Dave Evans’ son Tracy elected as Pike County Sheriff

This article is a contribution from Rick Greene, bluegrass enthusiast, former newspaper editor, and one of the founders of the popular Sam Jam Bluegrass Festival in Piketon, OH. It had appeared previously in Southern Ohio Today, and Rick suggested that our readers might enjoy reading it as well. We heartily agree.

Sitting behind his desk in the Pike County Courthouse, Tracy Evans proudly points to a badge and other items that once belonged to his grandfather – Stephen A. McDonald, who was a member of the Columbus Police force for 27 years.

Evans, an investigator for Pike County Prosecutor Rob Junk, will not have his job for much longer. That’s because Pike County voters decided earlier this month that he was the man to take over the beleaguered Pike County Sheriff’s Office as the new sheriff.

And while law enforcement runs through his veins, it’s not the only thing. So too do the sounds of a ringing banjo, a driving mandolin, a lonesome fiddle, and other sounds that make up the heart and soul of bluegrass music.

He comes by both of his passions honestly, one through the family history of law enforcement, the other being the son of a bona fide bluegrass legend.

Evans’ path to the top post in the Pike County Sheriff’s Office is one filled with irony, struggle, perseverance, and tragedy.

This is his story.

Dave Evans was like that

From the time Evans’ father – Dave Evans – was young, he was known for his speed on the five-string banjo. He later became known for his songwriting and a deep, lonesome tenor voice that was soulful and easily distinguishable.

He became a member of bluegrass Hall of Famer Larry Sparks’ Lonesome Ramblers in 1972, and later started his own band in 1978, Dave Evans and River Bend. He recorded five albums with the respected Rebel Records in the 1970s and 1980s.

He has a laundry list of iconic bluegrass songs that are covered by today’s artists at bluegrass festivals. Among them are One Loaf of Bread, 99 Years, Pastures of Plenty, Gray in Your Hair, and Highway 52.

Following his death in 2017, Evans’ collection of music was remembered with respect throughout bluegrass music.

But there was one particular tribute that stood out among all the praise. It came from none other than 27-time Grammy Award winner Alison Krauss, who said Evans has had a profound impact on her legendary career.

Krauss first saw Evans as a teenager. Following his death, she recalled how Evans was one of the artists who made her set her sights higher.

“You have things tied to your memories. I remember watching Larry Sparks and Ralph Stanley and the Goins Brothers and the Osborne Brothers when I first went to the Bean Blossom Festival (in Indiana). It was the first place where I saw Del McCoury play,” Krauss said shortly after Evans’ death. “It is the first time that you get to witness something from another world. It never leaves you, you know? It makes a mark on you, and then you can never be the same afterwards. It suddenly lifts all of your standards, and what you thought was great, to a whole other level. And, Dave Evans was like that.”

As his father continued his climb through the industry, Tracy Evans and his brother Todd enjoyed childhoods that included some of the best musicians and artists in the world.

From the time Tracy Evans was born in 1974, bluegrass was going to inevitably leave a mark on him. And it started on the day he was born.

“Larry Sparks actually paid the hospital bill from when I was born. I asked him years later if dad ever paid him back,” Evans said with a laugh. “He said that he did.”

Evans’ childhood was filled with encounters with a who’s who of bluegrass music – Bill Monroe, Lester Flatt, Jimmy Martin, Del McCoury, J.D. Crowe, Ricky Skaggs, Keith Whitley, Jim McReynolds, and Jesse McReynolds, just to name a few.

“I got to shake hands with a lot of interesting people,” he said.

Evans and his brother Todd sometimes perform at regional bluegrass festivals. They are often invited on stage by some of today’s leading acts to play and sing songs made famous by their father. Tracy Evans said he was honored in September to perform on stage with Sparks, his father’s former bandmate, who is one of his musical idols.

A Different Breed

As Dave Evans was in the process of taking his place among the genre’s greats, a conflict with a neighbor of one of Tracy Evans’ friends changed the lives of the family.

Tracy Evans was in a group of boys riding motor bikes and the neighbor believed they were on his property, although Tracy Evans didn’t believe they were. The neighbor approached the boys as Dave Evans lurked nearby, not knowing the neighbor had a gun.

Tracy Evans said the neighbor made a remark about “blowing (my) head off” before a shot was fired into the air. The elder Evans intervened and what followed was a conflicting story that did result in Dave Evans getting a weapon and firing shots into the neighbor’s home.

Felonious assault charges followed and the resulting conviction in Pike County led to a six-and-a-half-year prison sentence from 1990-1996.

“My dad going to prison affected me mentally in some ways. I thought people would look down on me, but that wasn’t the case at all,” Evans said. “People didn’t understand that my dad was a different breed. He grew up in an environment where there are things you just don’t do to another man’s family. That was just the old way.”

Tracy Evans is a person who is quick to flash a smile and share a laugh. But when he talks about that fateful day, he becomes somber and tears occasionally well in his eyes.

“Dad took the law in his own hands, and while he knew it was wrong, he often said he couldn’t say he would have done things any differently,” Evans said. “He accepted it and always said he paid his debt to society.”

Next, Evans pauses and gathers himself as he tries to hold back the emotion and the tears.

“He did it because he loved me and he loved his family,” he said. “For that reason, it’s still part of the reason I loved him. It’s just who he was.”

A family of ironies

In late 1941, Stephen A. McDonald – Tracy Evans’ grandfather – was supposed to go to Hawaii for his duty in the service. An administrative error regarding his last name (McDonald versus MacDonald) resulted in a delay in his arrival.

Without the delay, McDonald would have been at Pearl Harbor during the Japanese attack on Dec. 7.

Tracy Evans said without that delay, the family story could have been much different, or non-existent.

Evans graduated from Western High School and later became a certified electrician after studying at the Vern Riffe Joint Vocational School. His entry into law enforcement came in 1999 with the Waverly Police Department.

After making his way through the ranks there, he received an offer in 2009 from then-Pike County Sheriff Rich Henderson to come work at the county level.

He took the offer and began work for the county on December 7, the 68th anniversary of the attack on Pearl Harbor.

The other irony that isn’t lost on Tracy Evans is that in January he will become the sheriff in a county where his father was convicted 30 years ago. When asked about that juxtaposition, he said it is a lesson that a person’s past or a family’s past does not have to dictate someone’s future.

“I think that says that what your parents have done should not stop a person from following their own passions,” he said. “Things that happened in the past won’t stop people from respecting you or liking you for who you are.”

Evans’ current boss, Junk, said there are plenty of people who like Tracy Evans.

“All of the good upstanding officers are tickled to death to see him as sheriff,” Junk said. “(Former sheriffs) Rich Henderson and Jim Dixon, (longtime Waverly Fire Chief) Randy Armbruster, (Pike County Major Crimes Task Force member) Allen Smith. That is the caliber of people who support him.”

A good hometown sheriff

Evans is taking over a sheriff’s office that has had its share of controversy in recent years.

In September, former sheriff Charles Reader pled guilty to four felony counts for theft in office and tampering with records, and a misdemeanor charge of conflict of interest. He is expected to go on trial next year for other charges he faces.

Evans said the public’s confidence in the sheriff’s office is shaken, and his priority is to regain credibility.

“The sheriff’s office has suffered a great deal. The people – from my perspective in talking to them during the campaign – want a sheriff they can trust, is honest and fair,” Evans said. “We need to get the office’s integrity back, the way it was when Rich Henderson was sheriff.”

Evans said the parallels are not identical, but he likes the idea of a sheriff portrayed in The Andy Griffith Show, an approachable sheriff who is trusted and might occasionally be seen with a guitar in his hands.

“I’ve always tried to help people, whether it be with what I know, what I can do, or a song,” he said. “I want to be a good hometown sheriff that people can admire and have trust in.”

Dave Evans (center) with his sons, Tracy and Todd

GoFundMe page established for Dave Evans’ funeral expenses

Dave Evans (center) with his sons, Tracy and Todd

We’ve commented in the past here at Bluegrass Today about the fact that many of our top entertainers pass from this earth without much in the way of property or savings. A lot of bluegrass people are simple folks, who never learned or cared much about money or investments, and who lived simple lives while they were performing.

Such is the case with Dave Evans, who we lost last week to complications from diabetes. Not only did Dave not build up stores on earth, he suffered from a variety of medical ailments during his final years, leaving something of a financial burden for his sons as they ponder funeral and burial expenses.

Dave gave so much in his music, which always remained pure to the mountain style he learned as a young man. His plaintive voice spoke to a great many people about pain and truth, faith and love. And now is the time for his many fans and friends in bluegrass to give a little back.

A GoFundMe page has been established to assist Dave’s family in paying the costs of a headstone for his final resting place. A goal of $10,000 has been set, and even small donations will be very helpful in reaching that objective.

Dave was buried this past Saturday at Fred Newsome Sr. Cemetery in Olive Hill, KY. He certainly deserves a memorial befitting his stature in the bluegrass world.

GoFundMe allows for donations to be made using either a major credit card of PayPal. The Dave Evans memorial page can be found here. Please share if you can.

Daves Evans passes

Bluegrass music lost one of its most iconic characters and soulful mountain-style singers with the passing of Dave Evans on Sunday evening, June 25. He was 65 years of age.

Evans had given much of his life to bluegrass, developing a love for the sound of the banjo as a boy. Though his dad was a old time banjo player, young Dave was fascinated by the Earl Scruggs style and he quickly became proficient in reproducing it. As a teen he began singing as well, and writing his own bluegrass songs.

After finishing school, Evans accepted his first professional job playing banjo for Earl Taylor and the Stoney Mountain Boys. He returned home to Ohio when his mother passed in 1969, and remained in Columbus working clubs and theaters for a time. His big break came in 1972 when he was hired by Larry Sparks as a Lonesome Rambler. Dave often said that singing tenor with Sparks was what helped him define his own vocal style, one that has been compared to that of the great Ralph Stanley.

Evans spent about 3 years with Sparks and then worked with several other touring acts like The Goins Brothers, Red Allen, and The Boys From Indiana before starting his own group in 1978, billed as Dave Evans & River Bend. They recorded initially for Vetco, and he cut 9 memorable albums for Rebel Records either with his band, or as a solo artist.

His singing conveyed such passion, and his songs such conviction, that listeners came to feel that they knew him personally. There was always a strong connection between Dave and his fans.

Larry Sparks remembers Evans as a strong singing partner.

“Dave had probably one of the best tenor voices I’ve had with the band. He had a lot of feeling in his singing. He had a real powerful, loud voice and he really added to what I did. Our voices blended good, just like me and Ralph’s voice blended. It was a good experience for both of us.

Dave Evans had a recognizable voice, an identity of his own. He did the right thing for himself, to go off on his own.

I hadn’t stayed in touch well with Dave over the years, but I sure am sorry to hear he’s gone.”

By 2010, problems with diabetes and arthritis had taken their toll, and Dave retired from performing. His health continued to deteriorate over the next few years, and he underwent quintuple bypass surgery in 2011.

Dave had a rough life by some standards, including a stint in prison from 1989-95 for assault, but his family, friends, and fans remember him as a kind, warm-hearted man who would do anything for you if you needed help. He will be deeply and profoundly missed in the bluegrass world.

The family has not yet made an announcement about funeral arrangements.

R.I.P., Dave Evans.

Last of the Breed in the stretch run

Last of the Breed, a documentary film on the life and music of Dave Evans, is rounding the final pole, heading in to the back stretch. Filmmaker Matthew Pellowski tells us that he is now starting post production, with a hope to release the final project by the end of 2014.

Evans has been something of a bluegrass enigma for much of his life. Those who only know him through his music recognize Dave as a powerfully evocative singer, who can captivate an audience with a simple story. His friends in the music business know of the dark, more mysterious side of the man. He might be active touring and recording for years, and then drop out of sight with no communication at all for several more.

And of course you have to consider both sides to fully understand who he is. That has been Pellowski’s goal with this project, which tells Dave’s story through interviews with those who have known him. His life is examined from childhood in Columbus, OH, to his time working with Larry Sparks, through to a later life marred by trouble and a jail term that took him away from the music.

Tom T. Hall is an associate producer, and appears in numerous segments with his wife, Dixie, along with Mark and Dave Freeman of Rebel Records, Art Menius and Becky Johnson, Don Rigsby, Jim Mills, Gary Reid, James King and several others.

Director Pellowski says that the process has been enlightening for him personally.

“Making this film has been life changing for me, being an outsider from the bluegrass world and eventually being accepted into it. Learning about the culture, family, and lifestyle has been extraordinary. I never expected this journey to take me on the path that it has.

I am actually writing a memoir as a companion piece with my film because so many things have happened behind the scenes… things that I was not able to capture in front of the lens that I think are important for people to know and understand about Dave.

He is such an amazingly talented musician and so misunderstood by even his closest of friends.”

Here’s a look at a trailer he put together to aid in fundraising.

 

The producers are trying to raise $20,000 on Kickstarter to finish the film now. If you feel motivated to support this project, you can find all the details online.

Album of the Week #36 – Dave Evans’ Goin’ ‘Round This World

I remember as a teenager, I was riding home in my dad’s blue pickup truck when he told me to pick out a CD from the console for us to listen to. Surprisingly, the CD collection which Dad kept in his truck was quite small. In the console, there was only about seven or eight choices, excluding the unmarked tapes lying at the very bottom. It was late at night, and I wanted to find something to help keep us awake. Glancing through this handful of hodgepodge CD’s including unknown gospel quartets and a few sermons, I saw a name I recognized but had never heard.

“Is Dave Evans any good?” I asked.

“Oh yeah! You mean you’ve never heard him before?” replied Dad.

“I know the name, but no, I haven’t heard him yet.”

“Hand that here! You’ll love him!”

The next thing I knew, I was being blown away by what I was hearing. Held captive by the stereo speakers, I was absolutely in love with this powerful mountain voice coming at me with a vengeance. It was all I could talk about for the rest of that night, and I all wanted to listen to for days.

That was my introduction to Dave Evans.

A few months ago, I witnessed a similar conversion. While frying some fish with my housemate Brandon, I decided to cue up Dave’s Goin’ Round This World album on my turntable. His eyes grew wild with excitement as I witnessed another born again Dave Evans fan.

James King, who calls Dave his “ultimate hero,” remembers when he first heard the music of Dave Evans.

I lived in Maryland from 1980 to 1984. In 1983, a friend of mine named Duke Hall, who played the dobro and was a cab driver from Aberdeen, Maryland, asked me, “You ever heard of Dave Evans?” I hadn’t, so we went to his house and I heard Highway 52 for the first time. It tore me up. I went right out and starting buying Dave Evans records!

To bluegrass fans, Dave Evans is a man larger than life. His legend seems to grow every festival season. The stories are seemingly endless and are shared with a certain mysticism which is part John Henry and part Bonnie & Clyde. Kris Kristofferson’s lyric “He’s a walking contradiction, partly and truth and partly fiction” has never been so aptly applied. This is evident even in the way which Dave sings. His ability to switch between rousing and reflective in the same song is incredible, and you believe every word he says.

“He has more emotion than any of us put together,” says King. “Dave is the traditional singer’s traditional singer. Can’t nobody deliver it like Dave.”

One of my favorite Dave albums is Goin’ Round This World. Released in 1981 for Rebel Records, the album features several of Dave’s most well-known tunes.

The album kicks off with You Won’t Be Satisfied That Way. A foot-stomping number from Governor Jimmie Davis, this is hard-core wide-open bluegrass! Dave shows just how much pure power his voice has. It feels as if he’s about to jump out of the speaker. I guarantee your head will be bobbing and your foot will be tapping while listening to this one.

A Woody Guthrie tune, Dave’s delivery of Pastures of Plenty is the best. Flatt & Scruggs did a great rendition in 1962, and Woody’s original is good as well, but Dave takes the song to another level. The arrangement is simple, with merely Dave’s repetitive banjo as the backdrop. This primitive arrangement pushes Dave’s singing into the spotlight and allows his  big voice to be the song’s primary focus. Everything he does vocally is deliberate, and this is one of the best examples. The song drips with emotion. Pastures of Plenty demands your attention, and is among Dave’s best vocal performances.

Dave’s songwriting is some of the most overlooked in bluegrass. Without a doubt, one of the saddest songs in all of bluegrass is Dave’s One Loaf of Bread. Filled with themes of poverty, drunkenness, and injustice, One Loaf of Bread is a wonderfully crafted song. It tells the story of an impoverished child whose alcoholic parents leave their children at home while they squander their money on booze. The lad breaks a store window in order to steal a loaf of bread for he and his siblings to eat, and is put to death. No one ever said Dave Evans was for the faint of heart! “You’re going to cry if you sit and listen to Dave very long,” says James King about One Loaf of Bread. Be near the Kleenex when you get to this one. You’ll need ’em.

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Dave Evans documentary trailer released

A movie trailer has been released for Last Of The Breed, a documentary/biography of bluegrass artist Dave Evans. The film is being produced by Matt Pellowski of Red Line Studios, who is utilizing a crowd-sourcing appeal to help fund the costs of completing the film.

It will include the story of Evans’ life from his childhood in Ohio through his career as a banjo player with Larry Sparks, and later as a bandleader under his own name. Trouble found him later in life, including a prison sentence for assault, and much of his recent history in shrouded in mystery.

The trailer embraces this aspect of his life head on.

 

Further details can be found online.

Last of the Breed: The Dave Evans Story

We heard yesterday from Red Line Studios, the folks creating the upcoming Dave Evans documentary film, Last of the Breed: The Dave Evans Story.

Work on the film is well underway, which will cover Dave’s rough and tumble life from childhood up through the present day. The film has been incorporated as a not-for-profit enterprise, and producer Matt Pellowski is consulting with Raymond McLain of Morehead State’s Kentucky Center for Traditional Music and Jesse Wells from MSU’s Kentucky Folk Art Center. Art Menius, formerly with Common Ground on the Hill and Merlefest, is also advising them.

Pellowski says that while Evans’ story is compelling on its own, it also serves as an exemplar for the artists who kept bluegrass alive during its darker days.

”Those who knew Dave Evans know the film is important, and so they instantly provide all of their energy and enthusiasm; they recognize why it’s very important to tell his story. [Dave Evan’s generation] is a socially important generation that basically provided the backbone and substance of 2nd generation Bluegrass.

He’s a man who plays by his own rules and always does what’s in his heart; which are the sort of merits that helped bluegrass first become popular. So when his generation passes away, that really will be the last of the breed, in a sense, because that entire way of living will have gone extinct.”

Sound like an interesting project? Well here’s where you come in. Red Line Studios is seeking to raise the necessary funds to complete the film through direct donations. As a 501(c)(3) public charity, donations are tax deductible.

They are hoping to raise a total of $30,000 for fixed costs over and above the professional services being donated by the film crew. As is common for fundraising ventures of this sort, premium gifts are being offered with the raying donation levels, from a Dave Evans CD for a $25 donation all the way up to being named an Executive Producer for gifts of $2500 or more.

Find all the details at www.lastofthebreed.tv.

Dave Evans recuperating from heart surgery

Bluegrass balladeer and banjo picker Dave Evans is home recovering from a very serious health scare that required heart surgery at the end of July.

Evans spoke earlier today with Dave Freeman of Rebel Records, and relayed that he had a quintuple bypass that very nearly cost him his life. He told Freeman that the doctors informed him that he had flatlined on the operating table, and had to be revived by the OR staff.

The doctors also installed a pacemaker, and Dave is resting comfortably while he recovers.

Fans and friends that may wish to share get well wishes can send them to:

Dave Evans
PO Box 67
Lost Creek, KY 41348

Best wishes for a speedy recovery from The Bluegrass Blog!

Last of the Breed: The Dave Evans story

Bluegrass fans have loved Dave Evans for years, both for his soulful banjo playing, sing and songwriting, and for his determination in the face of  overwhelming obstacles. Evans had worked with a number of seminal bluegrass bands, including Earl Taylor, Red Allen, The Boys from Indiana, and the Goins Brothers, but it was his time with Larry Sparks starting in 1972 that led to his prominence as a picker and singer.

He started his own group in 1978 (River Bend), toured widely, and recorded 5 albums for Rebel Records. Things went bad after a dozen or so years, when Evans was charged with assault, for which he was convicted, and served a 10 year sentence. After doing his time, Evans returned to music and has spoken very little about the episode that changed his life.

But that is about to change. New York filmmaker Matthew J. Pellowski and Red Line Studios have secured the rights to produce a documentary on Evans. Last of the Breed:  The Dave Evans Story will start production later this year, and cover his life from childhood to the present, leaving no detail behind.

The film’s promotion describes it thusly…

“Our film will document this amazing true story of one man’s prediction of his own destiny and seeing it through despite juggling the many hurdles life can throw at you. We will interview key people from Dave’s childhood and early years, as well as prominent Country and Bluegrass musicians that have played with, or been inspired by Dave’s career. Our film will at all opportunities incorporate as much of Dave’s music as possible to help narrate our story through not just voice over and interview, but in song.”

Pellowski says that he first became interested in Dave when he licensed one of Evans’ songs for use in another film, Eyes of the Mothman in 2009.

“Throughout the process of licensing his music for our film, our friendship grew and we discussed documenting what might be the final album of his career. Those talks led to longer discussions of past stories of shows, record deals, and the triumphs and tribulations of his career in music. We started to realize together that his story must be told – should be told – because it can inspire others and is a true epic of love, passion, regret, music, success, and lessons learned in life.”

Rebel Records is on board, agreeing to  make recordings of Dave’s music available to the producers royalty-free, and New York arts foundation Fractured Atlas is assisting with fundraising.

Producer Anastasia Konstantinou admits that money is still an issue for the project, and while she is pleased with the initial reaction to their efforts, she recognizes that they still have a mountain to climb.

“The blue grass community is a close knit group of friends and family and we’re happy to see so much support for our film.

We’re still raising money right now and seeking additional sponsors, investors and any assistance we can to get this film 100% off the ground. We’re also hopeful to attach a celebrity voice to the project and are seeking an appropriate representative such as actor and blue grass musician Steve Martin, Alison Krauss, fellow Kentuckian George Clooney or even Oscar winner Jeff Bridges of recent Crazy Heart fame.”

Last of the Breed has a fan page on Facebook. Nothing yet on IMDB.

Two reissue sets due from Rebel

Rebel Records has announced the release in early May of two new collections of music from their archives.

The first of these is The Best Of The Vetco Years from Dave Evans & River Bend (REB-7519) drawn from the LP’s-worth of material Evans recorded for the Cincinnati-based Vetco label. The first, Dave Evans and Riverbend (Vetco LP 3033)- sometimes referred to by the title of the first track on that LP and this CD, Highway 52 – was released in 1979 while the second, Call Me Long Gone (Vetco LP 3036), came during the following year.

Among the songs that Evans recorded for Vetco are Short Life Of Troubles, Barbara Allen, 90 Years – Tis Almost For Life, Dark As A Night, Is It Too Late Now?, Sweeter Than The Flowers, Whitehouse Blues, Legend Of The Johnson Boys and Little Joe, 21 songs in all. The new Dave Evans CD contains 15 of those songs, all 11 tracks from his first LP and four tracks from the second.

Rebel recently acquired the master tapes for the two albums in question from Crosscut Records, who had issued separate CD versions of both titles at one time, but only one of them (Call Me Long Gone) is still currently available. With this acquisition, Rebel Records now controls the masters to all of Dave’s recordings. The CD has been digitally re-mastered and features liner notes from bluegrass biographer and long-time friend of Dave’s, Frank Godbey and the latter’s wife, Marty.

Apropos of nothing really related to this CD, Frank Godbey shares this brief anecdote …..

“I played a couple of shows with Dave in the early 1980s… an interesting thing for a (then-) slender chap to do– ie. stand between Dave and Tommy Cordell… about like a Mini Cooper running between two 18-wheel semi-tractor-trailers on the Autobahn! Well, I exaggerate for emphasis, but they both outweighed me by 75 or 80 pounds or more. They called each other ‘Big ‘un.’ “

The second CD is Larry Sparks’ The Best Of Larry Sparks: Bound To Ride (REB-7522).

The Sparks compilation is produced by David Freeman, while the notes were written by Jon Hartley Fox. Mark Freeman, production co-ordinator at Rebel Records, says this of the new Sparks reissue:

“It is basically that; a best of. Just about all of Larry’s most popular songs are represented (John Deere Tractor, Tennessee 1949 and You Could Have Called, among others). The selections are drawn from a pair of albums he recorded for the King Bluegrass label in the mid-1970s as well as five different Rebel recordings that stretch over three decades. In addition, there are three songs available on CD for the first time: Blue Ridge Cabin Home (from the 1975 King Bluegrass release Sparklin’ Bluegrass), Bound to Ride (off the 1976 King Bluegrass LP You Could Have Called) and Imitation of the Blues (from the 1983 Blue Sparks album).”

With these songs renowned stylist Larry Sparks has carved a niche for himself, creating bluegrass standards in abundance. These 14 recordings epitomise Sparks’s no-frills style, his soulful singing and bluesy approach to his music. In the vernacular, “There is only one Larry Sparks.”

These two sets are scheduled for release on May 6.

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