Bluegrassers at the Led Zeppelin show

Bluegrass has been getting cozy with the guys from Led Zeppelin recently. From the success of the duet album by Alison Krauss and Robert Plant, to John Paul Jones producing Uncle Earl, the connection is there.

The rock band of legend just performed their first full concert in 27 years at the O2 Arena in London, UK, Monday night. This was a full on rock concert, but the bluegrass connection was still alive.

We just heard from our friend Scott Rouse, the Nashville producer responsible for the Blue Highway CD MarbleTown, who was at the show courtesy of John Paul Jones himself.

John Paul Jones invited his bluegrass buddies to London for the Zeppelin show. He gave us killer seats. John’s wife, Mo, really took great care of us all. Here’s me, Paczosa, Ronnie and Rob. We all got backstage after show passes and had a blast. The Bluegrass contingent was full on.

From what Scott tells me, the whole bunch headed over to Jones’ house for a jam session after the concert. So who’s the “whole bunch” you ask?

  • John Cowan
  • Bela Fleck
  • the Uncle Earl girls
  • Ronnie & Rob McCoury
  • Gary Paczosa
  • Scott Rouse
  • David Ferguson
  • John Carter Cash and Laura Cash
  • Chris Eldridge

Sounds like a jam I would have liked to heard!

Weekend print news update

We found a number of feature pieces on bluegrass/acoustic artists in various print publications this past few days.

Friday’s Knoxville News Sentinel ran an interview with Abby Washburn of Uncle Earl. She talked about their upcoming CD, Waterloo, Tennessee, and having it produced by John Paul Jones, former bass player with Led Zeppelin. The discussion also turned to the notion of performing with an all-female string band.

“Everybody has a different perception of what it means to be an all-female band,” says Washburn. “Sometimes it works in our favor. And sometimes bluegrass festivals will hire us, it seems like, as a way to fill a quota.”

However, Washburn says that women, especially, seem to appreciate the group.

“I think we make it more accessible to them ‚Äî especially since we haven’t all been playing this music since we were 4 years old,” she says.

Read the whole piece on the News Sentinel site.

Sunday’s edition of The Tennessean, Nashville’s hometown paper, had a piece on The Grascals’ recent appearance with Dierks Bentley on The Late Late Show with Craig Ferguson. Staff writer Peter Cooper accompanied the band to Los Angeles for the show, and recounts their day at the CBS studio. He also spoke with Ferguson about his appreciation for American country music, and his desire to include it in The Late Late Show programming.

“I got here at this show two years ago and said, ‘We need to send a message to the country community that this is a country-friendly show,'” he said. “When I was a kid in Scotland, we heard a lot of country music. It was Johnny Cash ‚Äî forever ‚Äî and then there was Hank Williams. The first Hank Williams. Country music is popular in Glasgow, Scotland. These are working-class, drinking people.”

You can read the lengthy piece online at The Tennessean site.

This morning’s edition of the Fredericksburg, VA Free Lance-Star has a feature on tomorrow’s release of Slidin’ Home by John Starling & Carolina Star. Since Fredericksburg can lay claim to Starling as a former resident, the article focuses on the fact that Starling left bluegrass to dedicate himself to medical practice, but is now back after his retirement.

Thirty years ago, the Seldom Scene bluegrass band founding member quit the cult-favorite-group-to-be to focus on ears, noses and throats in a Fredericksburg medical practice.

Now he’s retired from medicine–concentrating exclusively on ears.

Read this one online as well.

From Led Zep to The g’Earls

When we posted last week that audio samples from the upcoming Uncle Earl CD, Waterloo, Tennessee, were up on the Rounder site, we also mentioned that the new project had been produced by John Paul Jones, former bass player and keyboard man with ’70s mega-group Led Zeppelin.

Rounder has posted an interview with Jones on their site, where he talks about his own discovery of American bluegrass, how he first met Uncle Earl at Merlefest, and how he approached the production for the new CD.

“I met some friends in New York who gave me a Dillards album Backporch Bluegrass and was much taken by the energy and drive of the music. The harmonies, too, reminded me of all the Everly Brothers records I used to sing along to in my teenage years. Latterly I came across Alison Krauss and Union Station on British radio, which re-awakened my interest. I then caught concerts by Del McCoury, Nickel Creek, Tim O’Brien, and Gillian Welch and gradually sought out more and more traditional music. I have now just started on old-time fiddle!”

For some reason, Rounder has broken the brief interview into two parts, and you need to visit both here and here to read the entire thing.

Pre-orders for Waterloo, Tennessee are now available from the band, with shipping upon release on March 13, 2007.

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