Help with final expenses for Jason Moore

Jason Moore – photo by Deb Miller/ B Chord Photography

Following the unexpected passing of Jason Moore, veteran bluegrass performer and bassist with Sideline, family and friends have established a pair of funds to assist his family with final expenses.

As some of you may know, with Jason suffering a major heart attack while on the road with the band, the costs associated with returning his body for burial near his home in North Carolina are quite substantial. And just as no one expects a healthy 47 year old man to die suddenly, no family has budgeted for coffin transfer fees.

The first is a memorial T-shirt offering with all proceeds from sales going directly to Jason’s family. The black shirts are available in three styles and eight sizes emblazoned with a pensive photo of Jason with his bass on stage printed on the front.

They can be ordered now from the Bonfire web site, with shipping to begin next week.

Some members of his family have also established a fund with a regional bank convenient to Jason’s widow, Mollie, the Woodforest National Bank. To make a donation by mail, send a check to the following address:

Jason Moore Bluegrass Memorial Fund
C/O Mollie Moore
304 E. Arbor Lane
Eden, NC  27288

To ensure that the check is properly credited, note that it is for the Jason Moore Bluegrass Memorial Fund, and indicate these last four digits of the account number: ******8108.

Donations and T-shirt purchases will provide some welcome assistance at a very difficult time for the Moore family, and you can be sure of their gratitude.

‘Living metronome’ Jason Moore passes

Jason Moore with Sideline at the Gettysburg Bluegrass Festival – photos by Frank Baker

The bluegrass world is running short of positive adjectives following Sunday’s unexpected death of Jason Moore, the 47-year-old bass player for Sideline.

“Great. “Amazing.” “Superb.” They and dozens of similar words were used, many of them multiple times, on social media and in phone calls as the shocking news spread. But in the truest measure of what Jason Moore meant to the bluegrass world, the superlatives were used to describe Jason the man as often as they were ascribed to Jason the musician.

Sideline played Saturday at Meadowgreen Appalachian Music Park in Clay City, Kentucky. After overnighting there, the band got ready to leave Sunday morning for a show in Ohio. Jason climbed the first step of the bus, then fell backwards in the throes of a heart attack. CPR from a bandmate briefly revived him in the parking lot, but he died in the ambulance on the way to the hospital.

His shocked bandmates, bringing the bus home to North Carolina without their co-founder, have been laying low. But co-founder Steve Dilling made a brief post on Facebook: “Jason, you have been by my side for so many years now, whether it was on stage, on the bus, or watching a ball game. I will always love you and cherish all the good times we had, and the music we made in Sideline. Rest in Peace, my brother!”

Dozens of other bluegrasses offered their own reflections, which largely boiled down to Jake’s impeccable timing and his innate kindness and generosity.

Fiddler Michael Cleveland, who knows a thing or two about timing, and will someday end up in the Bluegrass Hall of Fame, said one 20-minute jam session that included Moore on bass “changed the way I though about music forever.” Cleveland, playing with Rhonda Vincent in London, Kentucky, in 2000, remembered that someone, maybe Audie Blaylock, invited Jason to play. “None of us had ever picked with him before. In the 20 minutes that followed, I got a lesson in groove that I will never forget, and Jason Moore became my favorite bass player.”

Troy Daniel Boone remembers being a bundle of nerves before playing his first gig with Sideline. As the band headed for the stage, the young picker heard Moore growl, “Boone.” That was followed by a fist bump, and a gentle promise: “I got you, son.”

Jake, as friends called him, seemed to have everybody’s back, and seemed to be everybody’s friend. He always had time for an encoraging word.

So it was that Saturday, getting ready to play back-to-back gigs, with a bus ride in between. Jake found the time to pick up the phone and call close friend Kevin Prater, with whom he had shared the stage in the James King Band. 

“He was checking on my dad,” Prater said. Marvin Prater had been hospitalized in serious condition. He was discharged today. “On the one hand, it’s a very happy day. On the other hand,” he said, “it’s a very sad day.”

Their band days ended when Jason left to join Mountain Heart, but their friendship endured. “I not only lost a best friend, I lost a brother,” Prater told me this morning.

Moore lined up the audition that landed Prater in the James King Band. Shortly after, as he was about to enter the studio with the band, Prater stayed with Jason and his parents. They stuck him in a room with a cassette tape of rough mixes, calling him out only for meals. Now and again, Jason would pop in and help Kevin with some tricky passages. “He stood by me and pushed me to the limit to achieve what I needed to do,” Prater said.

In the studio, then and always, “Jason was a living metronome. He had the best timing of anyone I ever played with. He provided a rock-solid foundation. It made you want to play. He made it so easy for everybody. He’d pull you right into the pocket.”

Along with his other skills – bass player, harmony singer, bus driver, bus mechanic – Moore was a patient teacher. I knew this firsthand, and still lean on what I learned from him over the last decade. He helped me at a couple of workshops, where we spent the evening hours talking baseball. We both had large collections of baseball cards, and when I mentioned I was looking to downsize, he expressed an interest in helping me. We soon worked out a trade: baseball cards for bass lessons.

Sunday morning, sorting through packed moving boxes at our new home in the Pennsylvania mountains, I came across three or four cartons of cards. I thought I’d call to see if he wanted them. I didn’t know it at the time, but Jake was already gone.

When I told Prater that story, he said, “We don’t know when, where, or how death will come to call. There’s no promise of tomorrow.”

Then he said something that caused a smile to break through the sadness.

“It’s not goodbye. It’s just so long, for now. I hope him and James are together, working on some new songs.”

Jason is survived by his wife, Mollie, and their children and grandchildren. A funeral service will be held at 2:00 pm Saturday at the Fair Funeral Home Chapel in Eden, NC. Visitation is Friday, 5:00 – 7:00 p.m., at the funeral home.

To help the family, friends have launched a T-shirt sale. The shirts, designed by bluegrass Elizabeth Bowman, are available online.

RIP, Jake. 

Jason Moore moves on

Jason Moore, long time bassist with Mountain Heart, has officially announced his departure from the group to focus his attention on other musical ventures.

“Well, I just wanted to go on record to quiet any rumors and let everybody know my intentions. I have left Mountain Heart. My last date was in Olive Hill, KY last month.

This was a planned move and a very tough one for me. Actually, it was one of the hardest things I have ever done. My reasons are simply, it is time for another chapter in my life. I love the guys there and the music. In my opinion, Mountain Heart is and was the best music I will ever be a part of. The band will continue on and I wish them nothing but the best.

Even though I have told them individually, they will never know how much I appreciate them and the opportunities they gave me.

As for right now, I am focusing on Sideline and also working dates with Lorraine Jordan and Carolina Road and Audie Blaylock and Redline while also working with Steve Dilling booking several bands through Jordan Entertainment. I will also do fill in dates with whoever needs them and do recording whenever the opportunity presents itself. This is my plan for now but who knows what the future holds.

To all the guys in Mountain Heart, I will miss you and our music. I wish you all the best. Thank you to all of the fans, you made all of this possible and you are the best. I will see you all down the road.

Now, on with the music and the new chapter.”

Session 1 – Sideline

While bluegrass isn’t a summer-only music, it’s no secret that the warmer months are well suited to the festivals, camping, and late-night jams beside of campfires and picnic tables that bluegrass fans love so well. Many bluegrass artists slow down during the winter, perhaps playing a handful of shows or spending time recording. Looking to keep busy, IIIrd Tyme Out banjo man Steve Dilling got together on the side a few years ago with some friends to play a few Christmastime performances. Those performances, as well as a few IBMA showcases, led to the formation of Sideline, a band that some are calling the newest bluegrass “supergroup.”

Sideline has recently released its first album, a twelve-track collection on Mountain Fever Records entitled Session I. Like several previous supergroups, Sideline has chosen to fall hard on the side of tradition with this effort, packing the album with driving, banjo-heavy numbers that are largely pulled from the past. The majority of the songs here are old bluegrass favorites, with a few well-done new tracks, leading to a strong, enjoyable modern traditional album.

Darrell Webb’s distinctive lead vocals can be found on the majority of tracks here, and as usual, he does a fine job interpreting the sounds of tradition. One of the standout songs is Marshall Wilborn’s Goodbye to the Blues. Slightly updated and a bit darker sounding than the Johnson Mountain Boys’ cut of the song, this number finds Webb being quite angry at the blues that just won’t leave him alone. Another song which is particularly strong is the old country favorite What Made Milwaukee Famous, which has a nice classic country sound and emotion-filled vocals from Webb.

Girl at the Crossroads Bar is upbeat, with tight harmonies and fine fiddling from Justen Haynes. Jimmy Martin’s classic Sophronie is also fast-paced, performed at a furious, breakneck speed. Fans of very traditional bluegrass may be a bit unsettled hearing it, but they should certainly enjoy Sideline’s straightforward, mid-tempo take on Bill Monroe/Lester Flatt song When You’re Lonely.

Of the newer tracks, The Way, The Truth, The Light stands out. It’s an enjoyable Gospel tune penned by Webb in the style of classic Flatt and Scruggs. Old Joe Clark Blues is an update on the traditional banjo tune, telling the story of Old Joe Clark, his family, and his music, while I Wonder if Our Love is the Healing Kind finds the singer musing on the state of a broken relationship.

There’s no doubt for one second of this album that the musicians here are talented. Dilling is a force to be reckoned with throughout the album, driving his banjo as hard as he can on almost every track, making this album a treat for fans of the five. Webb (mandolin), Haynes (fiddle), Skip Cherryholmes (guitar), and Jason Moore (bass) all contribute solid efforts both vocally and instrumentally, as well.

While the musicians in Sideline may play varying styles of bluegrass in their regular bands, they come together here to create a fine modern traditional album. For more information, visit the band’s Facebook at www.facebook.com/sideline2. Their new album can be purchased from various online music retailers.

Three Chords and the Truth – James King

James King, whose knack for choosing well-written songs that work their way into listeners’ hearts and minds has helped earn him the title of “Bluegrass Storyteller,” has a keen ability to wrap his voice around every ounce of emotion in three verses and a chorus. He puts both of these skills to work on his latest album, Three Chords and the Truth, an excellent compilation of classic country songs performed in King’s signature bluegrass style.

The album opens on a wonderful note with The Devil’s Train, a Hank Williams gospel number from 1949. Williams’ version is typical of his lonesome country-western style, and King reinvents it as a driving, banjo-and-bass-driven traditional bluegrass number. The song is a more vivid take on the theme behind songs such as Long Black Train, and both King’s vocal and the instrumentation are spot-on.

Jason’s Farm, a Cal Smith song from the 1970s, could stand up alongside any of King’s hit story songs with its tale of a young man whose happy life was turned upside down by a tragic event. Sunday Morning Christian, from the pen of celebrated country songwriter Harlan Howard, has a bit of wry humor in its description of a couple whose everyday lives don’t match up with the religious front they put forth on Sundays. Highway to Nowhere is yet another highly enjoyable tune, with its story of the singer’s fruitless journey to find a place in a woman’s heart set to a bouncy banjo background courtesy of Ron Stewart.

A few songs have more of a classic country feel, such as Vern Gosdin’s 1988 hit, Chiseled in Stone. King speeds up the song a bit from the original version, giving it more of a 1950s or early 1960s feel, as opposed to Gosdin’s smooth ’80s sound. The fiddle and bass on Talkin’ to the Wall give this lonesome number a similar classic sound.

The most contemporary sounding track is also the most recent – David Ball’s 2001 song, Riding With Private Malone. While at first glance it seems like this sentimental number wouldn’t fit in with the rest of the traditional songs here, King adds an extra layer of emotion and depth to the song, giving it the feel of yet another of his well-sung story songs.

The one song on this album which listeners might have been most intrigued about hearing is probably the one which has been described as the “greatest country song of all time” – George Jones’ mega-hit He Stopped Loving Her Today. One of the most lonesome songs ever written, it’s a perfect fit for King. The simple, slightly understated arrangement works well, and King certainly pulls off the feat of redoing what many think is one of the best songs ever written.

If I didn’t know these songs were pulled from the classic country catalog, I’d have never guessed that they were anything other than the best of traditional bluegrass. King’s arrangements, particularly on tunes such as Highway to Nowhere and The Devil’s Train, are pure bluegrass. His signature vocals are spot-on throughout, and he has support from some of the finest musicians in bluegrass. In addition to Stewart on the banjo, Jesse Brock (mandolin), Jason Moore (bass), Jimmy Mattingly (fiddle), and Josh Williams (guitar) also contribute their musical talents. Don Rigsby and Dudley Connell offer impeccable harmony vocals, as well.

King’s new album is available from a variety of online music retailers. For more information, visit his website at www.thejameskingband.com.

Gathering – Aaron Ramsey

Aaron Ramsey may be best known for his role as the mandolin player for Mountain Heart, but on his recent solo project, Gathering, he takes on almost every role imaginable within a bluegrass project. Ramsey not only showcases his noteworthy mandolin skills, but also takes turns on guitar, bouzouki, bass, banjo, and resophonic guitar, as well as both lead and harmony vocals. While that list may make it seem like Ramsey laid down all the tracks completely by himself, he is also joined by a literal “who’s who” of bluegrass stars, making Gathering quite an impressive recording.

Ramsey co-wrote five of the album’s twelve songs. The album opens with one of these co-writes (this one with Dennis Goodwin), a well-written Western legend called The Streets of Abilene about a man who, “if they measured nerve in ounces… would weigh a ton.” No One’s Found Her Yet was written with Josh Miller, and begins with haunting fiddle from Tim Crouch which sets the scene for the rest of the song nicely. Way Up on The Mountain (one of two tracks credited to Ramsey and his father, Michael) is a pleasant, melodic piece which traces the feeling of freedom the singer finds on a mountain throughout his life.

Michael Ramsey also penned four additional songs for the album. He is Here is an enjoyable up-tempo gospel number which urges listeners to take Jesus up on His offer of salvation. Another gospel song is The Healer, which has a slow, earnest feel, and speaks of how Jesus is always there, even in your darkest moments. Aaron’s deep lead vocals suit this piece well.

There are also a few old favorites, including the Osborne Brothers’ One Tear. It’s rendered in a fashion fairly similar to previous versions, but it’s still a great listen, thanks to Barry Abernathy’s strong lead vocals and the track’s great instrumentation (including a fine mandolin solo from Ramsey). It’s one of the album’s best tunes, as is a Rickey Wasson-led Fare Thee Well (Farewell). The album also closes on a high note, with the driving, traditional John Henry Blues. Jim Van Cleve offers some fine fiddling, and Tony Rice adds one of his instantly recognizable guitar solos. This is another instance where Ramsey’s voice fits the song particularly well.

For fans of well-performed, modern traditional bluegrass, this album will be a treat. Almost everyone is sure to find a favorite musician included here. In addition to those listed above, David Babb (upright bass), Ron Block (banjo), Randy Kohrs (resophonic guitar), Tim Stafford (guitar), Josh Swift (resophonic guitar), Jason Moore (upright bass), and Patton Wages (banjo), among others, each contribute to at least one track. Ramsey’s instrumental skills, particularly on mandolin, are showcased throughout, and he provides listeners with several tasteful and talented solos.

The only problem with the album is that it’s not yet widely available. It can currently be purchased from Ramsey’s website, and the Northfield Mandolin website (whose products Ramsey plays and endorses).

The album is now available from popular download and streaming services online.

Newtown to Moore Bass

Newtown has recently brought on Moore Bass Entertainment to help represent them for live appearances. The company is managed by Jason Moore, bass player with Mountain Heart, hence the name.

Newtown banjo picker Jr. Williams says that they are eager to take advantage of Moore’s contacts both in and out of the bluegrass world to help them capitalize on their greater visibility of late, and their new label, Pisgah Ridge.

And Jason tells us that he is happy to be back doing some more booking, after some time away from of it.

“I actually started my agency a few years ago. Mountain Heart was in between booking agents, and we decided to take it on ourselves. I worked very closely with our manager, Brian Smith, and we did pretty well for about 18 months. That would have been in 2010 and 2011. After that period, we signed with an agency that we hoped would be able to help more, and that was the case and has been since.

I enjoyed booking but it was also a lot of pressure when you are in the band you are booking. To know that many other people are counting on you, the pressure can really get high. So when Mountain Heart signed with New Frontier Touring, I just let my booking fall by the wayside to relax my brain.

Shortly thereafter, I started working all of the dates I could with Audie Blaylock and Redline. He mentioned helping his agent, Karen Kouns who runs Main Street Entertainment, to help pick up some dates that are outside of the box for bluegrass music. I talked to Karen, and after a lot of consideration, decided to give it another go in February of this year.

Karen does the vast majority of Audie’s booking and I try to compliment what she does with different types of venues or places she hasn’t worked with. So far, so good.”

He says that his work with NewTown is similar to his relationship with Audie. Kati Penn, Newtown fiddler and lead vocalist, has been and will continue booking dates for the band, with Jason’ assistance.

“I hope to get them into a few new areas and venue types that I have had access to in the past, but most bluegrass bands have not. Not necessarily get them away from festivals or anything like that, just complement and help them grow and amass a new and different audience. They are surely capable of it.

Same with Audie. Karen does a great job booking him but Audie can push into a little different market without leaving anything behind. That is what I am trying to help do. It is also nice to know that there are people with both bands that are helping so it doesn’t all fall on one person.

We plan to hit it hard in the next few months as it is time for places to start booking for next year so lots of hard work is ahead, but things are going well and I hope it continues.”

As if he isn’t busy enough, Jason is also offering bass lessons online via Skype. You can reach him on Facebook, or by phone at 336-613-6134.

Karen Kouns can be reached by email or phone (606-324-0106).

Sideline recording in the works

Side projects are becoming more and more common in the bluegrass world. Sometimes it’s a solo project from a member of an established band; other times it’s an all-star effort involving a bevy of popular artists. But sometimes it’s an actual band, who perform irregularly, as its members all tour and record with other groups full time.

Such is the case with the aptly named Sideline, which started s few years back as something fun to do in December, when work for bluegrass bands is in short supply. In such short supply that for years, road warriors IIIrd Tyme Out take the entire month off, a nice perk given how much they travel during the rest of the year.

But not everyone wants to give up picking for a whole month, so each year 3TO banjo player Steve Dilling assembles a group of musicians to do a series of special concerts during the holiday season. Two years ago that solidified into a regular lineup with fellow 3TO-er Justen Haynes on fiddle, Darrel Webb on mandolin, Skip Cherryhomes on guitar and Jason Moore on bass. The guys enjoy playing together so well that they did a few late night showcases during the 2011 World of Bluegrass conference, and are now cutting a debut album set for release this Spring.

Darrell Webb fronts his own band, as does Cherryholmes, and Jason Moore is a regular member of Mountain Heart. With Dilling and Haynes touring with IIIrd Tyme Out, Sideline won’t have a lot of opportunities to play live, but they are hoping to put some shows together for 2012. Especially when their various bands are scheduled at the same event, or during down times of the year, they can be available to perform as a group.

Russell Moore, fearless leader of 3TO is solidly behind their effort, as are the Mountain Heart boys, so don’t read any “dissension in the ranks” into this. Sideline is simply a bunch of pickers who like playing together, looking or an outlet for their music.

Anyone interested in more information can contact Steve Dilling at 919-398-0366.

It’s here – The Speed Of Bluegrass!

Today’s the day! Our brand spanking new Bluegrass Blog theme song, The Speed Of Bluegrass, is now available as a digital single from iTunes or Amazon.com.

We commissioned Jim VanCleve last year to compose a tune that would exemplify what we do here. As expected, he did a bang up job combining the intensity of a driving bluegrass number, the quirky fun side of how we approach things, and the honoring of tradition that is such a crucial part of the bluegrass existence.

Thanks Jim!

If you missed it earlier, here’s the video that Rob Haines shot for us while the tune was going down.

Tell all your friends, and call your favorite radio station and ask them to play The Speed Of Bluegrass. Pretty please.

We’ll have some more exciting news in the next few days, so keep an eye on Bluegrass Today.

It’s here – The Speed Of Bluegrass

Today’s the day! Our brand spanking new Bluegrass Blog theme song, The Speed Of Bluegrass, is now available as a digital single from iTunes or Amazon.com.

We commissioned Jim VanCleve last year to compose a tune that would exemplify what we do here. As expected, he did a bang up job combining the intensity of a driving bluegrass number, the quirky fun side of how we approach things, and the honoring of tradition that is such a crucial part of the bluegrass existence.

Thanks Jim!

If you missed it earlier, here’s the video that Rob Haines shot for us while the tune was going down.

Tell all your friends, and call your favorite radio station and ask them to play The Speed Of Bluegrass. Pretty please.

We’ll have some more exciting news in the next few days, so keep an eye on Bluegrass Today.

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