Clay Jones back with Terry Baucom as a Duke of Drive

Terry Baucom has announced the newest member of his touring and recording group, the Dukes of Drive. And it’s someone who has been associated with Bauc for a good many of his 50 years in the business.

Clay Jones joins the Dukes on guitar and vocals, a position with which he is familiar supporting the banjo legend. He first met Terry when they did a long west coast tour together in a band Larry Rice assembled in the late 1980s. Then when Bauc and Lou Reid formed their group, Carolina, in 1993, Clay was invited in to play guitar. They found themselves on the road together again a decade and a half later when Jones was with Mountain Heart, and brought Baucom and Tony Rice along on a tour.

When his Mountain Heart stint was completed, Clay dropped off the bluegrass radar when he moved to Texas for a time and worked as an electrician on a pipeline job. After experiencing some major health issues, he moved back to North Carolina a few years ago and is getting involved in the music once again. A recent catch up phone call with Baucom came at an opportune time, as the Dukes’ previous guitarist, Will Jones, was becoming increasingly unavailable due to his separate country music career in Nashville.

So Clay is back with Baucom again, and Terry is happy to have someone on guitar who drives the music as much as he does on banjo.

Jones tells us that he is living now with his fiancé, their three cats, and a hound dog in Asheville NC, and is glad to be back home with Bauc.

“I guess you could say I felt relieved that Cindy and Terry called, ’cause it’s been my home for so many years standing beside Terry, it’s like a family reunion. He was the first person I ever played professionally with and hopefully my last.”

You’ll have a number of chances to catch Clay with The Dukes of Drive this summer. Check their web site for details.

Cindy Baucom also shared a number of photos of Terry and Clay together over the years.

Overlook Farm Fiddlers Convention – results and photos

The very first Overlook Farms Fiddlers Convention was held last week in Stoneville, NC. It was held specifically in order to give the pickers in that region a place to go and jam following the cancellation of the 2020 Old Fiddlers Convention in Galax. Many pickers and bluegrass lovers plan many months in advance to be in Galax that week, taking time off from work, and looking forward not only to being surrounded by music, but also seeing friends, camping out, and having a big old time.

Overlook organizer Clay Jones has declared the hastily-arranged event to be a success, with a turnout in the 450-500 range. His goal had never been to set attendance records, but simply to provide a site where folks could congregate and safely socialize and enjoy the music they love. And given Jones’ outsized personality, not to mention his rogue flatpicking skills, by the end of the week folks in attendance had started referring to the Overlook Farms convention as Claylax.

Here are the contest results. Galax regulars should recognize several of the names.

Bluegrass Band

  1. Coyote Ugly
  2. The Stokes County Ramblers
  3. Daniel Wright and the Baldnobbers
  4. Fireline
  5. Southern Gentleman

Old time Band

  1. The Claylax Ramblers
  2. Wreckin’ Havoc Mountain Daredevils

Guitar

  1. John Garris
  2. Steve Wilson
  3. Kyser George
  4. John Marler
  5. Tom Horton

Bluegrass Banjo

  1. Steve Lewis
  2. James Edwards
  3. Hersie McMillan

Mandolin

  1. Jonah Horton
  2. Ralph McGee
  3. Alan McMillan
  4. Kyser George
  5. Luke Little

Bluegrass Fiddle

  1. Rex McGee
  2. Crystal Shipley
  3. Katie Griffin

Old Time Banjo

  1. Tina Steffey
  2. Adam Basheres
  3. Hersie McMillan

Bass

  1. Mitch Bentley
  2. Sue Bob Trianosky
  3. Fireline

Youth division

  1. Gus McGee

Folk Song

  1. Layla McGee
  2. JR Dunbar
  3. Kaleb Overby
  4. James Stacy
  5. Earl Reno

Well done Clay, et al!

Overlook Farm Fiddler’s Convention in August, presented by Clay Jones

There’s really nothing special about missing outdoor events this summer. All over the world, popular gatherings have been cancelled for 2020, with even a few next year already announcing postponements.

But it’s doubtful that anyone is grieving harder than those who regularly attend the various contests and fiddlers conventions held across the Appalachian region every year. Long running events like the Old Fiddlers Convention in Galax, VA have been cancelled, along with similar ones in Sparta and Mt Airy, NC, leaving annual visitors who plan their vacations around them each year feeling mighty blue.

So Clay Jones, notorious North Carolina guitar slinger and outsized bluegrass personality has decided to do something about it. In just a few weeks’ time, he has organized what he is calling the 1st Annual Overlook Farm Fiddlers Convention, set to run the same week in August as the Galax convention would have been held.

He tells us that it was actually his girlfriend who was the impetus for the creation of this new event.

“I was talking with my girlfriend, Donese Helms, who was just distraught over Galax being cancelled. She goes every year, and looks forward to it for months as soon as the weather warms up. So we basically looked at each other and thought, why don’t we do one here?”

Here being Overlook Farm, a 100 acre horse ranch in Stoneville, NC where he is currently working tending horses and cutting fields. So he spoke with the owner, Abby Jones (no relation), and she loved the idea right away. It won’t be high tech, but he says it will serve as a place where people can get together and pick, something most grassers are feeling after months of social isolation and COVID-19 restrictions.

The Convention will run August 4 – 8, and registration will be on site only, first come, first served. Rough and RV camping will be offered, but no hookups as they don’t have time to bring that all in. Campers are welcome to bring and use generators, and there is a full service campground just across the street. 

Jones offers tremendous credit to the farm’s owner, an experienced horsewoman who used to train the Lippizzaner Stallions for their show in Las Vegas.

“Abby has really opened up her heart, as she understands that people are dying to pick and get together.

We know that some people are still cautious about getting together in groups, and we respect everyone’s decision – no judgement. But I also respect those who just want to get out there and pick like we used to as a kid.

And since this is private property, if the governor doesn’t approve we just hold a peaceful music protest.”

Some of Clay’s enthusiasm to move ahead with this surely comes as a result of a recent near death experience. He tells us that he has recovered nicely from triple bypass surgery just a few weeks ago.

“I was working in the Texas oilfields over the winter, and suffered a heart attack while I was coming back. I had been driving about 18 hours and thought I was just really tired. When I filled up with gas in Birmingham, two cops who were at the next pump asked me if I was OK. They said I was sweating a lot and it was really cold, and they wanted to call the paramedics to check me out before I headed back out.

Once they got there, they told me I was having a heart attack and took me straight to the hospital. The doctor said I had 100% blockage in one artery, 80% in another, and 70% in another. He told me that I would have died on the road if they hadn’t brought me right in.

I feel awesome now. It was tough after the surgery but feel like I’m 20 years old again. I Feel so much better, and know that I’m fortunate to be alive.”

Overlook Farm Fiddlers Convention will accept competitors in the usual competition categories for both bluegrass and old time music, but the actual contest won’t be broken into certain times. Anyone with a contestant registration can come up anytime over the weekend and compete, regardless of whether it is a band or an individual, on any instrument.

Tickets will be sold at the gate – $40 for a contestant ticket, $40 for the full week, and $100 for RV camping. Each contestant will receive their fee back after they play on stage. Clay is especially excited about launching the Clay Jones Flatpicking Guitar Contest, where the winner will receive a title belt just like the wrestlers do.

Jones invites everyone to come on out the first week of August. The gates will open on Tuesday morning, August 4, with youth competitions on Thursday and regular adult competitions on Friday. He says that there is a golf course across the street, and the Dan River park is only a short distance away. They will not be able to allow 4-wheelers or dirt bikes on the farm, or glass containers.

“We want to make this a low key and very enjoyable convention, like I remember as a kid. And electric bass is OK!”

More details can be found on their Facebook page, where you can contact Jones for additional details.

Clay Jones – Heritage Not Hate

Clay Jones has been both in and out of bluegrass music for most of his life. It seems like he’ll be prominent on guitar with a leading band for a while, like Mountain Heart or Lou Reid & Terry Baucom, and then he’ll drop out of sight for a while.

Tough times have been at the root of some of his “disappearances,” and Clay has seen his share. He told me recently that following his divorce, he had become a “raging alcoholic,” something he has since overcome, even regaining custody of his son. But his larger-than-life personality and stunning brilliance as a guitarist have left Jones with a deep well of good will within the bluegrass community.

Jones set in motion one of the most popular instrumental bluegrass recording series when a solo guitar album he was working on in 1995 was released as Bluegrass ’95 on Pinecastle Records. It got that name since Clay all but abandoned the project after it was completed, as he ha left Reid and Baucom and had no way to promote it, and banjo picker Scott Vestal appealed to the label to put it out as a generic CD. It became so popular that Scott produced a similar new album each year, assembling some of the hottest players in bluegrass to cut a set of instrumental standards.

His latest project involves a song co-written with L.C. Mabry which celebrates their Southern Heritage, and seeks to reclaim both the divisive image of the Confederate Battle Flag and the honor and integrity of the men and women who engaged in the ill-fated war of Southern independence-n the mid-19th century.

To record and perform the track, Clay has assembled a red hot band of southern Virginia pickers. With Jones on guitar, Clay Jones & Pure Drive has David Carroll on banjo, Rex McGee on fiddle, Dale Reno on mandolin, and Mabry on bass. A new EP/CD has just been released today, containing Turn Those Guns Around, the aforementioned song about Confederate soldiers, and an instrumental version of Dixie.

Clay told us that when he heard Turns Those Guns Around, it called to mind the current debate about display of various Confederate flags.

“L.C. had this song in the can for a couple of years. He and I were talking about how absurd it was to be all up in arms about a flag. It’s not fair to anyone of any race to blame someone who supports the flag for being murderous racists.

I told him that we ought to take that song and make it more about our southern heritage. It reminds me of my grandma, of raising our own food, and learning to play banjo on my front porch. What it means to me is my southern heritage.

So we started with his song about a group of soldiers in Virginia during the Civil War. They were just doing what they were told to do, getting slaughtered trying to take a hill. They all just wanted to get home and take care of their families and their business, and all they had to unite them was the flag.

I love everyone, and want everyone to get along. I think a lot of people will appreciate what we are trying to say.”

The pair added a new verse and a bridge to bring the story full circle to today. Mabry said that they only worked on the song for a few days and had what they wanted.

“I had put the original song on a nine song demo I recorded with Warren Amberson and Kelly Green several years ago, and those songs kind of fell off the back burner. Just recently Dale Reno was working at Blackwater Studio near Smith Mountain Lake, and had hired me on bass and Clay on guitar. We quickly discovered that Clay and I feel the same way about a lot of things. At some point I played him that demo CD, and he fell in love with Turn Those Guns Around.”

The EP is available now for sale now at Etsy, with a portion of the proceeds donated to the Shriners Children’s Hospital. It ships with a free Confederate flag magnet emblazoned with the slogan, “Heritage Not Hate.”

Jones says that he is perfectly pleased with what he and Mabry have created.

“I haven’t been this proud of a project ever and I hope you enjoy this as much as we all enjoyed making it! Along with the CD you get an all-purpose magnet to use on your car, truck or boat to let the world know it’s our heritage not hate we are so proud of!”

 

A web site will be up soon with more details about the song. Radio programmers can reach Jones through Facebook to request airplay copies.

Reno Bound – Reno and Harrell

For most bluegrass fans, the name “Reno and Harrell” instantly brings to mind the 1960s band fronted by bluegrass legends Don Reno and Bill Harrell. However, some folks may have caught that name popping up once again at bluegrass shows, such as the recent Wide Open Bluegrass street festival in Raleigh, and wondered who exactly was going to show up onstage.

No, it’s not some sort of tribute band – not exactly. Instead, the 2010s version of Reno and Harrell is Dale and Don Wayne Reno with Mitch Harrell, longtime musicians and friends since childhood who are following in their fathers’ footsteps. They’ve recently released their first album, Reno Bound, featuring classic covers from Don and Bill as well as a few newer tunes.

The twelve tracks on Reno Bound are, for the most part, strongly traditional and performed with an ear towards the original Reno and Harrell. The album opens with the title track, an upbeat Bill Harrell-penned number about a man who is picking up and heading out of town after the one he loved cheated on him. This is a toe-tapper that fans of the traditional, driving sound are sure to enjoy. Gold Digger is another Bill Harrell original about a cold-hearted woman. This time, she’s used the singer for his money, and he wishes her “a fate worse than death – a gold digging man.” The song has a nice guitar opening and fine harmonies.

Don Reno’s songwriting talents are also represented, with pieces like the sweet love song Gift of Love, which has a classic country sound and tasteful banjo throughout from Don Wayne Reno. There’s also Mountain Road, an enjoyable classic number in the “you can’t go home again” vein.

Black Diamonds is a bouncy coal mining song about the hard life of a miner, which was also recently recorded by another legend’s son, Ralph Stanley II (on his Born to Be a Drifter album). One of the most lonesome tracks on the album is Mister Bottle, an ode addressed to the only thing in the singer’s life that never lets him down.

Mitch Harrell has contributed two new originals to the album. Verizon to Verizon is not the novelty song its title might suggest, but a tender piece with a ’90s country sound about a man who knows he can’t be with the one he loves right now, but plans to keep their love alive through the telephone. Watchin’ NASCAR, on the other hand, is a humorous come back from a husband who won’t let anything, especially a nagging wife, get in the way of his favorite pastime.

All of the musicians in the 2013 version of Reno and Harrell are certainly talented, and they’ve included excellent traditional touches throughout this album. Mitch Harrell offers smooth lead vocals, while Don Wayne Reno contributes banjo and Dale Reno plays mandolin and guitar. They’re joined by Robbie Wells’ fine fiddling and Ron Spears on bass. Special guest Clay Jones joins in on guitar for the title track.

Bluegrass fans who still love spinning Reno and Harrell records from the 1960s should enjoy Reno Bound and its numerous classic tracks. These sons of bluegrass know their fathers’ music, and do a fine job interpreting it.

For more information on Reno and Harrell, visit their website at www.renoandharrell.com. Their album can be purchased from several online retailers.

New face with Mountain Heart

Mountain Heart has announced that Jake Stargel has joined the band on guitar, filling the spot just vacated by Clay Jones.

Jake is a fiery flatpicker from Georgia who at 19 years of age has already developed quite a reputation in the acoustic music world. Already a Georgia flatpick champ as a young teen, he toured with The Lovell Sisters when he was 15, and has more recently worked with The Greencards and Bearfoot.

Jake is viewed as a protegé of the great Bryan Sutton, who sings the praises of the hot guitar phenom:

“Jake is great! He can do pretty much anything on the guitar. He seems to have a good character, too. He’s going to be a monster addition to Mountain Heart.”

As Mountain Heart moves to a more-and-more crossover approach, Jake’s multi-instrumental talents will also prove to be a benefit. He plays mandolin, piano and electric guitar in addition to acoustic, which will be his primary role.

Look for Jake with Mountain Heart on their co-bill with Tony Rice this Thursday (7/1) at the Red, White & Bluegrass Festival in Morganton, NC.

Jones had announced his intention to leave the group some time ago, but the band had held off the announcement until his replacement could be found. Mountain Heart asked us to express their gratitude to Clay for his long-term association with the band, and their best wishes to him in all his future endeavors.

Clay Jones back with Mountain Heart

After a hiatus of 16 months, Clay Jones has re-assumed the guitar chair with Mountain Heart.

Jones left the band in August of 2007 to deal with some personal and familial issues, and with Clay Hess having left the group to work with Sierra Hull, he is happy for the chance to return.

“I’m so excited to be back with all my brothers! I’m looking forward to seeing the greatest fans in any music again!”

I spoke with Mountain Heart fiddler Jim Van Cleve this morning, and he is likewise stoked to have Jones back onboard.

“It’s no secret that Clay Jones was a large part of the musical personality that MH had developed over the years. He brings a unique spark and intensity to the table that is all his own. That, along with his stage presence, is such a powerful combo. So, of course, we’re all super excited to get to pick with him again.

He and I go back a long time… I’ve known Jones since I was 15!

We just had our first round of rehearsals where we ran through about two and a half hours of music several times. We played all of our material and most all the songs we’ve been performing with Tony Rice. Jones knocked them all out of the park!

He grew up playing with Tony, so I guess that it shouldn’t have been a surprise that he knew that rhythmic feel and most of that material better than anybody! So, with a bit of a return to what MH has become known for, we are all chomping at the bit now to get out and do what we do this year!!”

Jim also mentioned that Clay’s first show back with the band will be at The Ark, in Ann Arbor, MI this coming weekend. This where they cut their current CD release, Road That Never Ends, The Live Album, which features Jones on guitar. From there, the band heads to Clay City, KY.

Sounds like this was meant to be…

You can find the band’s full tour schedule on their web site, and look for a chance to catch Clay with Mountain Heart – and Tony Rice – near you in ’09.

Randy Kohrs adds new band members

Award winning dobro player and band leader, Randy Kohrs, has just added a couple new faces to the line up of his band, The Lites.

UPDATE: We just heard from Ashley Brown, Randy’s fiddle player, that the band name has been dropped and the group will henceforth be known only as The Randy Kohrs Band.

Joining the band on guitar is Clay Jones. Clay is a long standing member of the bluegrass flatpicking elite. He’s played and recorded with a number of well known groups and artists. Most recently Clay was a member of bluegrass powerhouse group, Mountain Heart. Clay is well known for his driving rhythm and forceful lead playing. The interaction between Jones’ flatpicking and Kohrs dobro should be exciting to hear.

The other new member of the band is Elio Giordano on bass. Elio is a local Nashville player, and brings more than just the low notes to the group. He plays many different styles rather than just the standard bluegrass bass line, and he sings lead as well.

Kohrs is trying the band out without a mandolin player at this time. The group sports a snare drum player, so rhythmically there is no hole. And with the addition of Jones on guitar, they certainly won’t be lacking for lead players.

More Ultimate Pickin from Pinecastle

Some of the more popular bluegrass instrumental projects of recent years have been in a Pinecastle series which came to be called the Bluegrass Annual projects, as each was designated by the year in which it was released. Seven CDs were eventually included, starting with Bluegrass ’95, and concluding with Bluegrass 2001.

The series had a largely accidental genesis, initially recorded as a solo project for Clay Jones, now guitarist with Mountain Heart. When that project was finished, Clay made a decision to work outside of music, and Pinecastle was prepared to shelve the recording, seeing no venue to promote it. Scott Vestal, a long time friend of Clay’s who played banjo on the project, intervened with the label and convinced them to release it as an instrumental CD so that the artists who recorded with Clay (Adam Steffey, Wayne Benson, Aubrey Haynie, Barry Bales), could at least offer it for sale at their shows.

Scott was quoted in an August 2000 article in Banjo NewsLetter about this, and how he came to take charge of creating and producing an instrumental release for them for each of the next six years.

"I talked with Tom Riggs at Pinecastle and suggested that we release it in some form with a generic title so that at least the guys on the record could sell it at shows. I just threw out the name, Bluegrass ‚Äò95 and he liked it. No one expected it to sell so well but, when it did, Pinecastle turned the concept over to me and asked me to do one each year.”

Each was successful in its own right, but as the CD inventory for each title sold through, Pinecastle has elected to let them go out of print. Bluegrass 2001 is the only one still available as an audio CD.

They released a compilation from those CDs in the summer of 2005, called Ultimate Pickin, which featured 20 tracks taken from those recordings, and now a second compilation is out with a bit broader range that includes more tracks from those popular CDs.

The newly released More Ultimate Pickin also contains 20 tracks, taken from the aforementioned Vestal-produced projects, and other Pinecastle CDs like Bobby Osborne & Jesse McReynolds’ Masters Of The Mandolin, among others. A full track listing and a few audio samples can be found on the Pinecastle site.

You can still obtain the individual Bluegrass Annual projects as digital downloads in the iTunes Music Store. Follow the links below to find them in iTunes.

Steve Dilling holiday tour

As a member of IIIrd Tyme Out, Steve Dilling is accustomed to having the month of December free each year. The band has long blocked the last month of the year off their tour schedule, both to allow for time with their families around the holidays, and to get rested and re-energized before starting up again in the new year.

A few years ago, Steve came up with the idea to put a group together with members of other groups, to perform shows during December. The idea has since grown into a mini-tour, with this year’s edition featuring Clay Jones from Mountain Heart on guitar, John Wade from The James King Band on bass, Ron Stewart from JD Crowe & The New South on fiddle, Darrell Webb from Wildfire on mandolin, and Dilling on banjo.

Steve says that the holiday tour grew from a single show, with interest in the band expanding as the word goes out.

“The idea of this band is something that I started a few years ago. Back then, it was just for one night on a local basis here around the Raleigh area. In 2005, I had the idea of seeing if I could take this on the road, and quickly booked a few gigs. After the success of last years shows, I thought that I would try it again. Now I am actually getting promoters wanting us to do a few festivals. I don’t know if that will happen, because we are all so busy with our individual bands… but it is kind of nice to be in demand.

I hope to record this band at some point, because I feel strong about the music that we are playing, and it would be nice to have something to sell on the road when we do play. Most of the guys have individual solo recordings, so we have worked up some material form each of those, we also do a few Christmas songs, as well as some standards, but most of all, we have a great time. It is a time to enjoy playing, and get out of the normal band routine situation. I hope that everyone will come out and see the band.”

They will do four shows over the next week or so in Galax VA, Grayson KY, Bradshaw WV and Frederick MD. You can find details on these shows on Steve’s web site.

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