in which he has recorded and performed this past few years. He’s even commissioned works from contemporary composers, getting them to write for an acoustic string band.

With many more banjo players and students opening themselves to non-bluegrass performance, Schepps has decided to launch a new instructional camp designed specifically for progressive playing styles.

Billed as The Banjo Summit, the workshop weekend will be held for the first time May 11-13 in Fort Collins, CO. In addition to Jake, the faculty will include several other prominent pickers who focus or specialize in new approaches to the instrument.

The teaching lineup for 2018 is Jayme Stone, Wesley Corbett, Jake Schepps, Ben Krakauer, and BB Bowness with Ross Martin assisting on guitar. Classes will run from 10:00 a.m. to 6:00 p.m. that Friday and Saturday, and 10:00-3:00 on Sunday. A faculty concert will be held on Saturday a 8:00 p.m.

All the seminars will be on 3 finger playing, and there is no track for beginners. The organizers are requesting that all enrollees submit a video of themselves playing to ensure that each student is at a level where they are ready to benefit from the instruction to be offered.

Schepps believes that the banjo world is ready for a workshop like this.

“I’ve taught at a number of camps where the reaction to anything other than a traditional bluegrass approach is often, ‘How did you do that?’ The focus of the Banjo Summit is treating the banjo as a musical instrument unto itself, instead of solely one voice within a bluegrass band. It can be used to play so much more music — jazz, world, swing, or classical. Learning techniques that are helpful in playing other genres can elevate your approach to playing traditional music.

The demand for a more comprehensive banjo education has never been greater and the instructors selected for the Banjo Summit represent the brain trust of today’s progressive banjo community.”

Tuition for the Summit is $450, not including accommodations or food. Lodging suggestions are listed on their web site, along with more information about the faculty.

Cambrian Explosion in Boston?

Here’s word of another new EP coming from the burgeoning Boston contemporary bluegrass scene. This time it’s guitarist Andy Cambria putting together a solo project with several of his friends.

But Andy says that it’s really more of a band project, recorded with a group that has performed together sporadically in the area, made up of pickers that will be familiar to many of our readers.

The record isn’t expected until next year, and isn’t officially titled though Andy has threatened to call it Cambrian Explosion. What a perfect title!

Andy studied film at Holy Cross and has shot music videos for a number of the groups in the Boston area, but he’s also a fine bluegrass musician and singer. I’ll let him explain how this album came to be…

“I’ve been insanely busy the last couple years with other things (had two children, started doing a lot more freelance photo/video work, and got busier at my ‘day job’ selling instruments at The Music Emporium). The band on this EP had played a handful of gigs; and we’d always get the question ‘why don’t you have a record?’

I decided I’d just grab the first two available studio days when everyone was in town, and we’d get together and record some songs very informally. We decided on the material a day before cutting the tracks, and everything on the EP was recorded live except a few phrases of solos that were cleaned up afterwards. I felt it was important to not overthink the recording, since we were really going for a bluegrassy sound and most of what makes that work (for me anyway) is the rawness and power of a great group of people playing together in the same room.

A lot of people in the stringband scene these days do the ‘well, we play bluegrass instruments but we don’t play bluegrass’ thing, and I wanted to go in a more straight-ahead bluegrass direction. We play the bluegrass instruments, and I hope it sounds like bluegrass!

The material is sourced from singer/songwriters I love in the country/Americana world, people like Martha Scanlan and Jonathan Byrd. The players on the EP are yours truly (vocals, guitar), Brittany Haas (fiddle, harmony vocals), Wes Corbett (banjo, harmony vocals), Joe Walsh (mandolin, mandola) and Charlie Rose (bass, harmony vocals). Not only are these folks close friends of mine, but they are the exact group of people I’d choose to play with any day of the week, so we’ll concentrate on only doing gigs when this group is around.

The EP was recorded by Dan Cardinal at Dimension Sound in Jamaica Plain, MA, and mastered by Dave Sinko. It will be released in the early part of 2015.”

Bluegrass music on bluegrass instruments? Who’d a thunk it?

There are a couple of audio samples on Cambria’s web site for those who want to check it out in advance of the release.

This Unknown Scienece – Joy Kills Sorrow

This Unknown Science, the latest CD from Boston’s Joy Kills Sorrow is now available for sale online.

The group is one of many adventurous string bands to emerge from Beantown’s steaming cauldron of young acoustic musicians. They utilize the familiar bluegrass instrumentation, but their sound moves in very different directions.

Banjo player Wes Corbett takes a stab at defining their approach…

“Joy Kills Sorrow is rooted in the tradition our instrumentation would suggest, but our song writing and arranging is decidedly modern, and very influenced by sources outside of the bluegrass vernacular.”

Clearly true, as these brief audio samples from the new album attest.

Jason: [http://ss.rvtc.us/sites/default/files/samples/02 Jason Clip.mp3]

Surprise: [http://ss.rvtc.us/sites/default/files/samples/04 Surprise Clip.mp3]

One More Night: [http://ss.rvtc.us/sites/default/files/samples/09 One More Night Clip.mp3]

Lead vocals are provided by Emma Beaton with Corbett on banjo, Matt Arcara on guitar, Jacob Jolliff on mandolin, and Bridget Kearney on bass. All are virtuosic performers and, despite their youth, come to the band with impeccable credentials – and awards even!

Arcara is the winner of the 2006 National Flatpicking Championship at Winfield, Beaton is the 2008 Canadian Folk Music Awards’ Young Performer of the Year, and Kearny the winner of the 2006 John Lennon Songwriting Contest. Corbett has just appeared on the cover of Banjo NewsLetter, and Jolliff was awarded a full scholarship to the Berklee School of Music.

Not too shabby.

Both CD and MP3 downloads can be purchased from the Signature Sounds site, and you can also find This Unknown Science in iTunes.

Wes Corbett to Berklee

The Berklee College of Music in Boston has announced that Wes Corbett has been hired as a banjo instructor, joining David Hollender in that capacity at the school. Corbett will serve as an Associate Professor on a part time basis, as his schedule allows.

It is wonderful news for all lovers of the five string banjo to see that Berklee feels a need to increase/double their banjo faculty just five years in to accepting banjo as a principal instrument.

Wes is currently touring as a member of Joy Kills Sorrow, also based in Boston, who have a new CD release coming up on Signature Sounds next month. He is a native Californian, and a graduate of the California Institute of the Arts, who jumped to the east coast (and Boston) inspired by the eclectic and burgeoning acoustic music scene in Beantown.

Here’s a recent video of the band showing their avant garde take on the traditional bluegrass ensemble, shot d.uring their European tour in February

Concert Window goes live in Boston

A new video streaming service has recently launched in Boston. Concert Window was designed to offer live concerts, and is managed by Dan Gurney and Forrest O’Connor from The Hay Brigade, whose debut CD we profiled last month.

They held their first two online shows last week, streaming live from the legendary Club Passim in Cambridge, MA (their fair city). Dan tells us that their debut, featuring Boston’s bluegrass sweethearts, Della Mae, drew an audience of 850 people online. Not bad for first time out of the gate.

Tonight’s (12/1) show features The Bee Eaters, another of Beantown’s innovative young string bands who perform adventurous original instrumental music for banjo, hammered dulcimer, violin and cello. Simon Chrisman is on dulcimer with Crooked Still’s Tristan Clarridge on cello/fiddle, his sister Grand Masters champ Tashina on fiddle, and Wes Corbett from Joy Kills Sorrow on banjo.

Here’s a taste of their music…

You can watch The Bee Eaters live tonight at 8:00 p.m. (EST) at www.concertwindow.com, streaming again from Club Passim. More shows are being added, which will be listed on the site.

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