Back On My Knees – new single from 40 Horse Mule

40 Horse Mule, Nashville-based remote bluegrass recording artists, have a new single, again featuring the singing of Billy Troy.

The band, which at one time performed and tracked together in one spot, still gets together using modern technology to participate in new recordings. Troy now lives in Omaha, where he is entertainment director at a casino there. Born in Nashville, he is the son of bluegrass reso-guitar icon Josh Graves, who chose Billy Troy as a stage name some years ago.

Billy’s partner is Bennie Bolling, Nashville musician-at-large, who plays banjo, bass, and reso-guitar on this new single.

For their latest release, Billy and Bennie have resurrected a song that Troy wrote years ago with Lee Bach and Dave Lindsey called Back On My Knees, recorded by David Frizzell in 1987. Jason Roller adds fiddle and guitar, and Keith Tew sings harmony with Billy.

Unsurprisingly, it has an ’80s country vibe, done bluegrass style. Have a listen…

Back On My Knees by 40 Horse Mule is available now from popular download and streaming sites online. Radio programmers will find the track at AirPlay Direct.

Billy Troy’s battle with COVID – a close brush with mortality

“It’s been tough for all of us entertainers,” began Billy Troy, son of famed reso-guitarist, Josh Graves.

The past year was especially difficult for this professional singer/musician in particular. He nearly died after contracting COVID-19.

In 2007, Troy had left his Nashville home with his wife and youngest son and headed west, relocating in Omaha, Nebraska, to become the entertainment director for a casino. 

“It was too good an offer to turn down. It got me off the road. I had been performing 275 days a year. I thought we’d only be there a few years.”

The Graves family (Troy uses his middle name on stage) still reside there in our nation’s heartland. 

“As I worked for the casino, I also developed my own show about my life with my dad, and growing up on the Grand Ole Opry, that I was performing in and around the Omaha area. From those shows, I was asked if I’d like to join a non-profit organization called The Merrymakers Association, and I also began performing for several types of retirement communities for senior citizens. It’s been one of the most rewarding experiences of my career. I was doing two shows per day for over 120 senior centers.”

His hour-long shows were a huge success. 

“I was told what a difference it made in their lives.”

Then the pandemic hit.

“The shows as well as the centers all went on lock down. There was no work. My wife, Sheryl said, ‘Why don’t you do videos for the seniors?'”

So that is what the 67-year-old did. He started making music videos for the groups he had been performing for live. He created Billy Troy’s In-House Sessions, posting 45 episodes on Facebook.

“Reaction has been great,” the father of five happily shared.

Even during a worldwide pandemic, things were going well for Troy and his family.

“When COVID came, we were very careful. We didn’t go anywhere. We had our groceries delivered, dropped off at the garage. We picked them up with gloves and wiped them down with a bleach solution my wife made. We didn’t eat out. Sheryl cooked the entire time. My wife is very germ-conscious.”

Then they unknowingly were exposed to the coronavirus. 

“Our grandbabies that live with us were dropped off by their mother on a Saturday. She called on Tuesday and said that she had tested positive for the virus. She is a health care worker.”

On January 15, the entire Graves household (Troy, his wife, son, and two grandchildren) all came down with COVID-19.

“We all had it, but mine was the worst.”

Troy described what happened next.

“I did a virtual call with my doctor. I was told to stay put, treat the symptoms with over-the-counter meds, and go to the hospital if necessary. 

Seven days later I got worse. I was struggling to breathe. I made a mistake and thought I’m a guy, I can handle this.”

Troy almost died at home.

“After three days, my wife said, ‘I’m calling 911. Your face is turning blue.’ I wasn’t really with it. I barely remember them taking me to the hospital.”

 It was during the biggest snow storm of the year in Nebraska.

“The ambulance got stuck in our driveway. Neighbors came and helped shovel it out. It was a terrible night.”

Troy’s condition worsened and he was transferred from his local hospital to Methodist Hospital in Omaha. 

“The first week there they called my wife and told her to prepare herself and the family because I had taken a turn for the worse. They didn’t think I was going to make it. She couldn’t be there. No one was there to be an advocate for you. I saw terrible things.

I didn’t want to go on a ventilator. I knew I wouldn’t recover. I told the doctor, ‘I don’t want this. I won’t make it.’ They put a DNR (a do-not-resuscitate order) bracelet on me. I feel I survived because of that. It was a lot to go through. It was bad.”

Fans, friends, and family reached out anyway that they could.

“I had so much support. Cards and letters came from all over the country. Their prayers lifted me up. It meant so much. It touched me.”

After almost two weeks in the hospital, his wife negotiated with the medical staff to bring her husband home.

“She took every step to get me well. Handing me a ukulele and encouraging me to exercise my lungs by singing just a little. I started getting stronger. After a few weeks, I wanted to see if I could really still sing.”

Earning his living as a vocalist, it was crucial that he hadn’t lost his God-given talent to Covid. “I had no problems,” he thankfully admitted.

His first project after contracting the virus was a collaborative music video with his longtime North Carolina banjo-pickin’ buddy, Hugh Moore, Sea of Heartbreak.

He started performing again, but found he lacked the stamina.

“I made it through May fairly well. In June, I did a theater in South Dakota along with six other shows that same week. Then started feeling weak. I thought I had COVID again. I cancelled the whole last week of June. I was fine, just trying too hard, too soon.”

Now he’s back in front of the microphone entertaining seniors and performing his regular venues, but limiting his performances to 5-6 shows per week. Troy continues to experience some side effects from his bout with COVID, but thankfully, his singing voice isn’t one of them.

“It was quite the ordeal. I had COVID pneumonia. My lungs were full of it. I still have trouble with strength and stamina. Another residual effect is throughout the day I smell gasoline when it’s not there. It’s got to do with the smell sensory nerves.

It was close to two months before I started performing again. I think it’s because I’m a singer that I was able to survive this. I have strong lungs. I think that saved me.”

Reflecting on his life-threatening illness, Troy stressed his concern for others.

“People should take this disease seriously. My advice is if you feel sick, get it checked out. Go to the doctor and get treated. Men, listen to your wife!”

The whole horrible ordeal has been life-changing for the singer.

“I have a different perspective. You just want to hug everybody,” Troy concluded.

Someone Took My Place With You from Billy Troy & The Country Store

Here’s some more socially-distanced, green screened, retro bluegrass from Billy Troy, Hugh Moore, and The Country Store for OMS Records.

Since COVID-19 restrictions took effect earlier this year, Hugh and his merry band of Flatt & Scruggs aficionados have been hard at work recording audio and video tracks from their homes, and piecing them together into these very effective presentations on YouTube. All of the members of this outfit are thoroughly versed in the music of Lester and Earl, and jumped at the chance to participate in these recreations, largely for the fun of it.

Moore, who owns and operates OMS Records, tells us that it was initially simply a labor of love, and a result of everyone’s frustration with not being able to get together and play. But as interest in the videos has picked up online, he is considering putting together an album with all of their vintage bluegrass takes and make it available for purchase.

This time out, they tackle an absolute classic of the genre, Someone Took My Place With You, which is based around the stellar fiddle playing of the great Benny Martin. His kickoff to this song has become so definitive that you rarely hear it performed nowadays without some approximation of Benny’s break being attempted. In fact, this solo is considered one of the finest of the early bluegrass repertoire, and it takes a mighty stout fiddler to pull it off properly.

Billy Troy takes the lead vocal, supported by Moore on banjo, Ray Legere embodying the Big Tiger on fiddle, Chris Sharp on guitar, John Cloyd Miller on mandolin, and Zack Mondry on bass.

Serious fans of Flatt & Scruggs will recognize this video as being based on the August 29, 1953 recording of the song, from Benny’s second stint as a Foggy Mountain Boy.

Take it away boys…

Great job! One can only imagine how much fun they all have had with this project.

Flatt & Scruggs tribute video from Billy Troy and OMS Records

High Moore and OMS Records have created another wonderful socially-distanced video featuring lead singer Billy Troy, along with Moore and several other talented bluegrass pickers, this time for a dead-on tribute to the great Flatt & Scruggs.

Previous videos from this team have featured Bobby Osborne doing I Can’t Stop Loving You, and Billy Troy leading a bluegrass version of Never Ending Song of Love. Even though the audio was captured separately by each performer, it was all recorded in bona fide studios, and sent to Hugh to put in final form. The end results have been powerful musical statements, and Moore says he has a few more up his sleeve.

Today’s new video is a remake of the Lester and Earl classic, I’ll Go Stepping Too, originally released in 1953 as a single, backed by Earl’s cut of Foggy Mountain Chimes. That first release of the Jerry Organ and Tom James song featured the great Benny Martin on fiddle, supporting Lester Flatt on lead and Curly Seckler on harmony vocals.

For this tribute cover, Troy takes the lead, with John Cloyd Miller playing mandolin and singing tenor. Chris Sharp is on guitar, playing in the Flatt-inspired thumbpick style, Ray Legere on fiddle recreating all of Benny’s solos and fills, Zack Mondry on bass, and Hugh pulling all the Scruggs licks on the banjo.

These guys have some legit connections to The Foggy Mountain Boys. Troy is the son of Josh Graves who played reso-guitar for many years with the band, and Miller is the grandson of Jim Shumate, who played fiddle on the early F&S records. Moore was great friends with Benny Martin, and produced and recorded a number of his albums in the 1990s. Sharp had also performed and recorded with the various members of The Foggy Mountain Boys after that group dissolved.

They know how this vintage sound was made, and they do a fine job bringing it forward into 2020, using green screen video.

Hugh says that this track of I’ll Go Stepping Too will be available soon on the popular download and streaming sites, and on AirPlay Direct for radio programmers.

He also hinted that at least one more of these Flatt & Scruggs remakes are in the offing before the end of the year.

Great job everyone!

Never Ending Song Of Love from Hugh Moore & Friends

If you spend any time online, you will have seen some of these social distancing music videos where performers record a video together from various locations around the country, or around the world. They have popped up in every imaginable style, and at every conceivable level of expertise and quality.

Because of the relative ease of recording acoustic music, we have seen a great many from bluegrass and old time artists. Some arose as an effort to defeat the boredom of being stuck at home when you are used to touring on the road. And some of them have been inspired by a desire to stay in touch with fans during this enforced break, or even monetize their time while out of work. Others still have been an attempt to figure out the technical issues involved, and just give it a go.

Here’s one we discovered this week from a different perspective. Banjo player Hugh Moore created just this sort of project, and not for any reason but to give a gift to the bluegrass community he loves, and have a way to pick with friends again while so many of us are locked in at home.

Hugh has spent many years in our music, and ran the OMS Records label starting in the late 1990s. There he oversaw releases from Bobby Osborne, Kenny Baker, Johnny Russell, Josh Graves, Jesse McReynolds, Pam Gadd and others.

Recently he called on a number of his pickin’ buddies in the professional bluegrass world, and they all agreed to be involved. Hugh played banjo, Ray Legere was on fiddle, Chris Sharp on guitar, Allyn Love on steel, and Billy Troy on lead vocal. On a lark, Moore also reached out to Bobby Osborne to see if he would sing and play mandolin, along with his son Boj on bass.

With everyone on board, they set to work on the pop song Never Ending Song Of Love, which was a charting hit for Delaney & Bonnie & Friends in 1971. Since that time, it has been covered by grassers from Earl Scruggs to Country Gazette, Gary Brewer, and several others. Country singers have also embraced the song, with Skeeter Davis and Lynn Anderson covering it, as well as duets by George Jones & Tammy Wynette and Loretta Lynn & Conway Twitty.

Hugh knew that Billy Troy would do a great job singing it, and indeed he did. Billy has a solid bluegrass pedigree as the son of Uncle Josh Graves of Flatt & Scruggs fame, though he has worked in the pop music world as well during his career. Back in the grass now with 40 Horse Mule, we expect to hear more music from him soon.

Once everyone had recorded their individual parts, Hugh mixed the audio parts, and he and his wife Linda edited the videos.

Check out the final product they created, given as a love offering to bluegrass lovers wherever they may be. See how well they work in both a bluegrass and a country vibe in this arrangement.

This take on Never Ending Song Of Love isn’t being offered for sale, though it is available to radio programmers at AirPlay Direct.

Well done and thanks, Hugh, and all involved in this video!

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