IBMA announces Bluegrass Ramble artists for ’23 World of Bluegrass

The International Bluegrass Music Association has today announced the artists who will be invited to showcase during the 2023 World of Bluegrass convention, as part of the annual Bluegrass Ramble in Raleigh, NC. Each act selected will have the opportunity to perform live twice during the convention, September 26-28, typically once at the Raleigh Convention Center for the assembled attendees, and once at a downtown Raleigh venue in cooperation with World of Bluegrass.

Bluegrass Ramble artists are chosen through an application process, overseen by the IBMA Showcase Selection Committee, seated for this very reason. Showcase acts receive complimentary registration for the conference, plus an exhibit hall booth, and priority appointments for the annual Gig Fair where festival and concert managers meet one on one with bands during the convention.

It is quite common for bands who appear as part of the Bluegrass Ramble to come away from IBMA week new management, representation, and even record contracts, based on their performances in Raleigh.

Selected to participate for 2023 are:

These acts range from full bands to duos, trios, and individual artists, who play bluegrass, old time, and Americana styles of music. Basically all the musical genres that fly under the bluegrass banner these days. They come from all over the US, and include a couple from overseas as well.

Congratulations all! See you in September.

IBMA announces final 2022 Bluegrass Ramble showcase artists

The International Bluegrass Music Association has announced the second and final round of artists invited to showcase at the 2022 World of Bluegrass convention in Raleigh, NC, as part of the annual Bluegrass Ramble. All showcase acts will perform at least twice during the week for the assembled professionals in the bluegrass industry, September 27-29, and again over the weekend during the free Bluegrass Live! street festival downtown.

Along with the artists announced last week, the following will participate in 2022:

Bluegrass Ramble showcase opportunities are meant to highlight acts that are new, ready to make a big move to the next level in touring and recording, or artists who have recently made significant changes in their personnel or stage show.

Registration is open online for the full World of Bluegrass business conference, the IBMA Bluegrass Awards show, and the weekend Bluegrass Live! festival at the adjacent Red Hat Ampitheater. Information on all three events can be found online.

IBMA announces first round of Bluegrass Ramble showcase artists

The International Bluegrass Music Association has announced the first batch of artists invited to showcase at the 2022 World of Bluegrass convention in Raleigh, NC, September 27-29. These acts are chosen by an IBMA select committee who go through dozens of applications each year.

Each act will get at least two chances to perform as part of the annual Bluegrass Ramble before the many industry people who attend the convention, typically once inside the Raleigh Convention Center where official WOB events are held, and again at a local music venue in the downtown area. They each receive free admission to the convention, and some non-US groups can qualify for help with travel expenses. Many former showcase artists have found record deals, or new management or representation opportunities as a result of their participation.

To qualify, an artist must be on the rise, and in a position to make the next leap to a full time performing career, or an established act with substantial new personnel or a major change in their look or sound.

Announced yesterday is the first half of the 2022 Bluegras Ramble lineup.

Registration is open now to attend the 2022 World of Bluegrass convention, and tickets are available for the IBMA Bluegrass Awards show on September 29, and the weekend Bluegrass Live! festival, both held in downtown Raleigh.

Local residents may choose to attend the various Bluegrass Ramble concerts by purchasing a ticket for the music only part of the convention, or by attending the free street festival on September 30 and October 1. The city blocks off Fayetteville Street from the capitol to the Duke Performing Arts Center, and there are live bands every block or so, along with many food, drink, and crafts vendors. On top of all that, the NC Whole Hog Barbecue Championship is held downtown that weekend as well.

IBMA likes to call their convention week “The biggest week in bluegrass!” If you play, sing, write, promote, record, broadcast, or just love bluegrass music, you are invited to attend.

On This Day #67 – Bill Knowlton’s Bluegrass Ramble debuts in 1973

On this day ….. 

On January 21, 1973, the first broadcast of the Bluegrass Ramble radio show on WCNY-FM Syracuse, New York, took place. The presenter then, as now, was the award-winning Bill Knowlton.  

Knowlton’s experience as a broadcaster of bluegrass music began in 1959 when he was a student at Fordham University. He launched New York City’s first all-bluegrass radio show, Bluegrass Ramble, on WFUV-FM, the university station. Later the program moved to WBZY in Torrington, Connecticut.

Knowlton, noted for his flamboyant attire, recalled recently …. 

“When the Air Force sent me to Syracuse, New York, in 1972 I started volunteering at Public Radio WCNY-FM with a weekly feature The Dusty Record Shelf. It featured some of the 78s I collected dating from 1900-1940 (not country). [NB He first presented The Dusty Record Shelf on WHBM in Xenia, while assigned as a Public Information Officer at the Wright-Patterson Air Force Base in Dayton, Ohio.]

WCNY was an eclectic station at that time: jazz, classical, talk. I got a 15-minute segment on the nostalgia show, All Our Yesterdays.

While there I talked the FM Program Director into letting me revive my Bluegrass Ramble that I broadcast in Connecticut and New York City between 1959 and 1962.

There was a variety show called Today’s Music Tonight. The program manager wanted to fire the disc jockey. I was convenient to him, so he put me on playing bluegrass from 10:00 p.m. to 1:00 a.m. I did it live the first couple of years. It went to 9:00 p.m. to midnight when WCNY went all-classical.”

The moment of dawning for William Brierley ‘Bill’ Knowlton, who was born in Manhattan, New York, and attended Brooklyn High School, came when at school and he heard a DJ play the Hank Williams’ recording, Jambalaya. Soon afterwards he became aware of bluegrass music, and Knowlton he been a devoted fan of bluegrass and old-time music ever since. 

His enthusiasm was further boosted by listening to WAAT, a Newark, New Jersey, radio station, Rosalie Allen’s Prairie Stars on WOV in New York City, and Wheeling West Virginia’s WWVA, with its Saturday-night Jamboree and daily night-time deejays. 

At WNYE, a station located in Brooklyn Tech, Knowlton became a member of the All City Radio Workshop, and on Saturdays he would ride his bike from home to Woodside where he appeared on WWRL’s What’s Right With Teenagers.

He then attended the Bronx’s Fordham University in 1956, majoring in Communication Arts, and it was while in his senior year that he hosted the first version of his Bluegrass Ramble, over the college’s radio station WFUV; it was the first all-bluegrass radio show in New York City.

Upon graduating Fordham in 1960, Knowlton joined his parents in their Connecticut home, getting his first radio job as a DJ and announcer at WBZY in Torrington.

The first playlist clearly reveals Knowlton’s abiding love of old-time country music ……  

Opening theme: Wheel Hoss—Bill Monroe

Mule Skinner Blues—Bill Monroe (Decca)

Going to Georgia–Ralph Stanley and Bill Harrell

Little Cabin Home On the Hill—Lester Flatt

The Secret Of the Waterfall—Country Gentlemen 

Way Down the Old Plank Road—Uncle Dave Macon

Soldiers’ Joy—Tommy Jackson

Footprints In the Snow—Bill Monroe (Decca)

On the Banks Of the Ohio—Monroe Brothers

Dog House Blues—Bill Monroe (Camden)

I’m Going Back To Old Kentucky—Bill Monroe (Columbia)

Bluegrass Breakdown—Bill Monroe (Columbia) 

Salty Dog Blues—Flatt & Scruggs (Mercury)

The Bluebirds Singing For Me—Lester Flatt & Mac Wiseman (Victor)

Grand Ole Opry Song—Jimmy Martin (Decca)

 

Foggy Mountain Top—Carter Family (Victor)

Dear Old Sunny South By the Sea—Jimmie Rodgers

Molly Put the Kettle On—Gid Tanner

Sally Ann—Sidna & Fulton Myers

Take Me Back To the Sweet Sunny South—New Lost City Ramblers

 

In the Hills Of Roane County—Blue Sky Boys

Black Mountain Rag—Crook Brothers (Starday)

I Still Write Your Name In the Sand—Mac Wiseman (Dot)

Darling Corey—Seldom Scene (Rebel)

Green Mountain Hop—Reno & Smiley (King)

Old Rattler—Grandpa Jones (King)

Just To Ease My Worried Mind—Roy Acuff (Columbia)

Wabash Cannonball—Bashful Brother Oswald (Rounder)

Air Mail Special—Jim & Jesse (Capitol)

 

Cluck Old Hen—Ralph Stanley 

Cheated Too—Wilma Lee & Stoney Cooper (Hickory)

 

Old Joe Clark at Renfro Valley (45 rpm)

March Winds—Bill Clifton (Starday)

Southern Cannonball—Seldom Scene (Rebel)

Bill Mason—Charlie Poole

Polly Are You Mad–Stringbean (Nugget)

Ho Honey Ho—Osborne Brothers (MGM)

Closing theme—Reno Ride—Reno & Smiley (King) 

Knowlton features portions of Chickie Williams’ The Parlor Is A Pleasant Place to Sit In Sunday Night both in the opening and closing themes.

The Solemn Old Judge George D. Hay, the first announcer on the world-renowned Grand Ole Opry radio program, signs off the Bluegrass Ramble with his famous saying, “Tall pines to pine, and the paw paws to pause…”.

In 1973 Knowlton also launched the annual Bluegrass Ramble Picnic, now held at Dwyer Memorial Park in Little York, New York, every first Sunday of August. It is the oldest bluegrass event in New York, New England, and Pennsylvania.

Known by some as “Mr. Bluegrass of Central New York,” he is a co-founder and long-time member of the former Central New York Bluegrass Association. 

Knowlton is the recipient of a variety of awards; among these are those from the International Bluegrass Music Association (Broadcaster of the Year, 1997; Distinguished Achievement Award, 2011); the Syracuse Area Music Awards (Sammys) (Hall of Fame, 2006); the Syracuse Press Club (Lifetime Achievement Award, 1994); and the Cultural Resources Council (Service to the Arts Award, 1983). 

In 1992 he was presented with the Jesse Messick Award, for MCing the Uncle Dave Macon Days in Murfreesboro, Tennessee. 

However, one of Knowlton’s most rewarding achievements is helping to save Nashville’s historic Ryman Auditorium, long-time home of the Grand Ole Opry. To assist in the fight, he was able to enlist the support of Ada Louise Huxtable, the influential architecture critic of the New York Times. 

Also, he took part in saving Syracuse’s Loew’s State (now Landmark) Theatre, becoming a charter member of the board. Through the years, Knowlton has conducted hundreds of tours of the venerable movie palace.

Bill Knowlton has long MCed the Gray Fox, Wind Gap, Tug Hill, Pickin’ In the Pasture, Thousand Islands, and Brantling bluegrass festivals, in addition to some that are, sadly, no longer in existence.

He served with as a US Air Forces Officer in Saigon before being re-deployed in Syracuse. In 1974 Bill left active duty, retiring as a Lieutenant Colonel. 

IBMA announces second round of Bluegrass Ramble artists for 2020

The International Bluegrass Music Association has announced a second round of invited showcase artists to be presented in their Bluegrass Ramble, held this year during their first virtual World of Bluegrass celebration.

These showcase artists are selected from dozens of applications received by a select committee of IBMA professional members and industry experts, based on one of two criteria: newer artists who are prepared to make a big jump forward, and established acts who have made a considerable change in their personnel or approach.

Fifteen other showcase acts were announced back in May, and this new batch brings the total to twenty eight.

Included in today’s announcement are:

You can see the previously announced acts here.

Following this past Tuesday’s announcement, we know that all World of Bluegrass 2020 activities will be held virtually online, and it seems that most of them will be offered free to the public. We are still awaiting a final schedule indicating when these various events will take place during the scheduled time period of late September, or whether they will even adhere to those dates at all.

The Bluegrass Ramble artists typically perform once before the assembled attendees at the Raleigh Convention Center, and one other time in a downtown night club. No announcement yet how this will be handled virtually. One expects that these details are being ironed out even now.

Full details about World of Bluegrass are posted online, where further updates will also be found as they are announced.

Bluegrass Ramble – 20 years of picking

Musicians everywhere love to get together to play and if they are with long-term friends so much the better. 

Japanese guitar player and vocalist Kazuhiro Inaba isn’t any exception and the same goes for Sōhei Itō (mandolin and vocals), Hajime Tsutakawa (fiddle and vocals), Yuji Ishihira (bass and vocals) and Randall ‘Randy’ Cotten (banjo and vocals), the current line-up for Bluegrass Ramble, a band that in February (2019) marked 20 years of bluegrass music. 

To be fair, Cotten, from Illinois, didn’t join the band until 2000 and Itō even later, in 2015. 

Kazuhiro Inaba, one of the premier bluegrass musicians in Japan, was born in Osaka in 1960 and started playing 5-string banjo when he was 15 years old. His biggest influences have been his old-time banjo playing father, Etsuro – one of the earliest country music fans in Japan – and his brother. He started playing bluegrass music with his mandolin-playing older brother, Masatoshi, in the mid-1970s. The siblings formed the New Smiling Mountain Boys with whom Kazu played banjo until the late 1980s. 

A few years later Inaba switched to guitar when he found that it was easier for him to sing when playing that instrument than it was when playing the banjo. 

Cowboy Jack, from the original Carter Family, features some deft guitar work from Inaba …. 

His biggest influences were banjo aces Earl Scruggs, Sonny Osborne, Don Stover, J.D. Crowe and Bobby Thompson, while vocally he has learned from Jimmie Rodgers, Hank Williams, Larry Sparks, Jennifer Warnes, and the Statler Brothers. 

The younger brother formed Bluegrass Ramble in 1999 and they started their monthly bluegrass concerts in Osaka. 

By that time multi-instrumentalist Kazuhiro Inaba had recorded two LPs and three CDs. But I digress.

The original members of Bluegrass Ramble were Kazuhiro Inaba, Tsutakawa and Ishihira, and Yuji Mukai (banjo and vocals), Kazuyoshi Onishi (mandolin and vocals). Mukai doesn’t play in a band currently, while Onishi is a member of the Backwoods Mountaineers band.

When he was a high school student Yuji Ishihira saw Japanese folk singer, Tomoya Takaishi, and that led to Ishihira going to the Lost City bluegrass music club in his home town, Kobe, to listen to music there. 

At the same time, he listened to his friend’s Flatt & Scruggs’ Mercury recordings and the Nitty Gritty Dirt Band’s Will the Circle Be Unbroken album. Right after that, the Nitty Gritty Dirt Band and Bill Monroe performed in Japan, and Ishihira became even more interested in bluegrass music.

His primary bass-playing influences are Tom Gray, Roy Huskey, Jr. and Bob Moore.

Hajime Tsutakawa is another who took an interest in bluegrass music while he was a high school student. It was there that he began playing guitar with a friend who played the banjo. By Tsutakawa’s own admission, if he hadn’t met his banjo-playing school friend then, he doesn’t think he would have gone on to play bluegrass. It was then that he began to take an interest in the music.

Soon after, another guitar player joined the group, so Tsutakawa switched to playing a mandolin, and the three of them formed their own band. 

Then, while in his 20s, he joined another band that already had a mandolin player, so Tsutakawa decided to learn to play the fiddle, the instrument that he always wanted to play anyway, it transpires. 

That Star Belongs to Me comes from the Lilly Brothers’ (with Don Stover) repertoire ….. 

The Bluegrass Ramble band gave its first performance in 1999 at Minoya Hall in Osaka, Japan, playing there for two years (1999-2000). Since then, for five years, their appearances were at the Tsuji Hisako Memorial Ensemble Hall (2001-2005). During the following three years Bluegrass Ramble played for six months at Theatrical Otenin (2006), one year at OCC Hall (2006-2007) and one year back at Minoya Hall (2007-2008), all in the Osaka area. 

Then, since 2009, the band has had gigs every other month (usually in the odd numbered months). “For the last 10 years, we have played at Mister Kelly’s, a jazz club in downtown Osaka, that provides great sound and serves a variety of meals and drinks,” Inaba relates.

In addition to their regular performances in Osaka, Bluegrass Ramble has performed at the world-famous Rocky Top bar, restaurant, and, most importantly, music venue in Tokyo, as well as other places throughout Japan. 

The band won first place at Shiga Bluegrass Festival Band Championship in 1999, clearly demonstrating early talent and excellent teamwork, and again in 2000. 

After four years at university Randy Cotten, who grew up in a small town in southern Illinois, was ready to see the world. He had managed to learn a bit of the Japanese language at school and made some Japanese friends, too. He says, “the biggest encouragement was an American friend, a former bandmate who had already come to Japan. He told me that bluegrass was alive and well here, with lots of good pickers, festivals and venues to play.”

Cotten was also told that he could easily find a job teaching English; in 1987 native English speakers were in great demand at what were known as conversation schools. 

To cut a long story short, Cotten found a job in Nagasaki, fell in love with Japan and managed to find some good Japanese bluegrass musicians who happened to be in need of a banjo player. Eventually, he began to feel that he wanted a more solid, long term position at a university in Japan, so he returned to the U.S. to get a degree in teaching English as a foreign language. Cotten returned to Japan in 1994 and has been there ever since. 

Having always been an active part of the bluegrass community in Japan, Cotten thinks that having had a couple of opportunities to pick with Inaba led to him being asked to join his band full time in 2000.   

In this video Inaba, switching to banjo, joins Cotten in playing a banjo medley …. 

Throughout the years, Bluegrass Ramble’s regular performances have been enhanced by quite a few guests from the U.S. such as Keith Little, Butch Robins, Sammy Shelor, Jennifer Strickland, and Mike Compton in addition to many talented Japanese musicians.

In 2009, quite fortuitously, the band was invited to play at the annual Country Gold international country music festival in Kumamoto, Japan. Excerpts of the show were later broadcast on NHK, Japanese national public television, markedly enhancing their profile.

Since 2011, with the invaluable help of the Minoh American Music Society and many others, Inaba has shown his support for Japanese bluegrass musicians at large, hosting an indoor bluegrass festival each year in Minoh City, near Osaka. Not only does the Bluegrass Ramble perform at the festival, but many other fine amateur pickers in Japan get a chance to demonstrate their respective abilities. This festival also gives an opportunity for some great university student bluegrass bands to perform on stage in front of an audience. 

Mandolin player Sōhei Itō was influenced, primarily, by his father, who also plays the mandolin and took him to various jam sessions and festivals. As a consequence, he became interested in playing the banjo and mandolin.

Itō would listen to his father’s record collection particularly those by Country Gazette, New Grass Revival, paying special attention to Sam Bush, and another mandolin giant David Grisman. 

Other influences were Alan Bibey and Tim O’Brien, to name a few.

As his tastes in bluegrass music developed, he enjoyed Hot Rize, Blue Highway and IIIrd Tyme Out.  

For this arrangement of Daybreak in Dixie Itō and Inaba (also playing mandolin) are joined by Kazuyoshi Onishi, Bluegrass Ramble’s original mandolin player …. 

 

Reflecting on the band’s longevity Inaba says …. 

“The Bluegrass Ramble has been so grateful and lucky to have been able to continuously give shows without any cancellations since the band was formed.”

On February 16, 2019, the band had a successful 20th anniversary show, marking their 181st gig together. “Hopefully, we will be able to continue to enjoy performing bluegrass music for many more years to come,” Inaba adds. 

In Despair was written by Juanita Pennington and Bill Monroe and was first recorded by Bill Monroe and His Blue Grass Boys in May 1957. In this instance the song closes a set by Bluegrass Ramble …

Unfortunately, the Bluegrass Ramble hasn’t released a CD yet. Although Inaba is thinking about putting out a live album before too long. Judging by the video clips the band really has something different to offer. 

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