Growing up in Oklahoma, music runs throughout Pamm Tucker's veins. Her earliest memory of music is standing beside her Grandma's upright, singing. "Trust in The Lord". Little did the 5 year old realize that this was the foundation of things to come. Being very active in 4-H, Pamm was elected as reporter at the age of 9 and held this position for many years. Taking extensive journalism marketing and free-lance writing classes while attending college helped to spark her interest in being a journalist. Her skills helped her acquire the position of journalist for the Northern Oklahoma college school newspaper. An Oklahoma native and no stranger to music, she has performed with the likes of Lulu Roman, Jean Shepherd, Willie Nelson, Tanya Tucker (no relation) Gene Watson and Charlie McClain just to name a few. Even today you can find her tapping her foot to every genre of music.
Kenny Cornell, a celebrated singer/songwriter, has made waves in the music industry with unparalleled talent and dedication to his craft. Hailed as the winningest songwriter in history at the Walnut Valley Festival in Winfield, KS, Cornell’s musical journey is a testament to his passion for creating impactful music that resonates with audiences worldwide.
“I ended up at Winfield two times by mistake,” said Cornell. “It was in 1972, and I was working as an advertising account executive. I didn’t even own or play a guitar. In 1973, I found myself back at Winfield during the festival.
At 25 I attended Winfield on purpose, and found myself playing with a group, standing in the road.”
In 1973, a 1962 mint green Chevy Bel Air station wagon with a New Jersey kid sitting on a cooler playing guitar was parked, and Cornell didn’t even know what flatpicking was. But those licks caught his attention and excited parts of Kenny that he didn’t even know existed. Ever since, Cornell has not missed an opportunity to attend the Winfield festival this past 52 years. With over 40 years of songwriting championships now under his belt, Kenny laughed when asked about his first song. “You’ll never hear it and no one else will either.”
Kenny refers to himself as an imperfect songwriter, but those who have heard him will offer high praise. He says that listening to Cat Stevens, John Prine, Jimmy Buffet, and Jerry Jeff Walker laid the path for skillful writing and composing he would follow.
Cornell writes stories that “make you laugh, and make you cry,” often in the same song. A furious worker, one time he wrote 18 songs in three days in the comfort of his living room.
In 1988, Cornell entered at Winfield for the first time. Inspired by that first unplanned visit to Walnut Valley, and by the sounds of bluegrass and folk music that have filled the air for over 50 years. It was that passion that fed the fire for Cornell. Then in 1992, Cornell moved to Nashville to run with the big boys, and follow his newfound dream of becoming a songwriter. Tom Collins picked Kenny up as a songwriter, and his love for music and the skills of letting mind and pen flow, grew rapidly. By June 1995, George Jones & Tammy Wynette had released It’s an Old Love thing, with lyrics from none other than Kenny Cornell.
With tears in eyes, and a sincere apology for getting so emotional, Kenny shared…
“I had a friend at Winfield that had passed away and it touched me. I wrote Missing [Missing Faces], as a way of tribute to him. A guy came to me and said, ‘There’s this lady who wants to see you.’ This lady had a baggie of her husband’s ashes, and told me that she too was missing ‘missing’ faces. I write songs that affect people.”
That affect has held on strong as Kenny has been recognized for over 40 years at Winfield, in several different categories. In 2024, Kenny and Elliott Rogers were recognized for their humorous song, Your Problem Now, and Kenny was given an achievement and special recognition award for being the winningest songwriter ever in the competition there.
Kenny and his wife, Rosie, reside in Broken Arrow, Ok, which is a suburban city near Tulsa. Rosie is a well known bass player and instructs at many camps. After 24 years, the pair can be found camped at many festivals throughout the Midwest. Their favorite however is Winfield, and the Walnut Valley Festival.
He says that his passion for storytelling through music blossomed as he performed at local venues and festivals, captivating audiences with his raw talent and heartfelt lyrics. It was clear from the start that Cornell was destined for greatness, with his unique blend of traditional roots and modern influences setting him apart as a songwriter in the music scene.
Byron Berline and John Hickman are two distinguished figures in bluegrass music, each carving out their unique paths in the industry. Berline, known for his virtuosic skills as a fiddler, and Hickman, a talented banjo player, captivated audiences with their exceptional talents and collaborative works.
Recently I spent the day with their wives, and we waltzed through their musical journeys of and daily lives, explored their individual careers, and shared projects and the lasting impact they have made on the music world. Join me on a journey through the lives and music of Byron Berline and John Hickman.
As I drove North on I-35, I played through my mind, how I was going to “do this interview;” but it was to my astonishment that I was so nervous. I was fortunate enough to hang out with both of these musicians and their families many times, but had never been to the Berline home.
Pulling into the semi-circle driveway my heart was pounding and my hands were sweaty. But then I was greeted with Bette Berline’s smile, and I entered her childhood home. Bette’s father was a physician in Guthrie, OK, and after her parents’ passing, she and Byron moved into the house she had grown up in. The home itself was more like a museum of her and Byron’s life.
Upon entering, to my immediate left was a curved couch, and the piano that played a vital role in Bette’s childhood. As I sat at the breakfast table, with my heart still pounding, I began to relax and listen, but i was probably sitting with my mouth agape. I didn’t ask a lot, but I sure learned plenty.
Ever wonder what a day in the lives of musical maestros Byron Berline and John Hickman looks like? The two spent their later years working together at The Double Stop Fiddle Shop. Picture this: mornings brewing coffee to the sound of fiddles tuning, afternoons jamming away in the shop, and evenings winding down with some good ol’ bluegrass tunes. Yup, that’s the kind of day these two legends thrived on.
Bette and I and Sue Hickman sat at the table with a breathtaking view of the back yard. I sat across from Byron’s empty chair, the exact spot where he would eat his meals. Bette shared with me that, “Byron allowed me to do what I loved.”
Breakfast was a topic we went over. “Byron always had a bowl of cereal for breakfast, with ½ of a banana. He always wanted to use the whole banana but I would tell him you get the same taste with ½,” she grinned. Sue chimed in, ”John loved grits, waffles, and fried eggs. His eggs couldn’t be jiggly or runny.” The ease of listening was taking away the nerves by now, and I leaned back in the chair eager to know more.
Reaching behind her, Bette picked up a box chocked full of memories, as she and Sue began walking down memory lane with me tagging along.
Here’s a timeline they shared of Berline and Hickman’s musical contributions:
1965 – Byron recorded Pickin’ and Fiddlin’ with The Dillards. He also met Bill Monroe at the Newport Folk Festival and was offered the chance of a lifetime, to join the band, but Byron turned it down to finish his education at Oklahoma University.
1967 – Graduating from the University of Oklahoma with a teaching degree in Physical Education, Berline succumbed to his love for bluegrass music and joined Monroe and the Blue Grass Boys in March, replacing Richard Greene. He recorded three instrumentals with them, including Gold Rush, which Berline and Monroe co-wrote, and which has become a jam session standard. Berline left the group in September 1967 when he was drafted into the Army.
1969 – Two years later, Byron was discharged from the Army and moved his family to California later that same year. It was a time when bluegrass hit the West Coast, and did it ever. Much like a tsunami, Berline tossed the traditional west coast music on its ear.
1971 – Byron joined The Flying Burrito Brothers, recording two albums, Last of the Red Hot Burritos (Live) and Six Days On the Road: Live in Amsterdam. After the Burritos’ breakup, Berline briefly worked with Stephen Stills’ band Manassas (which also included several other Burritos alumni) contributing to several songs on their debut album.
1971 – Berline met John Hickman at a lumber yard in California. Hickman’s career is punctuated by memorable performances and collaborations with top musicians in the bluegrass and country music community. His dynamic playing style and commitment to his craft have earned him a well-deserved reputation as a banjo virtuoso.
1972 – Together with Alan Munde, Kenny Wertz, and Roger Bush, Berline formed the band, Country Gazette.
1976 – Berline joined guitarist Dan Crary, banjoist John Hickman, and others to form Byron Berline & Sundance. A young Vince Gill later joined the band on mandolin. Bette shared, “While in California, there were jams, gigs, and pickin’ parties held in our garage, which was now called the music room. Vince Gill came to audition for Sundance. He actually lived with us for a while. Byron had first heard Vince at a festival in Kentucky, and knew that the young Vince was from the Oklahoma City area. So on our next visit to Oklahoma, Byron took out the telephone book and thumbed through the Gills. Only finding three Gills in the phone book, Byron started dialing and was successful in locating Vince.”
1979 – Berline had a small role as a country musician in the film, The Rose.
1981 – Berline again collaborated with Crary and Hickman, forming the band Berline, Crary, and Hickman (BCH). Berline and Hickman joined forces on various projects, blending their unique musical talents to create captivating performances that showcased their exceptional chemistry and skill. Their collaborations have produced timeless music that continues to resonate with audiences worldwide.
A subsequent line up also included Steve Spurgin and John Moore. That band later became known as California, who were named the International Bluegrass Music Association Instrumental Group of the Year in 1992, 1993, and 1994.
1995 – The Double Stop Fiddle Shop opened when Byron and Bette, and John and Sue, moved to Guthrie, OK. The Byron Berline Band was formed upstairs in the music hall. That small stage housed some of the elite musicians that would drop by to visit with Byron and Hickman. The Double Stop became known as the place to jam, listening to the stories as Byron and John would reminisce about their lives together. The Double Stop may have held the title of one of the most popular bluegrass music stores in the world. Hickman was the luthier, and taught lessons here.
1987 – Berline appeared briefly playing violin in the first-season episode of Star Trek: The Next Generation, Where No One Has Gone Before.
1997- OIBF (Oklahoma International Bluegrass Festival) was founded. Artists from around the world have graced the Berline stage over the years, such as Earl Scruggs, Ricky Skaggs, Sierra Hull, and international artists The Kruger Brothers, and many more.
April 2019 – A devastating fire destroyed the Double Stop Fiddle Shop, burning it to the ground.
July 2019- Berline opens Byron’s Fiddle Shop
May 2021 – John Hickman passes away after several years of ill health.
July 2021 – Byron passes away following a stroke.
December 14, 2024 – Final Show at Byron’s fiddle shop
January 2025 – Byron’s Fiddle shop closes permanently as a brick and mortar store. Retail sales will continue on by appointment only. Contact Bette Berline, or Becca Berline via Facebook.
As our day was wrapping up, Bette took a seat at her piano, with myself sitting on the couch, and said, “Byron always sat there and listened to me play.” She played a beautiful waltz that she also played (recorded prior) at at her husband’s funeral service in 2021. “We always ended our day here,” as she sat on the mid-century loveseat, “and we watched the news.”
As I gathered up my things, Bette asked, “Have you been to the cemetery?” With an answer in the negative, she climbed into my Jeep and we drove to the cemetery north of town about a mile. Upon arrival, she walked up to her parents’ last resting place. Just north of there, is where Byron is laid to rest.
Beyond the melodies and harmonies lies a legacy of innovation and influence in bluegrass music. Berline and Hickman have left an indelible mark, reshaping the bluegrass landscape with their unique blend of tradition and innovation. Their contribution extends far beyond the notes they play, inspiring generations of musicians to push boundaries and follow their creative muse.
Every year the town of Guthrie awakens in December with a Victorian Walk. In the original Double Stop was housed a huge plate glass window, and you could always find the Berlines sitting in that window for those who walked the downtown area. This December the curtain has fallen on the fiddle shop as a day-to-day operation. As the metal sign will be removed from the building front, the memories will forever linger on.
In true Christmas fashion, Berline would always end his shows with Christmas Time’s a Comin‘ in December.
New things await the surviving Berline family in 2025.
With over 40 years of guitar experience, Walter Kelley, a former band director of Rogers State University, set out to bring “good music” to all. Working directly with the late George Winston (1949-2023), renowned pianist, Kelley chose to be the exclusive agent for Dancing Cat Records, which opened a gateway to where Walter stands today, with his own production company, Atmospheric, which promotes shows in Stillwater, Oklahoma City, Edmond, and Tulsa. He shared his wisdom on building up a business in the arts, “Grow organically and don’t bite off more than you can chew. Do the little things well, they will add up to the big things.” One of the big things in 2024 was Hensley’s appearance in Edmond.
Trey Hensley is a guitar-slinging superhero that has taken the bluegrass world by storm. Hailing from the hills of east Tennessee, Trey’s musical journey started at a young age. Legend has it he strummed his first guitar before he could even spell “bluegrass,” which probably explains a lot about his rapid ascent in the music business.
It was at the Appalachian Fair in Gray, TN that Hensley’s dad pulled some strings and was able to introduce his son to Marty Stuart.
Hensley shared with me that, “I don’t know how Dad did it, but we got backstage. Dad told Marty, ‘My son wants to play his guitar for you.’ That’s exactly how the fairy tale began. It was around nine months later, when Marty called and invited Hensley to the Grand Ole Opry.
“I was just excited to get to go to the Opry. When we got there, Marty called me onto stage and I played Jimmy Brown the Newsboy. It was a surprise when Earl Scruggs walked on the stage,” said Hensley with a genuine grin.
That alone is an amazing story for a pre-teen, but it only gets better, as the stones were laid in place for a blazing hot trail for Hensley.
Just a mere 35 miles up the road from Hensley’s hometown of Jonesborough, TN, is Hiltons, VA, where The Carter Family Fold is located in the foothill of Clinch Mountains. Carter Fold, as it is generally described, hosts live music and jams and Hensley would attend as many of those jams as possible. That’s where he met the Man in Black, Johnny Cash, and his wife, June Carter Cash, who introduced Trey to Tom T. Hall in 2002.
At the age of 34, Hensley has over 20 years of experience performing on some of the largest stages in the world and with some of the most well known artists in the bluegrass and country genres of music. A remarkable talent in the bluegrass realm, Trey has received the prestigious honor of being named IBMA Guitar Player of the Year twice, with multiple additional nominations. This accolade not only solidifies his position as an expert in the industry, but also highlights his exceptional skills and contributions to the genre.
Through his musical journey, collaborations, and undeniable influence, Trey Hensley has carved a distinct path in the world of bluegrass, captivating audiences and earning the respect of his peers along the way. Since 2016, he has been one half of the duo of Rob Ickes & Trey Hensley, who tour all over the world performing their mix of bluegrass, country, and blues. There his guitar prowess and soulful vocals add a unique flavor that resonates with a wide range of listeners, from die-hard bluegrass fans to new enthusiasts looking for something fresh.
Let’s delve into the life and career of Trey Hensley, exploring the factors that led to his recognition as Guitar Player of the Year, and examining the impact of his music on the bluegrass community.
From picking up the guitar as a wee tyke to mastering the instrument like a true bluegrass professional, Trey’s journey has been a whirlwind of pickin’ and grinnin’. Influenced by legends like Tony Rice and Jerry Garcia, Trey’s sound is a unique blend of tradition and innovation. He’s collaborated with some of the biggest names in bluegrass, from Ricky Skaggs to Steve Martin, not to mention his duo partner Rob Ickes. Whether he’s shredding solos or harmonizing with fellow pickers, Trey’s musical partnerships have solidified his status as a powerhouse on the bluegrass scene.
From jaw-dropping live performances to critically acclaimed albums, Trey’s musical catalog is as impressive as his guitar pickin’ skills. Whether he’s onstage at the Grand Ole Opry or in the studio crafting a new masterpiece, Trey’s dedication to his craft shines through in every note he plays.
So, how did Trey snag the coveted title of Guitar Player of the Year twice? Well, it wasn’t just luck. Through a rigorous voting process that involved industry professionals, fellow musicians, and probably a few banjo players, Trey’s talent and passion for guitar showed him worthy of the recognition. Trey Hensley’s music brings a fresh perspective to the bluegrass genre, blending traditional roots with modern innovation.
Hensley’s talent clearly hasn’t gone unnoticed, as evidenced by the fervent support of his fans, and the industry accolades he has garnered. His ability to connect with audiences on a deep emotional level through his music has earned him a dedicated following, and critical acclaim within the bluegrass community and beyond, including a Grammy in 2016.
I asked, “Where do you keep your awards?” Trey answered, “Most are in cabinets, but the Grammy is upstairs on the mantle. It is never dusty,” he said as we both laughed.
Hensley’s peers in the bluegrass music scene hold him in high esteem, acknowledging his remarkable skill, dedication, and passion for the craft. His respectful approach to tradition, coupled with an innovative spirit, has earned him the admiration and respect of fellow musicians, establishing him as a force to be reckoned with in the bluegrass community.
As he looks towards the future, Trey says that he will be doing more solo shows in 2025. It is evident that his legacy in the bluegrass community will endure for years to come.
Fiddling, with its rich history and versatile appeal, has long been a beloved musical tradition that spans across cultures and generations. In the elite world of fiddling, instructors play a crucial role in shaping the next generation of top fiddlers.
You might ask what qualifies an instructor as exceptional? How important is technique and skill in mastering the instrument? What are some of the varieties of teaching methods, and how does one approach the diverse culture of fiddling? Join me on a journey through these captivating questions and discover the keys that brought Junior Marriott to become one of the most loved and prestigious instructors in the state of Missouri, after becoming a champion fiddler.
Growing up in a small town, Junior was no stranger to music. His family was steeped in musical traditions, so it was only a matter of time before the fiddle found its way into his hands. From backyard jam sessions to family sing-alongs, music was at the heart of Junior’s upbringing. Acquiring his first guitar at the age of seven, Junior didn’t have much interest in the fiddle until his teen years.
“I played the fiddle, but it was squeaky, and I just had more fun on the guitar,” Marriott shared. Like most in our teenage years, we catch other interests like sports, and Junior veered into baseball, but his instruments were alway tucked away nearby. At the age of 14, he was given an album which contained a track that changed the young teen’s life. It was Alive and Pickin’, by Doug Kershaw, and there were songs on the album that “grabbed” Marriott, and altered the course of his future.
The local music scene in small-town Missouri may not be as flashy as the bright lights of Nashville or Austin, but it was where Marriott found his musical roots. Surrounded by supportive community members and fellow musicians, Junior honed his skills and developed a deep love for the fiddle. It was this tight-knit community that nurtured his musical journey from the very beginning.
Marriott had a fiddle bow that needed repair, and he was no luthier, but that didn’t stop him. “I took copper wire,” Junior told me, “glued that to the tip back of the stick, wrapped more copper wire, and the wrapped with the tape that was attached to the bow. My bow weighed as much as a soda bottle, but that’s how I started. It was then that I started learning Cajun fiddling, and my sister began dating Travis Inman.” Inman (1963-2022) was a phenom when it came to fiddling, with 15 Missouri State Fiddling Championships under his belt, and a pair of National championships. The relationship with Travis was the fertilizer needed to make Marriott’s fiddlin’ bloom.
“I had never paid much attention to the style of fiddling, but I started watching Travis, and I thought that was the shit. There’s something more than playing this song and hacking around, so I started following the fiddle world, and that is how I started. Travis Inman was my biggest influence, just watching him and learning.”
Marriott won his first championship at the age of 16, in Columbia, MO at the Stevens College.
“I was one of those kids that was hungry. I had a lot of tunes, but not great tunes, but I still had a lot of them. When I got down to Columbia I played three songs. Then you played three more, if you made the cut. It was getting down to the wire as I made the first two cuts, and I couldn’t believe it, because now Iim in like the top ten. We played three more and I won.”
His name was engraved on the gold trophy cup, along with others who had won, and the college passed it around for years. Junior has lost track of where that cup is now, but he had it a few times on display in his home.
His childhood hobby soon blossomed into a full-fledged passion. Marriott’s love for the fiddle drove him to share the knowledge and skills he had acquired with others. Teaching became not just a profession, but a calling – a way to pass on the rich tradition of fiddling to the next generation, and keep the music he loves alive.
Recently I sat in on a lesson with Junior, in his home. As we sat in his living room, surrounded by stringed instruments, his student , Sydni Cantrell, State of Missouri Junior Champion, sat down in the adjacent chair. Junior asked her what she wanted to work on, and the lesson started. As hIs dog sprawled out on the couch beside me, I listened and watched.
I saw that for Marriott, teaching the fiddle is not just about mastering the technical aspects of the instrument. It’s also about finding one’s own voice and expressing oneself through music. While technique is crucial for honing skills, Junior Marriott encourages his students to tap into their emotions, and let their personalities shine through in their playing. After all, music is not just about hitting the right notes – it’s about telling a story.
From small-town beginners to elite performers, Junior has trained a diverse array of students who have gone on to make their mark in the music world. These rising stars carry with them the lessons and skills imparted by Marriott, continuing the legacy of fiddling, and spreading the joy of music far and wide. Justin Branum, Jake Duncan, and Trustin Baker, have grown to become outstanding players that have won their share of trophies, and graced the stage at The Grand Ole Opry. All three had their start at fiddlin’ with Marriott.
As word of Marriott’s teaching talented students spreads, so has his reputation as a fiddle virtuoso and exceptional teacher. His success stories not only reflect the dedication and hard work of his students, but also highlight the mentorship and guidance he provides. With each success story, Junior’s reputation as a top-tier fiddle instructor grows, cementing his place among the elite in the music community.
In addition to private lessons, he hosts local workshops and masterclasses, and provide a space for budding musicians to hone their skills and learn the art of fiddling, straight from the source. Junior Marriott can always be found at Jana Jae’s fiddle camp in Oklahoma, doing just this, doing what he loves
There are other facets of Junior Marriott, and titles to go with them. Marriott is an avid coon-hunter, deer hunter, and just all around great guy.
Marriott’s children have followed in their dad’s footsteps, with many fiddle championships of their own. “I can’t tell you exactly how many contests they have won, but there’s a lot,” said a jovial Marriott with a proud parent’s smile.
At a time when traditions can easily be lost in the buzz of modernity, this maestro is a guardian of the fiddle tradition. By sharing his knowledge and passion, he is not only teaching others how to play, but also preserving the rich heritage and history that comes with each note. Despite rubbing shoulders with the best, this fiddle instructor knows the importance of staying true to one’s roots. Balancing local charm with global recognition, he navigate the waves of fame with a down-to-earth attitude and a sprinkle of Missouri humility.
For Junior Marriott, it’s not all about fame or glory. He understands the value of giving back to the community that raised him. Through various outreach efforts, he ensures that the music doesn’t just stay within four walls, but resonates far and wide, spreading the joy of fiddling to all who care to listen.
In conclusion, the story of this fiddle instructor from small town Missouri is a remarkable tale of talent, perseverance, and community. Through his dedication to teaching, and working to preserve the rich tradition of fiddle music, he has not only shaped the lives of his students, but have also made a lasting impact on the wider fiddling community. As he continues to balance his local roots with global recognition, his legacy as a respected and influential fiddle instructor is sure to endure for generations to come.
You can’t miss the Tulsa State Fairgrounds. Just look for the gigantic monument dubbed “The Golden Driller,” a giant roustabout statue which, at 76 feet, is among the tallest free standing structures in the United States. Modeled on Oklahoma oilfield worker John Franklin Stephens, Jr. he boasts of a slender waist, muscles ripped on a bare chest, mustard-colored rather than gold, and a face that’s a chiseled mask of Teutonic invincibility. He stands so tall that he rests his gloved right hand on a real Oklahoma oil derrick.
Built of steel and concrete, he weighs nearly 22 tons, and is expected to survive 200 mph tornadoes. But admiration of industrial art didn’t bring me back to the Tulsa State Fair. It was the 2024 Oklahoma State Fiddling Championship that drew me in.
The Fiddling Championship at the state fair in Tulsa, Oklahoma is a celebration of musical talent and tradition that holds a special place in the hearts of locals and visitors alike. With a rich history deeply rooted in Oklahoma’s cultural heritage, this competition showcases the best fiddlers in the region as they compete for the prestigious title.
Host and MC, Bob Fjelstead, orchestrated the Saturday event. This being the 50th year of the Tulsa State Fair, the stage was set with a vibrant colored balloon drop/arch, with black musical notes. Utilizing the guidance of the National Old Time Fiddler’s Contest in Weiser, ID, all judges were sequestered behind the stage, individually, in portable buildings.
This year’s judges were Jana Jae, Rick Morton, and Brad Hawkins.
When it comes to judging fiddling performances, it’s not just about how fast your fingers can move or how many notes you can cram into a measure. Judges look for technical skill, of course, but also creativity, expression, and overall stage presence. It’s like a musical recipe – you need the perfect balance of ingredients to impress the taste buds of the judges.
Fiddling isn’t just a pastime in Tulsa—it’s a way of life. From dusty barn dances to city-center hoedowns, the legacy of fiddling runs deep in the heart of this town, carving out a unique musical identity that’s as rich as a pecan pie. The competition unfolds across multiple rounds, where fiddlers showcase their talent in escalating levels of difficulty. As the stakes get higher, so does the tension. It’s like a musical version of Survivor – each round could be your last, depending on how well you fiddle under pressure. The elimination process can be nail-biting, with performers vying for that top spot like it’s the last fiddle on earth.
And the 2024 winners are:
Pee Wee Division
Sicily Creekpond
Kayle Grazer
Livingston Land
Allissa Creekpond
Youth Division
Carolina Land
Kylah Harris
Jackson Benham
Bonnie Barlow
Junior divisional
Gracie Benham
Sidney Cantrell
Riley Buttress
Colten Harris
Madelyn Gunther
Lucy Benham
A tie in the Junior division resulted in a playoff that was won by one point.
Championship Division
Jake Duncan
Bubba Hawkins
Junior Marriott
Cody Marriott
Emma Pendleton
From state championships to national accolades, Jake Duncan is the cream of the crop when it comes to fiddlin’ prowess. From late-night practice sessions to blistered fingers, Duncan has paid his dues in pursuit of fiddling greatness, and achieved it once again 2024. Jake has more trophies and buckles on his shelf than a champion hog at the county fair. This fiddler ain’t just whistlin’ Dixie.
The JC Broughton Rising Star award was presented to Sydney Cantrell of Seymour, Missouri.
Championship fiddling isn’t just about sawing away on a tune. It’s a cultural touchstone that connects Oklahomans to their heritage. Whether it’s the melancholy strains of a waltz, or the lively reels that get folks on their feet, fiddling is the heartbeat of Oklahoma’s musical soul.
From the legacy of fiddling in Tulsa, to the excitement of the performances and their impact on the community, this event brought together music lovers and enthusiasts who experienced the artistry and skill of these talented musicians.
Mark your calendars and dust off those cowboy boots—the Fiddling Championship event is coming to town again next year! See you at the Tulsa State Fairgrounds in 2025 to witness the showdown of the bowmen in all its glory.
Byron Berline’s Double Stop Fiddle Shop, a popular bluegrass gathering spot in Guthrie, Oklahoma, has recently made the strategic decision to close its doors and transition to operating by appointment only.
Things began to unravel so to speak in February, 2019, when the original Fiddle Shop burned to the ground, devastating the bluegrass community in the area. I can still remember that day, quite clearly, being one of the first media people on location, with the sounds of breaking strings crying out forever etched in my mind. Bluegrass lovers got behind Byron and helped he and his wife Bette to rebuild.
The Berline’s purchased a store front within a block of their original location, and so the second stage began for Byron’s Fiddle Shop. People continued to come from near and far to jam with Berline, to listen to his endless stories of life on the road, and to feel the presence of the greatest fiddler ever. And, of course, to look over his terrific stock of fiddles and mandolins for sale.
However, only three years after the loss of the original shop, the bluegrass world was shaken by the untimely death of Byron Berline on July 10, 2021. Bette and their daughter, Becca, stepped up to the plate and continued to keep the brick and mortar shop open.
But Bette Berline shared with me this morning that this is changing at the end of this year
“Byron is no longer here, and it’s not the same. People came to see him, not us. The building is up for sale. There will be no changes to the business except for the physical location, and operating by appointment only.
Byron’s Fiddle shop will no longer offer live shows after December 2024. The end of the era was with Byron, and the building closure is a new way of life.”
I spoke with Cowboy Jim Garling about the change, who shared the following: “If it weren’t for Byron Berline, I wouldn’t be Cowboy Jim Garling.” Garling had worked for Byron in the old shop as an instructor for 10 years, with an average of 50 students. “Byron and John Hickman had always done a show for Beck Implements around Christmas time, and one year they couldn’t make it, and Byron gave me his gig.” Chuckling, Garling said, “Byron always said, you better watch old Jim, he will steal your gig.”
Berline’s grandchildren, whose ages vary from nine to almost fifteen years old, have become extremely active in sporting events, and family time has become of the essence. Becca shared with me not too long ago, that she would often drive over an hour twice a day to make practices and games, and of course Bette was doing her part too.
After these last four music shows at Byron’s Music Hall, no more will be scheduled.
October 26 – Cowboy Jim Garling, Richard Sharp and Henry Burgess
December 7 – Guthrie’s Victorian Walk evening and Cowboy Jim Garling
December 14 -Guthrie’s Victorian Walk evening and The Hunt Brothers Band
By offering personalized consultations by appointment, Becca and Bette believe that they can foster a sense of loyalty and exclusivity among their clientele. Building strong relationships with customers can lead to positive word-of-mouth referrals, and long-term brand advocacy. To drive future growth through appointment-only business, the Fiddle Shop can explore expanding their service offerings to cater to a broader range of customer needs.
Bette wants to make clear to everyone that the Berlines are not quitting, just changing with the times, and making themselves available on a scheduled basis.
Prioritizing flexibility, creativity, and customer satisfaction, Byron’s Double Stop Fiddle Shop can successfully navigate change, and position themselves for long-term success in this new business environment. Embracing the appointment-only model and focusing on personalized customer experiences, the Shop is poised for continued success in its operations.
Through lessons learned and insights gained from this transition, Berline’s Double Stop sets an inspiring example for small businesses seeking to adapt and thrive in evolving market landscapes, and amid rising costs.
The Berlines can be reached through the shop’s Facebook page.
The Oklahoma International Bluegrass Festival, a toe-tappin’, knee-slappin’ celebration of bluegrass music that brings together musicians and fans from near and far for a weekend of down-home fun, has completed its 27th run.
This annual event brings together talented musicians from around the world to showcase their skills, and share the rich heritage of bluegrass music. With a history rooted in tradition, and a vision for the future, the festival continues to evolve, offering attendees a unique and unforgettable experience.
The festival didn’t just pop up overnight like a wildflower in the prairie. It all started back in 1997 when Byron and Bette Berline decided they needed a place to gather, pick some tunes, and share their love for this bluegrass music with friends. Born of humble beginnings, that first OIBF laid the roots for what would become a beloved tradition in the heart of the Sooner State in Guthrie, OK.
Like a fine wine recipe, the Oklahoma International Bluegrass Festival has aged to perfection over the years. With each passing year, the festival has spread its musical wings, adding new stages, workshops, and activities to keep the good times rollin’.
The lineup at the Oklahoma International Bluegrass Festival featured seasoned veterans of the bluegrass scene as well as fresh-faced up-and-comers. Whether you’re into traditional picking, or prefer a modern twist on the classics, there’s something to enjoy at this musical hoedown.
With workshops led by seasoned pros, aspiring musicians can pick up tips and tricks, hone their skills, and maybe even learn a new lick or two. They also host youth band and youth instrument competitions on site, and there were contestants aplenty.
Like any major festival should, there are food, craft, and beverage vendors, and a variety of activities at the Oklahoma International Bluegrass Festival. Jam sessions abound all over the Cottonwood Flats park. It’s not just about the music, it’s a whole experience!
Through outreach programs and partnerships with local organizations, the festival aims to promote music education and support the arts. With a scholarship program, funded by a silent and live auction, the board members of OIBF are able to keep the bluegrass sound playing on through the generations.
The future for the Oklahoma International Bluegrass Festival is looking pretty darn bright. With a growing fan base and a lineup of talented musicians, the festival is set to keep on humming for years to come. So, mark your calendars and get ready for some serious twangy fun in 2025 !
Whether you’re a seasoned bluegrass enthusiast or a newcomer to the genre, the Oklahoma International Bluegrass Festival offers an experience that is sure to leave a lasting impression, and a melody in your heart.
With a passion for fiddling, young Texan Tristan Paskvan, who placed first in the youth division of the 2024 Grand Master Fiddler Championship, also has a dream to incorporate flying into his musical pursuits. At the age of 13, Paskvan has his sights set on becoming a pilot, but for now he loves to fiddle his way across the United States.
Starting violin at the age of three, fiddling has been a longstanding interest for Tristan, providing both a creative outlet and a source of recreation. The intricate melodies and rhythms of fiddle tunes fascinate the young musician, and the challenge of mastering new ones has kept him engaged and inspired for years.
However, as this teen has progressed in his academics and musicianship, he has likewise found an interest in becoming a aviator. The freedom of soaring through the skies, the adrenaline rush of takeoff and landing, and the breathtaking views from the cockpit have all contributed to his desire to fly a plane.
Tristan well understands that becoming a professional musicians is no cake walk. He practices daily, and has achieved a sense of achievement that bolsters his confidence, an empowerment that is obvious when you see this teen take the center stage. Paskvan thoroughly enjoys performing and competing, and is fully engaged in his music. When he is really getting into it, he will even sometimes “throw” his hip and smile into his playing.
One of the privileges of winning the Youth Grand Master Fiddler title is being invited to perform on the Grand Ole Opry. But our young Master Paskvan had actually been on that stage before, alongside Trustin Baker in 2023. After Paskvan stepped off the stage that first he told his Mom, Katie, “I have to do this again!” And he did, standing with his fiddle hero, Ridge Roberts, who won the Grand Master competition in 2019 and 2024.
Winning this prestigious competition is always a high honor, but doing it so young marks Paskvan as a fiddler to watch.
This year after landing in Nashville, Tristan stopped in the center of the airport and stood on the music logo and pointed out to his parents, “Look, the strings are the runway.” Maybe this is a signal that flying is indeed in Paskvan’s future. Earlier this summer, he attended a Junior Flying Academy at Oklahoma University and got to fly a plane for the first time.
As a side note, Tristan’s mom Katie and Oklahoma fiddle legend Byron Berline both attended Oklahoma University as javelin throwers, and Katie’s head track coach, JD Martin, used to jam with Byron. It is striking how often connections to Berline pop up when meeting young bluegrass performers in this part of the country.
For Tristan, having an older brother Thomas, who is also quite a fiddler, creates a natural sibling rivalry, which provides a built-in competitive spark for them both. And he has good luck charms that he takes with him to competitions.
“While I was at Weiser, I saw this buckle on Ben LiaBraaten, I asked about it, and he told me he purchased it on Ebay. We found one for sale on Ebay, with a fiddler, and two people dancing. That’s my lucky buckle.”
“Also, I used to keep an autographed two dollar bill in my hat band. It fell out at Weiser before I went on stage, and my Dad ran back in the dark and found it on the football field.”
Because of that, Paskvan no longer keeps his lucky charm tucked in his hatband, but still cherishes it and the signatures he has on it. Wes Westmoreland started the lucky $2 bill with his presentation and signature, and others whose names are inscribed on this lucky note are Dale Morris, Robert Rast Smith, Marty Elmore, Ridge Roberts, and childhood fiddling accomplice, McKenna Peterson, just to name a few.
The fusion of fiddling and flying has already enriched this 13 year old’s life. The combination of these two diverse hobbies will allow Tristan to explore new creative outlets, share his passions with others, and develop important skills that will prove to be valuable in all areas of his life. The sense of accomplishment and fulfillment Paskvan will derive from mastering fiddle tunes and navigating the skies will build a more well-rounded and insightful individual.
I’m sure we are all looking forward to a bright future in Tristan’s playing, and where his passion for aviation will take him. After all, alphabetically, fiddling does come before flying.
Jana Jae’s Fiddle Camp has been in operation this past 27 years. The former fiddle star of Hee-Haw fame has a passion for music education which shows in her annual camp offering tips and tricks for fiddler old and new.
This year, more than 50 students from as far west as California converged on the town of Grove, Oklahoma, which is surrounded by the beauty of Grand Lake. Each Labor Day weekend, Jana hosts the camp, with assistance from her daughter Sydni Coleman, and granddaughters Robyn and Sandra.
Jae’s story began at the age of two when she was introduced to a ⅛ size fiddle. She was following in the footsteps of her parents, who had studied at the Juilliard School in New York, and her maternal granddad. Fiddling just came naturally to her, and she says that her grandfather was her inspiration to play bluegrass music.
“I was attending the National Old-Time Fiddle contest when I told my mom, “it’s bluegrass and I love it.” Jae not only followed the footsteps, but she stepped into the lime light after graduating Magna Cum Laude with a degree in music, before studying abroad at the Vienna Academy of Music.
Soon after finishing her studies, Jae married Sidney Grief. From that union, they have been blessed with two children, Matthew and Sydni. Matt is a renowned classical guitarist based out of Los Angeles who performs with the Los Angeles Guitar Quartet. Sydni is a violin instructor in Oklahoma. Jana had fallen in love with the violin, and her passion for the fiddle blossomed into a part time job with her first bluegrass band, Clearcreek.
It was at the college where she was teaching in Redlands, CA that Jana found herself introduced to the hub of television entertainment in the 1970s. Hee Haw’s Buck Owens invited her backstage after he had performed at the college. Owens said to her, “I hear you play the fiddle. During the second show, come out and play Orange Blossom Special with us.”
Jae and Buckaroos’ guitarist Don Rich brought the house down that night with some fiery pickin’. However, this performance was the pathway to a new life in the entertainment world.
Jana had previously shared with me that, “My band Clearcreek was performing at Tia Marie’s in Sacramento when my hotel phone rang. It was Jack McFadden, Buck’s booking agent. He said, ‘Jana you need to get to Bakersfield as soon as possible.'”
Jana hesitated and rebutted his insistence, as her band was booked that night. But she just had a feeling that she must go after all. While waiting in Bakersfield, Owens was comping the room, which led to obligatory requests to stay put. So she learned every song that Buck played.
Seven days later, her life changed over a four hour span of playing everything from classical to bluegrass for Owens. Buck left the studio with hardly any words of encouragement, but McFadden lingered back. She says that, “We left the studio and went to the airport. I thought I was going home, but I flew to Vegas and began my career with Buck Owens.” As a result, Jae, known for her distinctive blue fiddle, logged over 100 live performances on Hee-Haw, and appeared with the Kornfield Friends.
Fiddle Campin’ with Jae has become my all time favorite camp to attend. The excitement that bounces off of the attendees, the years of experience and levels of expertise from the instructors, and the fellowship of becoming part of Jana’s circle of fiddlers are what bring me back annually.
Coaches for the 27th Annual Fiddle Camp were:
Sydni Coleman – beginner
Sandra Coleman – beginner
Robin Coleman – intermediate/ accompanist
Russ Weeks – mandolin
Rosie Gorrell – bass
Junior Marriott – advanced
Cowboy Jim Garling – guitar
David Karnes – bongo
Jocelyn Khalaf – advancedd
Rachelle Felt – intermediate
Judy Jones – beginner
Shelly Williams – adults
Karen White – adults
Shirley & Brad Adams – adults/spoons
Barry Patton – bones
Jana Jae – host
On Sunday morning, under the side awning of a rural church, I once again witnessed magic. From attendees that had only been playing for two days, to those that have been performing for over 50 years, everyone tuned up and played wonderfully. Up and coming singer/songwriter Sienna Rose added some beautiful vocal skills to top off a perfect weekend.
Hats off to the city of Grove with their welcoming atmosphere, to Jana Jae and her lovely family, and to my new fiddlin’ family. See ya next year!
The American Heritage Music Festival has for over 25 years had the reputation of being high-spirited gathering where fiddles sing and hearts beat in rhythm. Fiddler Jana Jae, of Hee-Haw fame, hosts the annual event which is held at Har-Ber Village, which is the perfect setting for the festival as it houses a pioneer-era village and history museum located on the shores of Grand Lake o’ the Cherokees in Grove, Oklahoma.
Antiques, collectibles, and reproductions are displayed in exhibits representing the mid-1800s to the early 1900s in the local four-state region (Oklahoma, Arkansas, Missouri, and Kansas). But the first weekend of June is dedicated to the fiddle competition, which is certified for entrance into the National Oldtime Fiddlers’ Content in Weiser, Idaho. Contestants from across the nation arrive at the scenic lake in Oklahoma in hopes of taking home the certification to head to the National Fiddle Contest. For many this is their final stop before Weiser.
MCs in 2024 were Bob Fjeslstead and Gerry Lay. Fjelstead is the President of the National Fiddler Hall of Fame and Lay is a phenomenon all on his own, with his soaring vocals and skilled fiddle playing.
Judges were Jacie Sites, Joe Sites, and Paul Deweber. Jacie is a three-time National Fiddle Champion and Grand Master Fiddler Champion. She has a degree in music from Eastern Oregon University, and studied elementary education at Idaho State University. She has been a featured performer on the Grand Ole Opry and at the International Bluegrass Music Association main stage, and has written several number one selling fiddle books, won the RockyGrass fiddle competition and the Fiddler’s Frolics Gone To Texas State Fiddle competition. Jacie plays the fiddle, guitar, and cello with the Mountain River String Band and is currently the music director at the Mountain River Ranch. She loves celtic and American fiddle music and lives in Idaho with her husband and fellow judge, Joe, where they own a violin shop and music teaching studio. She loves fiddling, being out in nature and playing with her golden doodle, Gibson.
Joe Sites is an eleven-time National divisional fiddle champion who has been fiddling since he was 18. Joe plays guitar in the Mountain River String band. He and Jacie have produced several National Fiddle Champion students, and a Grand Master competition winner. He has played on the Grand Ole Opry, and his fiddling is heavily influenced by the great Benny Thomasson.
Paul has been playing fiddle since he was 11. and has placed in the top 5 in the Washington State Fiddle Contest, the Arkansas State Fiddle Championships, the Arkansas Masters Fiddle Contest, the Mississippi State Fiddle Contest, and in the Gone to Texas Division of the Texas State Championship Fiddlers Frolics. He has won the Gambler’s Draw Contest at the Arkansas Masters Fiddle Contest and is the winner of the 2023 Honeycreek Special Gambler’s Draw Contest. He toured with a Southern Gospel group, The Hawkins Family, for six years, and was named the 2010 Gospel Music Artists Association Musician of the Year.
For 14 years Paul played with the Interstate Thirty Bluegrass Band, during which time the band won the Arkansas State Bluegrass Band Contest, and were nominated Bluegrass Band of the Year in the Arkansas Country Music Awards. Paul also plays the guitar and mandolin, has placed in the top five in various picking contests, and has won accompanist awards at various fiddle contests. Paul works as a maintenance electrician at Arauco MDf and teaches Electrical Apprenticeship Classes at ASU Three Rivers. He is the Worship Leader at Wildwood Tabernacle in Royal, Arkansas. He and resides in Hot Springs, Arkansas with his wife, Georgeta, and four children.
Winners at The American Heritage Music Festival were:
Grand Champion Open Division – Monte Gaylord
Senior Champion – Brent Young
Adult Champion – Anna Lang
Junior Champion – Josh Wills
Junior Junior Champion – Scarlett Arnold
Pee Wee Champion – Livingston Land
Weiser sent beautiful certificates for 1st place in each Division. Photos of 1st Place winners and the names of the top five in each division were sent to Weiser for inclusion on their Wall of Fame, with free contest entry for 1st place winners.
Awards:
Ace Sewell Memorial Award for Outstanding Young Fiddler age 11-15 – Josh Wills
PT Riley JR. JR. Award – Outstanding Young Fiddler 10 yrs and younger – Mathers Jeremiah
Jeanette Beyer Nottingham Award for Outstanding Young Woman Fiddler – Riley Buttress
Jim Thompson Memorial Award for Outstanding Role Model – Monte Gaylord
Ed & Marie Richmond Award for the Fiddler Showing Most Progress Since Last Year – Tammy Wilmoth
Congeniality Award (voted by all participants) – Junior Marriott
Grand Lake National Fiddle Fest Winners – 2024:
Open Division
Monte Gaylord
Bubba Hopkins
Cody Marriott
Dave Gaylord
Junior Marriott
Preston Marriott
Tanner Marriott
Tammy Wilmoth
Sandra Coleman
Senior Division – 60 and up
Brent Young
Brad Hawkins
Gerry Lay
Adult Division – 15 to 59
Anna Lang
Sidney Cantrell
Riley Buttress
Junior Division – 11 to 14
Josh Wills
Stella Arnold
Izzie Arnold
Junior Junior Division – 7 to 10
Scarlett Arnold
Kylah Harris
Mathers Jeremiah
Pee Wee Division – 6 and under
Livingston Land
Take Me Back to Tulsa
Monte Gaylord
Junior Marriott
Tammy Wilmoth
Twin Fiddle
Monte Gaylord & Junior Marriott
Junior Marriott & Anna Lang
Tammy Wilmoth & Sarah Fellman
Hot Fiddle
Monte Gaylord
Josh Wills
Carolina Land
Honey Creek Special Gambler’s Draw – A tie between Paul DeWeber and Gerry Awa
Accompanist
Junior Marriott
Bubba Hopkins
Gerry Lay
What an outstanding festival. Jana Jae, as always, puts her love and passion of music to the fore, and extends her hospitality, the opportunity to establish everlasting friendships, and puts together the Hope Diamond of festivals in Oklahoma. Make your plans now for 2025, as this dueling of boss fiddlers gets a 10 out of 10!
