Colebrook Road to Rockwood Booking

Brian Swenk, principal with Rockwood Booking, has announced the signing of Mountain Fever recoding artists Colebrook Road for exclusive representation.

The Pennsylvania group has been performing together since 2009, but have expanded their touring substantially in recent years since their 2019 album, On Time, their first with Mountain Fever. The title track from that project made it to #1 on our Bluegrass Today Weekly Airplay chart. They have since released a second with the label, Hindsight is 2020.

Colebrook Road consists of Jess Eisenbise on guitar and lead vocals, Wade Yankey on mandolin, Mark Rast on banjo, Joe McAnulty on fiddle, and Jeff Campbell on bass. Eisenbise and McAnulty are the band’s primary songwriters.

Jess Eisenbise speaks quite highly of Rockwood Booking and says that the band is happy to join their ranks.

“We’ve known Brian Swenk (owner and lead agent) for several years, and getting to work closely with him now is the opportunity we’ve been looking for to take our music to another level, and continue to grow the band and expand our audience.”

Rockwood represents a variety of bluegrass, old time, folk, Celtic, and Americana acts. Swenk is an artist as well, playing banjo with Big Daddy Love, and is highly regarded for his ability to understand the needs of both artists and venues alike.

Rockwood acts that should be familiar to bluegrass lovers include Kristy Cox & Grasstime, Jakob’s Ferry Stragglers, Hank, Pattie + The Current, and Aaron Burdett.

For more information about bringing Colebrook Road to your venue of festival, contact Bill Howard, who is handling their calendar for Rockwood.

Hindsight is 2020 – Colebrook Road

Like many of their peers, Colebrook Road cull from tradition while also paying heed to the contemporary sounds of modern bluegrass, as proffered by the likes of Steep Canyon Rangers, Punch Brothers, and all the other outfits that have become festival favorites of late. They’ve shored up popularity with bluegrass devotees while also opening up the possibilities for bringing new enthusiasts into the fold. The band — lead vocalist, and main songwriter Jesse Eisenbise, banjo and dobro player Mark Rast, mandolin player Wade Yankey, fiddler Joe McAnulty, and bassist Jeff Campbell — combine their individual strengths in tandem, making them one of the most distinctive ensembles in the entirety of today’s grassicana/newgrass genre. 

As its title implies, Hindsight is 2020 marks a belated return. Initial sessions took place in February and March 2020, but the completed project was delayed due to the pandemic. Notably, all the songs are original compositions, which, in itself, helps distinguish Colebrook Road from those contemporaries who tend to lean mostly on material from outside sources. And yet, every entry sounds like a standard, even at the outset. The call and response chorus of the celebratory-sounding road song, Back To Where We’ve Been, is clearly drawn from a personal perspective. So too, Mountainside and The Carolina Side share the joy of the journey with picturesque soundscapes that detail the places that weigh in with a familiarity factor. The entire album exudes a similar sense of optimism and satisfaction found in sharing stories and making music that’s obviously inspired.

Of course, words alone aren’t necessarily needed. The upbeat and effusive title track details their delight by shoring up the same sentiment. So too, the a cappella offering, All Of Our Days, comes across as a powerful prayer for peace and prosperity.

Remarkably then, with only three albums to their credit, Colebrook Road have already risen to the top ranks of today’s most erstwhile ensembles. Hindsight is easily achieved, but it takes the kind of taste and talent shown here to assure some measure of foresight as well.

Track Premiere: Mountainside from Colebrook Road

Mountain Fever Records has a new single today from Colebrook Road, who come from the Appalachian region of central Pennsylvania.

An upbeat grasser, Mountainside tells of how the highland vistas bring inspiration, in a song written and sung by guitarist, Jesse Eisenbise. He says that it came to him while he was doing a bit of soul searching while walking along the Blue Ridge.

See if it gives you the same vibe.

Jesse is supported by regular bandmates Wade Yankey on mandolin, Joe McAnulty on fiddle, Mark Last on banjo, and Jeff Campbell on bass.

Mountainside is available now as a single wherever you stream or download music online. It will also be included on the next Colebrook Road album from Mountain nFever, expected October 18.

Radio programmers can find the track at AirPlay Direct.

Track Premiere: Back To Where We’ve Been from Colebrook Road

Mountain Fever Records is set to release a third single tomorrow from Colebrook Road, taken from their upcoming album, All You Need To Know.

It’s a new song written by guitarist and lead singer Jesse Eisenbise called Back To Where We’ve Been. It finds him thinking back over all the great venues they have played, the wonderful people they have met out on the road, and wanting to see them all again. Written before all the COVID-19 restrictions, it is doubly true now with hopes for live music coming back again this year.

Jesse is supported here by his bandmates Jeff Campbell on bass, Joseph McAnulty on fiddle, Wade Yankey on fiddle, and Mark Rast on banjo.

Have a listen…

Back To Where We’ve Been will be available on January 26 wherever you stream or download music online. Radio programmers can get the track now via AirPlay Direct.

Stay tuned for release information for the next full Colebrook Road album from Mountain Fever.

Run Run Rudolph drops for Colebrook Road

Mountain Fever Records has released their first entry in the 2020 bluegrass Christmas sweepstakes, with a new single from Pennsylvania’s Colebrook Road.

The guys have put together an acoustic treatment of Run Run Rudolph, Chuck Berry’s whimsical holiday favorite from 1958. Originally cut in Berry’s trademark rock n roll style, Colebrook Road gives it a touch of grass, and retains the groovin’ rock format for the first half of the track, before breaking out into a full bluegrass romp.

Those who well remember the Chuck Berry version will get a chuckle from how vocalist Jesse Eisenbise tweaks the lyrics to fit a bluegrass telling of this story of young children expressing their Christmas gift wishes – and their need for speed from Santa’s lead reindeer!

Despite this song’s perennial popularity, it wasn’t a big hit when first released. But over the years, Run Run Rudolph has been among the most covered modern holiday classics.

Have a listen to how Colebrook Road interprets it.

Run Run Rudolph from Colebrook Road is widely available now wherever you stream or download music online. Radio programmers can get the track from AirPlay Direct.

Track Premiere: Carolina Side from Colebrook Road

Thanks to our friends at Mountain Fever Records, we have a pre-release track premiere today of their upcoming single from Colebrook Road.

Carolina Side finds the band in a contemplative mood, with old time banjo and bowed bass helping to flesh out this story that guitarist/vocalist Jesse Eisenbise tells us comes from a memory earlier in his life.

“I had the idea for The Carolina Side about 15 years ago. I spent a year living in North Georgia and it was there I met my wife, and together we learned how to whitewater kayak on the Chattooga River. It’s such a beautiful stretch of water and it forms part of the border between South Carolina and Georgia. When people would talk about certain areas on the river or even rapids, they would always refer to ‘the Georgia side or the Carolina side’ instead of the left or right side of the river. That stuck with me and I always love songs that have the same chorus but different meanings as the song progresses. Even though we lived on the Georgia side of the river we always accessed it from the Carolina side, and the song came from those great memories of time on that river.”

Have a listen…

In addition to Jesse, Colebrook Road is Mark Last on banjo, Jeff Campbell on bass, Joe McAnulty on fiddle, and Wade Yankey on mandolin. They call Harrisburg, PA home.

Carolina Side is available now to radio programmers via AirPlay Direct. It will be offered wherever you stream and download music online on August 11.

All You Need To Know from Colebrook Road

Mountain Fever Records has a new single from Colebrook Road, released this week along with a music video.

This contemporary bluegrass quintet from Harrisburg, PA is led by guitarist and vocalist, Jesse Eisenbise, who is also the group’s primary songwriter. He shared a bit of insight about the single, All You Need To Know, which is quite personal for the band.

“I wrote this song last summer while I was sitting on a cooler at a bluegrass festival. It was the day before the funeral service for our friend and former banjo player, so the song is in his memory. Recently, it’s taken on a whole new significance with the pandemic we’re going through. Everyone is isolated, all events are canceled, and there is a lot of fear out there, so we’re in need of human connection more than ever. And that’s the gist of the song, that love between people is all you need to know.”

The track features the entire group – Mark Last on banjo, Joe Mcanulty on fiddle, Wade Yankey on mandolin, and Jesse Campbell on bass – plus Amanda Cook on high harmony.

All You Need To Know is available now wherever you stream or download music online, and to radio programmers at AirPlay Direct.

Colebrook Road on time at Grey Fox

Take a ride on Colebrook Road. It will take you to some fantastic places. One recent stop was Grey Fox 2019 and, man, that was quite a jaunt!

Colebrook Road, fully emerged, after being an emerging artist at Grey Fox 2018, kicked off Grey Fox Friday 2019. They seized the opening High Meadow slot and gave us a prime-time show. A couple hours later, they threw a throw-down at the Catskills Dance Tent, complete with a rip-roaring Whitewater with Artist-in-Residence Billy Strings. Bold move, boys. What a song choice! And, what a delivery! Point, well made. You can sing and pick with the best of them. It is a journey on that Colebrook Road, and you, no doubt, arrived in style at the Grey Fox milestone. 

As for the audience, we rode that Colebrook Road over peaks of precise picking, into valleys of harmonious voices, on lanes of insightful lyrics, and through hollers and hollers of good old bluegrass with some jam slathered on. The band calls Pennsylvania home, but it is stretching its boundaries geographically and musically. During its Grey Fox sets, Colebrook Road mostly showcased original songs from its aptly named albums, On Time (their latest) and Halfway Between, with a few earlier tunes and covers sprinkled in. On Time is apropos given their impeccable timing, and Halfway Between fits because of where they sit in today’s bluegrass: one foot firmly in the trad world with the other pressing the gas pedal of progressive.

The band scorched the Grey Fox High Meadow in that hot morning sun with a sizzling set including The Caged Bird with those truthful poetic lyrics from Jesse Eisenbise, and poignant fiddle cries from Joe McAnulty; a fiery Feel the Bern where they unleash banjo-slinger Mark Rast; an effervescent Boy in The Bubble, envisioned by mandolinist Wade Yankey; and a marvelous, intricate instrumental called Mabon. 

The band then lit up the Dance Tent with a lightening quick Sun Up, Sun Down; had us swaying in a virtual group hug with The Road We Travel, featuring a groovy solo by Jeff Campbell on the standup bass; encouraged our prancing around to the down-home beats of Bright Angel; and got us down to the rapid riffs of On Time. They even threw in Billy Joel’s Angry Young Man before igniting the place with their barnburner, Oh My Love.

Lucky for us, Colebrook Road took a little time after their sets to chat about their time at Grey Fox 2019 and, generally, what they are up to. 

When asked about being invited to play Grey Fox 2018, and again this year, it was smiles by all as Jesse recounted that fateful awesome email from eminent Grey Fox organizer, Mary Burdette, who caught their show at DC’s Pearl Street Warehouse in early 2018. Jesse excitedly explained, “I got the email the next day that said, ‘You guys sounded great last night, and we’d like you to be the emerging artist.”’He said, “We were all like ‘What?’” Totally incredulous. Joe added, “We kind of sat back for a second and it was, like, Man! One of these things that we have been reaching out for finally showed up. It was pretty cool!” As for coming back this year, Jeff said Grey Fox was the focal point of the band’s summer; they made a point not to book anything during Grey Fox weekend. Wade emphasized, “We wanted to leave space in our schedule so we could be here if asked.”

Turns out, 2018 was the first time the band members had ever been to Grey Fox. That is, except for Mark, who said, “I started coming to this festival when it was the Berkshire Mountain Festival in 1980. Then, my kids did the Bluegrass Academy for years and years. I came almost every year.” He talked about his tradition of going to the festival with his brother. With a large grin, he said, “Moving from being a constant attender to getting to play on stage is a pretty surreal experience. I never thought that would happen.” Mark recalled seeing The Steep Canyon Rangers as an emerging artist at the old Winterhawk. With an even larger grin, he quipped, “Then, you know what happened to them.” Exactly!

Mark regaled us with other tales of Grey Fox old as the rest of the band (and I) sat in awe – and envy! A banjoist focusing on the banjos shared some banjo lore: he said he saw Béla Fleck with Spectrum and Scott Vestal with Livewire during Grey Fox of yore. Wow! He also recounted, “One thing I really remember was years ago Béla Fleck and the Flecktones played at Grey Fox, and it was just an incredible set! And, we were like, ‘Okay, who is going be able to follow that?” Pause. Answering himself, Mark exclaimed, “Del.  It was Del! And, it was so good! Who could follow? Del could!” Jesse chimed in, “You know how you are at a big festival trying to figure out where you’re going and who you are going to see? Well, Wade said it once and now we live by it: you don’t miss Del!” Respect. Nodding, Wade said, “We definitely caught Del’s [Grey Fox] set. I haven’t smiled that hard in a long time.”

The band’s comraderie and joy of storytelling were apparent. So was their enthusiasm for talking about their music and what they are all about. When asked how their new album, On Time, developed and what they were going for with it, Joe explained,

“Getting enough tunes for the album is an organic thing. Jesse just keeps bringing new ones in, and we decided on the Paul Simon tune. We really wanted to do one and Wade brought Boy in the Bubble in, and, you know, we just worked at it and worked at it. And we needed an instrumental, and I wanted to do that [referring to Mabon]. By the time we were ready for the album, we had all the tunes.”

Jesse added,

“It was also a reflection of all the traveling and gigs that we have played leading up to going in the studio last November. We had Grey Fox under our belt at that point. We had played most of those tunes here to a great reception. We arranged and changed them and tweaked them, and most of them, with the exception of two or three, we had played hard for at least a year, if not more. So, the album was kind of like a showing of all those live shows. Playing the songs over and over and over, that is how they get locked in to be ready to record, instead of the other way around.”

Mark made the point that, “it was the first time we got to record in a studio that has done bluegrass. That is what they do,” indicating the difference that makes in the end product. Wade said that he did not “think there was a conscious decision to do something different than what we had done before. I think we just picked the best songs that we had and put them forward.” When prompted about the choice to do Boy in The Bubble, Wade explained, “It is a cool song. I have been a little obsessed with that particular song for quite a while, and I finally found somebody who will play it with me.” Thank goodness. What a creative rendition.

When asked what is next on the docket for Colebrook Road, Joe answered simply and emphatically, “More bluegrass!” He expounded, “We are trying to do this a lot more: getting out to see as many people and venues that we can. We all have other things going on, like families and such, but we have been growing this for a while and we like to see where it’s going.” Those of us paying attention certainly have a good idea where it is going, and we have to say we like what we see!

Jesse said, “We’re really expanding the audience. In the last calendar year, we are going to states some of the guys have never even stepped foot in. It is just because of the music, and that is really exciting to me!” “A lot of these songs are about where we live in Pennsylvania. My upbringing,” he added, “But, we are getting them out there. I always used to say years ago that if people could hear this, I think they would like it. But, it is hard to get people to hear it.” 

More and more people are hearing it though as the band’s tour schedule expands beyond their home region, and, once people hear it, it truly is hard not to like it. Their tunes, their picking, and their lyrics hit all the good stuff. Jeff observed that there seems to be two camps in bluegrass: traditional and progressive, and said “we don’t really understand why there can’t be a middle ground,” explaining that Colebrook Road bridges the gap between the two. Mark and then Wade chimed in to say that “Grey Fox feels like a place with the middle ground,” and “Grey Fox does embrace both of those worlds.”

Colebrook Road could not have enough good things to say about the Grey Fox Festival. Jesse said, “There is so much good vibes and so much love at this festival in particular.”  Mark noted, “Grey Fox is so well run too. It looks like it is just a big party, but, man, they have this thing dialed in, and I think that is why it is so fun to be here.” Wade added another great Grey Fox feature, saying, 

“Also, it has maybe the most rabid music fans I have ever seen anywhere. 11:00 a.m. and hundreds of people are out somewhere watching music. At other festivals, people are hunkered down at their campsites or trying to pick or stay out of the sun. But, at Grey Fox, all day and all night there are just so many people just all about hearing bands.”

We are so glad Colebrook Road was one of those Grey Fox bands again this year! 

Hop on Colebrook Road online. It really will take you to some amazing places. All you have to do is sit back and enjoy the ride. 

On Time – Colebrook Road

It could be considered a credit to a band’s songwriting prowess when an album dominated by original material also includes a well known cover, but it’s not necessarily distinct from any of their other offerings. One can give a nod to Colebrook Road for achieving that sense of acumen and accomplishment on their new effort, the aptly-titled On Time. With lead singer and guitarist Jesse Eisenbise taking credit for seven out of its ten tracks, it’s notable that their take on Paul Simon’s Boy in the Bubble blends right in, the pluck and strum of their instrumental approach allowing it to segue seamlessly with the songs that surround it.

Much of the reason for the band’s success also lies in the fact that Colebrook Road makes a conscious attempt to create a sound that finds a halfway divide between more traditional trappings and a more modern furrow ploughed by the Punch Brothers, Town Mountain, and the Steep Canyon Rangers in particular. They demonstrate a vitality and versatility that can easily appeal to those who enjoy music of a vintage variety, while also mining interest from listeners who prefer contemporary credence as far as their listening preferences are concerned.

That enthusiasm and initiative makes this captivating quintet (Eisenbise, bassist, tenor vocalist Jeff Campbell, fiddler, baritone singer Joe McAnulty, mandolin player Wade Yankey, and banjo and dobro player and baritone and bass vocalist Mark Rast) worthy of note, even though this is only the third album into their collective career. The rousing instrumental Mabon proves the point as far as their tight- knit dexterity is concerned, but with songs such Evening Rain, To Love Again and Cora Leigh make it exceptionally clear that a good melody is also essential to their mantra. 

Ultimately, Colebrook Road reflects both the sum of their individual influences — among them, roots, rock, country and grassicana — as well as a willingness to breach certain boundaries rather than simply limit their possibilities. In that regard, On Time from Mountain Fever Records,manages to overcome a challenging proposition — that is, to please both the purists and anyone interested in exploring other avenues as well.

In that regard, Colebrook Road provides an ideal connection between opposite extremes.

On Time from Colebrook Road

Mountain Fever Records has released a debut single from their upcoming project with Colebrook Road. This will be the third album for the Pennsylvania quintet, and their first with Mountain Fever.

Like many new bands, the Road spent time their first few years together plugging away on the contest circuit, taking first place in the 2011 Pickin’ In The Panhandle Bluegrass Festival competition in Martinsburg, WV, traveling north to win the top prize in the 2015 Podunk Bluegrass Festival band contest in Hebron, CT, and more recently first prize in the 2016 DC Bluegrass Union’s Mid Atlantic Bluegrass band contest in Washington, DC.

For this first single, they have chosen On Time, written by guitarist Jesse Eisenbise. The band gives it a sort of rock ‘n roll flavor in a solidly bluegrass arrangement. Jesse is supported by Wade Yankey on mandolin, Joe McAnulty on fiddle, Mark Last on banjo, and Jeff Campbell on bass.

Here’s a taste of the track…

The guys recorded the album in the Mountain Fever studios in Riner, VA, with new engineer-in-training and label mate, Amanda Cook at the helm. Amanda and her husband, Dennis, are planning a move to Virginia in the near future, and she will assist with tracking at the studio as needed. Label head Mark Hodges says that she is a natural, and the guys in Colebrook Road enjoyed working with her.

Aaron Ramsey, also on the Mountain Fever staff, handled the mixing and mastering.

On Time is available now to radio programmers through AirPlay Direct, and as a track download wherever you find music online.

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