Clyde Maness receives Alan Perdue Memorial Award

Alan Perdue’s daughter, Tabatha, presents award to Clyde Maness (March 8, 2022)

Serving the central North Carolina bluegrass community for the past 48 years, Clyde Maness was honored on Tuesday evening, March 8, for his dedication and commitment to the music. The 81-year-old was presented the Second Annual Alan Perdue Memorial Bluegrass Music Award during the regular Tuesday night jam at his establishment, Maness Pottery & Music Barn, in Carthage, NC.

“I was at the Grand Ole Opry and I told Roy Acuff that I was going to build a music barn. He said, ‘if you build it, they will come,’ and he was right. There wasn’t church on Tuesday night so it seemed like a good time,” said the long time upright bass player.

Clyde’s older sister, Dot, started helping her brother after her husband passed away in 1998. The weekly gathering begins with a covered dish meal where Dot serves up food. No alcoholic beverages are permitted. There is no charge, but many of the attendees bring a dish or two to share, and there is a donation basket. Pickers range from teenagers to seniors.

Maness stated, “Every Tuesday night, I cook 12-14 pounds of pintos and 20 pounds of potato salad. I get five cases of water, six cases of drinks, and 150 cups of coffee. Sometimes there’s 100 people. Sometimes there’s 200 or 300. In 1990, it got so big we added a room.”

“It’s like a dinner theater, free of charge. I don’t know how you can beat that. Clyde is a servant of the community,” shared regular picker, Paula Conley. “You’ll make friends before you leave.”

The award was given in memory of the late North Carolina mandolin virtuoso, Alan Perdue, who passed away from cirrhosis of the liver in 2019 at the young age of 49. A lover of bluegrass, Alan was always a central fixture at area fiddlers’ conventions. The award was established at Seagrove Fiddlers’ Convention in 2019 to recognize individuals who have promoted the music that he loved. 

The first award was presented to Bobby Franklin, North Carolina radio DJ and MC at music events for decades. Maness was selected for the second award slated for March 21, 2020, but due to the global pandemic, the convention was canceled. With restrictions from the school system, the event, held in Seagrove Elementary School’s gymtorium, has still been unable to resume. So the decision was made to present the award to Maness on his home turf.

Perdue’s mother and daughter, Janice and Tabatha, were on hand for the presentation. Big T Lassiter, a Tuesday night regular at Maness’ jams, made the presentation.  First, he introduced the Perdue family.

“A lot of you remember Alan. He played with the original Mountain Heart and IIIrd Tyme Out. This is his mom and daughter. As you know, for the third year in a row, COVID has taken our three fiddlers’ conventions in the area. Seagrove decided go ahead and give the award for bluegrass excellence and dedication.

Clyde loved the music so much that back in ’74, he started playing and when it got to be too many people at the house they came over here and started playing at the pottery barn. He found a way to make it by just passing a hat.”

“And my social security check,” Maness injected.

“He’s like the rest of us, he pays to play,” Lassiter joked. 

Resuming seriousness, Lassiter pointed out, “Think of all the generosity this man has shared with all of us. Think of all the music that has gone through these walls. Think of all the number of great bands that came to Clyde’s for a testing ground. This is the third year we haven’t had bluegrass ,and if it weren’t for Clyde, we wouldn’t have any now.”

“I can’t think of how many hours he has dedicated to bluegrass. He dedicated his time and money, and not to get a whole lot of reward, other than to sit back and listen to some of the best music in the world. 

 Just in the 20 some odd years I’ve been coming, I walked into Mark Schatz. And for all you contemporary bluegrass people, he is one of the finest bass players in the world.” 

Lassiter went on to list other music notables to grace Maness’ stage, past and present: Carl Story, Hunter Berry, Ashby Frank, Nathan Aldridge, Matt Hooper, and Caroline Owens to name a few. He also acknowledged the distance that some participants and attendees travel.

“That’s dedication. None of us could do this without Clyde and his desire. What else can I say? We love you.”

Lassiter reflected on Perdue as he passed the mic to Alan’s mother. “If you needed a rhythm player at any of the conventions, Alan was right there and smiling when he did it. When he was dying, he was smiling and said, ‘I’m not going down without a fight,’ and I think that’s the way we all need to be. I’m going let his family present this award to Clyde.”

As the award was given, Janice Perdue shared, “I wouldn’t feel right tonight if I didn’t give God praise. When Alan was three or four, the assistant pastor of our church asked if anyone would like to learn how to play a musical instrument to come forward.”

Janice’s three children, Alan, Sandy, and Tammy stepped up.

“Within six months, they were playing music. God gave them the talent. All during Alan’s life, he loved music. His debut was in his kindergarten class. Thank you for loving him, and he knew it. He loved his bluegrass family. He loved Mr. Clyde Maness.”

Maness accepted the award with only a word of thanks. “Thank y’all. I’ve been here a long time and seen a lot of people.”

Following the presentation, a cake decorated with music notes and the inscription, “Thanks for the music, Clyde,” was served to those in attendance.

At the close of the evening, Maness reflected, “It was a surprise. I knew something was happening because of the large turnout of people tonight, but I didn’t know what.”

Well past the midnight hour, the proprietor of Maness Pottery & Music Barn placed his plaque upon his walker and exited the building. He would return the following day to begin preparation for the next week’s jam.

Reflecting on his memories of the Tuesday night gatherings, Clyde confessed, “A lot of people that come here, this is their life. They don’t have nothing else. They are old people like me, and they enjoy it. 100 years from now, I won’t be lonesome.”

Maness Pottery & Music Barn is located at 10992 NC-24, Carthage, NC. Tuesday night jams begin with the meal at 6:00 p.m., followed by music, both on stage and off.

Maness Music Barn reopens in Carthage, North Carolina

He’s back! Clyde Maness, proprietor of Maness Pottery and Music Barn in Carthage, North Carolina, is once again opening the doors to his Tuesday night music parlor shows and jamming sessions. The 80-year-old fell on June 30, breaking his leg (between hip and knee), and underwent surgery the following day. Since then, the Music Hall has not been open to the public.

“We’re back open,” Maness relayed in a phone interview. “We have been meeting on Tuesday nights, but picked outside to keep everyone safe.”

On Tuesday, September 14, the doors will open for the first indoor performances since his mishap.

“We will have three bands playing that night. One includes Bill Monroe’s daughter. The music will be again around 5:30. We’re expecting a big crowd,” Maness eagerly anticipated.

A musician himself, Maness started hosting musical gatherings in his home in 1974 on Tuesday nights. 

“There wasn’t church on Tuesday night so it seemed like a good time,” said the upright bass player and business owner.

With many musicians eager to pick with one another, the ensemble quickly outgrew his house so Maness moved the jam session across the road to his family’s pottery shop.

It is a midweek pick for many well-known North Carolina bluegrassers that occasionally drop in, such as Nathan Aldridge (Russell Moore & IIIrd Tyme Out), Matt Hooper (Lorraine Jordan & Carolina Road), Trent Callicutt (Kenny & Amanda Smith), Curt Love (Junior Sisk), and Caroline Owens (Caroline & Company), to name a few. It is a musical gathering that draws senior pickers such as 90-year-old guitarist, Amon Garner, to 15-year-old guitar super picker, Jake Goforth. They are happy it is reopening.

“It is a good place to make music. I come most every Tuesday night. You feel a lot better going to a place like this. It makes me feel about 20 years younger,” Garner admitted.

Kevin Richardson of Merle Monroe shared, “It’s truly the best place on the East Coast to jam.”

Maness, who now relies on a walker to keep him mobile, but stable, concluded, “I’m feeling really good. I broke my leg the day before I was to have hip surgery. I’ve rescheduled my hip surgery for October.”

As always, there is no admission charge into Maness’ establishment. Donations in the box are appreciated to help offset costs of maintaining lights and air conditioning in the building. No smoking or drinking is allowed.

The music continues on Tuesday nights. Maness’ Music Barn is located at 10992 Hwy 24/27, Carthage, NC 28327.

Clyde Maness suffers broken leg – Maness Music Barn stage shuts down

Clyde Maness, proprietor of Maness Pottery and Music Barn in Carthage, NC, fell on June 30, breaking his leg (between hip and knee). He underwent surgery on July 1 and is already on the road to recovery.

The 80-year-old owner started hosting musical gatherings in his home in 1974 on Tuesday nights. “There wasn’t church on Tuesday night so it seemed like a good time,” said the upright bass player.

With many musicians eager to pick with one another, the jam session outgrew his house so Maness moved the musical gathering across the road to his family’s pottery shop.

“My wife (of 61 years), children, and daughter-in-law all turned pottery. My wife had cancer and we closed the pottery about six years ago,” Clyde reflected, but the music continues every Tuesday night like clockwork and has grown in popularity.

It is a midweek pick for many well-known North Carolina bluegrassers that occasionally drop in, such as Nathan Aldridge (Russell Moore & IIIrd Tyme Out), Matt Hooper (Lorraine Jordan & Carolina Road), Trent Callicutt (Kenny & Amanda Smith), Curt Love (Junior Sisk), and Caroline Owens (Caroline & Company), to name a few. It is a musical gathering that draws senior pickers such as 90-year-old guitarist, Amon Garner, to 14-year-old guitar super picker, Jake Goforth. 

It is a good place to make music. I come most every Tuesday night. You feel a lot better going to a place like this. It makes me feel about 20 years younger,” Garner admitted.

Kevin Richardson of Merle Monroe shared, “It’s truly the best place on the East Coast to jam.”

“We have more than 100 people on any given Tuesday night,” said Maness, who has expanded his building twice. 

Burlington bassist, John Fogleman, stated, “Dad started bringing me when I was little. I grew up learning to play here. Clyde showed me a thing or two on the bass.”

Multiple jams typically form throughout the sprawling enclosures. Gradually, these groups, some seasoned bands, others impromptu assemblages, take to the stage located in the back of the building to perform a few tunes for the listeners who gather. Maness mans the sound board for each band.

Due to his fall, the Maness Music Barn stage will be closed. However, its patriarch will continue to offer his midweek haven for musicians. If you want to jam next Tuesday, he will have the back room open for jamming around the stove. 

Guitarist, Bob Dotson, related, “You know Clyde, he wants everyone to come play. He would be there if they would let him.”

If you’d like to send him a card, his address is:

Mr. Clyde Maness
Clyde’s Music Barn
10992 Hwy 24/27
Carthage, NC 28327

Clyde’s Music Barn short documentary

The amateur bluegrass music scene is a part of our community that rarely sees the spotlight. Amateur pickers and singers work hard to hone their craft, and rejoice in opportunities to perform for other bluegrass lovers. Many have years of playing experience, and all are thankful for the clubs, associations, and venues that provide them a place to jam or play on stage.

Just such is the subject of Clyde’s Place, a short film by David Puckett on the Maness Pottery and Music Barn in Carthage, North Carolina. There they host a weekly jam and potluck on Tuesday nights, and have made it a local tradition for the past 40 years.

David is a film student at the Center for Documentary Studies at Duke University, where he is taught by filmmaker Randolph Benson. For his class titled Anytown USA, Benson visited the town of Robbins, just outside of Carthage to find topics to select for his students, who were to create a short film on their chosen theme over the next 10 weeks. Puckett chose Clyde’s, and he captured both the fun, friendly vibe at the weekly jams, and the eccentric personality of the proprietor.

 

Long live the local jams!

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