Randy Kohrs on Uncle Josh

Here is another remembrance of Uncle Josh Graves, who passsed away last Saturday (9/30) in Nashville after a long battle with a number of serious health concerns. It is from dobroist, and Graves devotee, Randy Kohrs.

Upon hearing of Uncle Josh Graves’ passing just two hours earlier as I was walking off the stage after playing with my band at the IBMA FanFest, a couple of saddening thoughts really struck me. How many people can actually say they revolutionized an instrument? He literally dissected the way the dobro was played, turned it over and examined it, and then went and invented a whole new way to get these incredible tones, incorporating Earl Scruggs’ three-finger roll and a lot of blues. He poured his soul into every note of his playing, a trait that made him one of my biggest influences. He’s one of the main ones I listened to, one of my musical heroes, as I was growing up learning to play, as does virtually every other Dobro player still to this day.

I recently came across some old video footage of Flatt & Scruggs on the Opry in the ’50’s that I’d never seen. Some of the licks he played back then made me realize just how ahead of his time he was. Although the Dobro has continued to evolve, just like every other instrument, by today’s standards, he would still rank among the best in the world. He was clean, consistent, had great timing, and just the right amount of flash to suit the song. Not only was his musicianship impressive, he was just an overall great entertainer. He never let an opportunity go by for a funny, quick-witted comment.

If it wasn’t for Josh, the modern day sounds of musicians like Jerry Douglas and Mike Auldridge would certainly have suffered. This goes without saying in my own regard, but I will say that it is hard to play a 3 hour recording session and not cross ground that Josh already covered. Although Josh may have crossed over to play with an ever growing angel band, he certainly has left an army of fellow resophonic guitarists to carry on and continue to carry the Dobro-torch in his honor.

Bell Buckle Music Cruise

More cruise offerings for bluegrass folks. This one is the Bell Buckle Music Cruise sailing to Freeport and Nassau, Bahamas on Carnival Cruise Line’s Sensation. The dates for this cruise are February 4 – 8, 2007. The line up for this cruise is as follows with this one note. Their list of performers includes Ernie Thacker. Due to his condition, recovering from his accident, I doubt his attendance. I did attempt to contact Bell Buckle Music concerning this, but as of yet have received no response.

Pinecastle releases Ultimate Pickin’ CD

This new compilation CD is due for a September 6 release from Pinecastle Records. The 20 instrumental tracks were selected from the popular Bluegrass ’96-’99 CD series produced by Scott Vestal, now out of print. These recordings featured contemporary interpretations of bluegrass instrumental classics and were recorded primarily in Scott’s studio with him on banjo, Wayne Benson on mandolin, Mark Schatz on bass and Jeff Autrey on guitar. Both Rickey Simpkins and Aubrey Haynie contribute on fiddle, as do Rob Ickes and Randy Kohrs on dobro.

Tunes on Ultimate Pickin’ include: Clinch Mountain Backstep, Foggy Mountain Special, Jerusalem Ridge, Leather Britches, Little Rock Getaway, Dear Old Dixie and 14 other classic bluegrass instrumentals. The original CD releases were the subject of two AcuTab transcription books, for Scott Vestal (banjo) and Wayne Benson (mandolin).

This is terrific music, passionately performed and likely to be remembered in future as a definitive statement of the state of the art in bluegrass music at the turn of the last century.

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