Henhouse Prowlers remember our veterans with Line The Avenues

The Henhouse Prowlers looking through Ben’s grandfather’s photo album – photo © Jana Mougin


With Veteran’s Day approaching on November 11 here in the US, The Henhouse Prowlers have released a very personal remembrance with Line The Avenues, written by banjo player Ben Wright about his grandfather.

The song draws from a memory Wright holds from his childhood, when his grandfather, Richard Marion Wright, woke 10-year-old Ben up early one day to share some stories from his time as a B-25 pilot with the 12th Bombardment Group over North Africa during World War II.

I think we all cherish times like that, when we feel singled out by a parent or grandparent for a particular lesson, or simply a chance to learn about who they are besides just our caregivers. In this case it gave young Ben an intimate look at the horror, desperation, and excitement of war, something that one only truly learns from those tasked with fighting them, as opposed to the politicians whose arrogance and failures bring them about.

Ben offers a very compelling account of that morning.

“I don’t remember everything from that morning, but I do remember feeling special that my grandfather wanted to talk to just me. He had clearly been up before me, and set the kitchen table with little boxes of Cheerios, like the ones you get in hotels.

The photos he showed me had some pretty crazy things in them: crashed planes with Nazi symbols, and young men laughing in the sandy desert. I distinctly remember him pointing at a photo taken from inside a plane and saying, ‘That’s us chasing Rommel’s tank brigades as they high-tailed it out of Africa.’ There were photos of him on a camel in Tunisia, shopkeepers in Cairo, and other exotic places across North Africa. Looking back now, I realize it must have been surreal for a small-town Indiana boy to experience all that.

But the moment that struck me the hardest was when he pointed to a good friend in front of another B-25 and said it was the last photo taken of him before he died. I’m not sure if his plane went down or if there was an accident, but I remember the shift in my grandfather’s voice when he said, ‘He was a good man.’

I recognize how lucky I am that Richard Wright had the foresight to share those stories with me, and to show me the harsh reality of war at such an impressionable age. That morning shaped a part of me, and I’ve always wanted to write this song.

The opening verse came to me first, imagining him waking up in a foreign land on any given day, knowing what he had to do, and quietly feeling afraid alongside his crew. I kept referring back to the photos, and at some point, it hit me that while the images were unique to my grandfather, I had seen similar ones over the years in books and documentaries. My mind wandered to another desert war—same backdrop, different weapons. I imagined a woman flying a medivac helicopter, just as afraid as my grandfather must have been during those moments of uncertainty, watching friends and strangers die.

The reasons for fighting may change, but the consequences don’t. I can’t help but think that’s part of why he woke me up early that morning—so I might come to that conclusion someday.”

The war against actual facism fought 80 years ago contains many lessons for us all, which is why it is still studied today in war colleges and political science departments around the world. Perhaps the most important rebuke we can take is to never minimize the evil that these men fought against through facile comparisons to contemporary issues and concerns.

Line The Avenues is a peppy bluegrass number, in which Wright, who also sings, represents the true sentiment of Veterans Day, which is to cherish and remember those who fought war, not because they necessarily believed in any cause or another, but simply because they were called.

Support on the track comes from the full Henhouse Prowlers, Ben Wright on banjo, Chris Dollar on guitar, Jake Howard on mandolin, and Jon Goldfine on bass.

Have a listen…

Line The Avenues from The Henhouse Prowlers is available now from Dark Shadow Recording at popular download and streaming services online. Radio programmers will find the track at AirPlay Direct.

Henhouse Prowlers head to Europe

The Henhouse Prowlers are getting ready for a whirlwind tour of Europe, with shows in both the Netherlands and Germany, starting this weekend.

Already seasoned world travelers, the Prowlers have a lot of miles under their belt in their identity as The Bluegrass Ambassadors, having done multiple tours in Africa and the Middle East for the US State Department. These goodwill tours have brought American bluegrass to cultures and people who had never heard it before, and the guys have said repeatedly that they have learned as much from the folks they met, both musically and personally, at each stop.

But this time they are flying over for a headlining tour at some major festivals and clubs, including Netherlands’ big Rotterdam Bluegrass Festival, and the Rudolstadt Festival in Germany, which is more of a world folk music event. Very nice to see bluegrass being represented there.

Their schedule also includes a club show at Muziekafe Clouso in Meppel, NL and another at Kunstkeller in Furth, DE. A number of private dates while they are in Germany will round out the tour.

You can see more information about their various shows next week online.

We are hoping to catch up with The Prowlers upon their return to find out how it all went, and see some of the photos they’ll collect while in Europe.

Here’s a quick look and listen to one of their multicultural moments from a recent trip to western Africa.

Bluegrass in Detroit this week

Henhouse Prowlers at the River Raisin Centre for the Arts (10/26/23) – photo © Bill Warren


The greater Detroit area had two very good bluegrass shows in the past week.

The first was this past Saturday at the Kentuckians of Michigan. They have hosted bluegrass and traditional country music for over twenty years. This presentation was a new band, Next Paige, with seasoned musicians. Leading the band are Bryan and Lisa Paige, the owners/operators of Paige Capo. Both come from musical families. Filling in on banjo was Brad Campbell, who had a stint with Doyle Lawson and Quicksilver a number of years ago. Adam McIntosh, who is currently with Joe Mullins and the Radio Ramblers and has had two stints with Dry Branch Fire Squad, filled in on guitar for the evening. Tim Ellis joined the band for a couple tunes. He played banjo with Jim and Jesse many years ago. The audience got a full dose of hard driving bluegrass music.

Then it was on to the River Raisin Centre for the Arts in Monroe, Michigan on Thursday evening. The Henhouse Prowlers were in town. They are a Chicago-based band that was formed about eighteen years ago. Banjo picker Ben Wright describes the band as “walking the line between contemporary and traditional bluegrass.” They do just that and very well with their mostly original music.

The band is comprised of Wright on banjo, John Goldfine on bass, Chris Dollar on guitar, and Jake Howard on mandolin. All four sing lead and harmony. Wright and Goldfine are founders of the band, who typically play around a single mic. Dollar said that the large stage allowed them to use individual mics, and they spent extra sound check time with the set up. It was first class all the way.

They are cultural ambassadors for the U.S. State Department, and have traveled to some twenty eight countries on their musical journey. Their journey has lead to the founding of a non-profit, Bluegrass Ambassadors, which you can learn more about online.

This is a band well worth seeing. You will hear original music presented in good bluegrass style.

Support your local music venues.

Lead and Iron – Henhouse Prowlers

The Henhouse Prowlers are an unpretentious bunch, one wholly devoted to the bluegrass basics, but also determined to deliver it with their own sense of passion and purpose. Formed just over 16 years ago, they’ve pursued their musical mantra courtesy of international tours undertaken under the auspices of the US State Department and their own nonprofit organization known, appropriately, as Bluegrass Ambassadors.

Education and entertainment find equal footing in their ongoing musical mission, courtesy of workshops and the shared commonality they express while incorporating indigenous sounds into their own traditional tapestry when performing abroad. 

Members Ben Wright (vocals, banjo), Jon Goldfine (vocals, bass), Chris Dollar (vocals, guitar), Jake Howard (vocals mandolin), and guests Becky Buller and Laura Orshaw (twin fiddle on the song Subscription to Loneliness) make that clear yet again on Lead and Iron, their most recent release. It’s also one of their best.

That’s easily apparent on the two songs that sandwich the set — opening track Home For and album closer, My Little Flower. Each provides a robust expression of the band’s enthusiasm and intent. Likewise, the astute instrumental Wobbly Dog conveys that certain drive and determination through passionate picking and playing alone. Heartache and happenstance come to the fore on Subscription To Loneliness, courtesy of a tale of lifelong romance derailed by a cheating spouse. So too, the somewhat downcast, Forgotten Gravestones, echoes thoughts for those that have passed, while Died Before Their Time conveys similar sentiments without coming across as moribund or melancholy. 

Passenger Train Boogie resuscitates the album’s otherwise merry mood with an upbeat traveling tune that draws on archival influences. Rolling Wheels shares a sound that’s a bit more considered, but still flush with the same desire and intensity. The fact that all eleven of the album’s entries were written by members of the band testifies to the Prowlers’ prowess, dexterity, and dynamism. 

Ultimately then, Lead and Iron is as solid as its weighty handle implies. Here again, The Henhouse Prowlers make it clear they still have plenty of reason to ramble.

My Last Run drops for Henhouse Prowlers

Chicago’s Henhouse Prowlers have another example of their urban bluegrass style this week on a new single from Dark Shadow Recording.

Though they’ve been active for 17 years as a band, working an absurd number of dates, the Prowlers have really been on the upswing this past few years since showcasing as a Bluegrass Ramble at World of Bluegrass artist in 2021, and signing with Dark Shadow in 2022. Radio loves their clever songs, and audiences enjoy their energetic live shows, often winning over non-bluegrass audiences who respond to their different look and sound.

This latest cut, My Last Run, was written and sung by guitarist Chris Dollar, who says it was inspired by his first outing with the band several years back.

“My first tour with the Henhouse Prowlers took us on a six week tour overseas. It was the farthest I’d ever been from home, and the longest my wife and I had ever been apart. It still holds that record too. Wherever the gig, there is always a long stretch of highway between us which inspired this song.

Traveling is a wonderful thing we get to do, but coming home is the best feeling. My family, the endless highway, and my Bloomington home are responsible for this tune.”

Support comes from regular bandmates Ben Wright on banjo, Jon Goldfine on bass, and Jake Howard on mandolin.

My Last Run is fast moving grasser with its story of heading home to the ones you love. Have a listen…

My Last Run is available now from popular download and streaming services online, and to radio programmers via AirPlay Direct. It is also included on the Prowlers’ next full-length project, Lead and Iron, expected September 15 from Dark Shadow Recording.

Subscription To Loneliness from Henhouse Prowlers

Dark Shadow Recording has a new single for Chicago’s Henhouse Prowlers, the third from their upcoming debut project with the label.

It’s a new song, written by Prowlers bassist Jon Goldfine with Rick Lang. An old time country two-step, Subscription To Loneliness is enhanced by twin fiddles from label mates Becky Buller and Laura Orshaw.

Goldfine says that this heartbreak number is mildly autobiographical.

“It was an honor to write this with Rick Lang – our first cowrite together! I brought it to the table as a song based on my own real-life follies of a teenager-early-20-something’s quest for everlasting love, and learning to anticipate the inevitable heartbreak to come. A few decades of perspective on those relationships allowed for a comical, tongue-in-cheek spin on the stories.

While the end result may be slightly more fictionalized (to protect the innocent, of course), it was Rick’s expertise that helped hone in on what I initially wanted the song to capture.”

Jon is supported by fellow Prowlers Ben Wright on banjo, Jake Howard on mandolin, and Chris Dollar on guitar.

Have a listen…

Subscription To Loneliness is available now from popular download and streaming services online. Radio programmers will find the track at AirPlay Direct.

Look for the next Henhouse Prowlers album, Lead and Iron, from Dark Shadow Recording in September.

Lead and Iron video from Henhouse Prowlers

Chicago’s Henhouse Prowlers are back with another single and music video, Lead and Iron, the title track from their upcoming Dark Shadow Recording project, due in September.

Despite the long-haired vibe, the Prowlers play in a traditional bluegrass style, tempered by their urban raising and existence, focusing on original music written within the band.

Lead and Iron serves as a 21st century protest song, written and sung by mandolinist Jake Howard, which he says was inspired by one of worst experiences that any parents fear.

“I wrote this song from the perspective of a parent who has lost a child in a school shooting. I found myself thinking about the quote that no parent should have to bury their child. That quote always hit me hard, and I couldn’t imagine the pain of losing a child, especially from a school shooting, a place meant for peace and learning.

I wrote this one at the end of last summer, I wonder if it was a way for myself to mentally preparing for the next school year and the potential of another deadly shooting (the potential which seems to come true every year).”

The somber tone of this song is further developed by banjoist Ben Wright’s use of a cello banjo on the recording. He says that Lead and Iron hit them all hard the first time they heard it.

“I realized what this song was about halfway through listening to it on a rough demo Jake sent us in October last year, and it immediately gave me chills. There’s something about the perspective of it all that continues to rock me when we are rehearsing it. That line about ‘first words spoken and tying shoes’ hits hard.”

Henhouse Prowlers are completed by Chris Dollar on guitar and Jon Goldfine on bass.

Check it out…

Lead and Iron is available now from popular download and streaming services online. Radio programmers will find the track via AirPlay Direct.

My Little Flower video from Henhouse Prowlers

Chicago’s Henhouse Prowlers has a live music video for their first single with Dark Shadow Recording, a hard core barn burner called My Little Flower.

It’s one written by Prowlers mandolinist Jake Howard, who sings the lead. My Little Flower calls to mind one of the most charming and enduring songs in bluegrass history, Mother Maybelle Carter’s You Are My Flower, made popular by Flatt & Scruggs in the 1960s. Jake’s song is much faster, but you can hear the homage he is paying to the early country music founders.

The band is completed by Ben Wright on banjo, Chris Dollar on guitar, and Jon Goldfine on bass.

Ben says that this track is a perfect statement of what the band is about.

“We’re so excited to release the first song from our new album, Lead and Iron. The Prowlers have always straddled the line between traditional and progressive bluegrass, and we know Jake’s My Little Flower exemplifies that perfectly. The drive and lyrics embrace both sides of the music we love so much.”

Check it out in this live video recorded at the Hutton Hotel in Nashville, TN.

My Little Flower is available now from popular download and streaming services online. Radio programmers can get the track via AirPlay Direct.

Henhouse Prowlers sign with Dark Shadow Recording

Dark Shadow Recording announced today that they have signed the Henhouse Prowlers to an exclusive recording contract. The Chicago-based band will begin work soon on a new project with the Nashville label.

The Henhouse Prowlers have been active for 17 year now, touring not only all over the US and Canada, but throughout the world as well, performing on good will excursions with the US State Department that have found them playing in the various nations of Africa, Asia, Europe, and the Middle East.

Jake Howard is on mandolin, Jon Goldfine on bass, Chris Dollar on guitar, and Ben Wright on banjo. They have produced nine albums during their time together, including a live recording they made in Kyrgyzstan. Their sound is a mix of traditional bluegrass with original material, offering a modern, urban vibe in keeping with their home in the Windy City, combined with the guys’ obvious instrumental virtuosity.

You can get a feel of their style in this short set the Prowlers performed for Paste magazine back in 2020.

Stephen Mougin, who runs Dark Shadow and serves as chief audio engineer, says that he has been hoping to snag these Prowlers for a year or so now.

“I really enjoyed their wildly energetic 2021 IBMA Raleigh Street Festival performances and I immediately knew I wanted to work with them. Appreciating their professionalism, business acumen, and musical personality, I’ve had my eye on the band for a number of years, but it seemed like NOW was the time.

When we started chatting about joining forces, I felt like we had known them forever. Like old pals, long-traveled touring partners, and musical conspirators, we realized our collective missions were aligned. It’s time to make some music!”

No word yet on when we can expect a new Henhouse Prowlers album from Dark Shadow Recordings.

Chris Thile transcription book from Jake Howard

Like many touring musicians, Jake Howard, mandolinist with The Henhouse Prowlers, developed a presence on Patreon to try and recover some of the lost income when pandemic restrictions put an end to live music in 2020. And he was well prepped to offer instruction to the online community. A 2017 graduate of the Berklee College of Music with a degree in mandolin performance, Jake has both the practical and theoretical knowledge to offer advancing mandolin students, and hoped to find some success online.

His Patreon page became quite popular, both for the many videos and lessons he posted there, and for the fact that he only sought a subscription fee of $5 per month to access all he had provided. Especially at a time when most private lessons were cancelled, what did you have to lose?

With a total of 25 posts now on Patreon, Jake has just completed a book of transcriptions from Chris Thile’s playing on his 2011 duo project with Michael Daves, Sleep With One Eye Open. The album features 16 selections from the deep catalog of bluegrass standards, played in an unrestrained fashion with Daves on guitar. Many of the songs included are jam standards that every bluegrass picker should know, like Rabbit In The Log, 20/20 Vision, My Little Girl in Tennessee, Rain and Snow, Bury Me Beneath The Willow, Rolling In My Sweet Baby’s Arms, and Billy In The Lowground.

Howard calls his new release Sleep With One Eye Open – Unofficial Transcription Book, and it is offered only to subscribers of his Patreon. That’s right…  by signing up for $5 you can get all of Thile’s breaks from the album, presented in both tab and standard notation, in a downloadable digital booklet.

Jake says that he recognizes he could be giving away all of his hard work for a small fee, but hopes that once people see all that he offers on Patreon, they will stay subscribed long term.

“It is true! Patreon is a monthly subscription of $5/month (and can be cancelled whenever you choose). If people stay subscribed, I’ll be releasing more exciting content every month. Just so people know, we’re focusing on Thile tunes and solos for the next little while.”

That, folks, is a deal, no matter whether you are new to the mandolin or are an experienced player with an interest in Chris Thile.

You can find the Jake Howard Patreon page online, and subscribing is a simple mater with a major credit or debit card.

Jake also shared a couple of sample pages so you can see the quality of the presentation in the book.

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