Myspace teams with Gracenote to filter copyrighted songs

My space, your space, it seems everyone has a space these days. Myspace.com has become a part of life online for musicians and fans alike over the last year or so. It allows for easy updating, photo and song uploads, and easy networking. Everyone likes it because it’s easy and it works. Music has been an important part of the experience all along. The social networking site now boasts 90 million registered users, and most all of them have a profile page containing music. Most of that music is copyrighted material which has been uploaded and streamed without permission.

Following a string of lawsuits from Universal Music Group, Myspace is making the move to regulate the use of copyrighted material. Doug Morris, UMG chairman, has leveled accusations against both Myspace and Youtube.

We believe these new businesses are copyright infringers and owe us tens of millions of dollars…

…How we deal with these companies will be revealed shortly.

Those comments were made in September and it seems Myspace is trying to head off any legal action by dealing with it themselves. They have now employed Gracenote to help them identify and filter unauthorized content.

MySpace is staunchly committed to protecting artists’ rights ‚Äì whether those artists are on major labels or are independent acts…

…This is another important step we’re taking to ensure artists control the content they create.

Chris DeWolfe, CEO and co-founder of Myspace, seems to have misunderstood the issue: it’s the songwriter, not the artist, who’s rights have been violated. At least it is a move in the right direction. MySpace has not offered a timetable for when the filtering might begin.

Legal concerns aside, the filtering of copyrighted music tracks will considerably alter the freedom Myspace users have come to expect. Some have speculated that it could potentially create a perception of big brother amongst the users. I was part of a panel at the recent IBMA business convention that spoke about Myspace and the panel members were in unanimous agreement that Myspace was soon to lose it’s usefulness for artists. If users abandon the service due to the changes, this could be the first step in that decline. On the other hand, if an artist can clear the Gracenote hurdle by uploading their own material to which they own the copyright, this could clear the field somewhat making it easier for an artist to get heard.

Recently there has been a lively discussion on The B concerning the compensation of songwriters for live performances that are taped and traded. This recent move by Myspace has been pointed out by one of the commenters in that thread.

Internet Promotions Panel Discussion

Yesterday I participated in a panel discussion here at IBMA about Internet Promotions: Myspace and beyond. I have to say I was pleasantly surprised by the turnout. In past years the panels I’ve been a part of, whether as a speaker or a listener, were very sparsely attended. This year the turn out was great with nearly every seat full, people standing in the back and sitting along the walls. I noticed when we let out that the panel in the adjacent room was also well attended. I take it as a promising sign that people are taking advantage of such opportunities.

Our discussion was, I’m sure, a bit of information overload for those unfamiliar with the topics we were covering. We covered a wide range of topics from MySpace and other social networking sites to blogs, podcasts, rss feeds, news aggregators, and finally wound up discussing the landscape of the music business economy in 2006. The decline of CD sales seemed to be a concern that many of the artists present were dealing with. It’s understandable seeing that they derive their livelihood from such sales. What the panel said, and I’ll repeat here, is that we must realize we are in the music business, not the CD business. As that medium of delivery dies away we just have to find the new medium for making music available to the consumers.

It was a very thorough discussion of the topic with some great comments and input from those in attendance as well as the panel members. If you are interested in internet promotions and the future of digital music I would say this is something you should check out. IBMA did record the whole thing and will be making it available on CD at some point in the near future. I believe the price for the CDs is $15 and you’ll find them here when they become available.

Chris Thile trivia contest on MySpace

We have posted recently about the upcoming solo project from Nickel Creek mandolinist/vocalist Chris Thile. The CD is entitled, How To Grow A Woman From The Ground, and will be released September 12 on Sugar Hill Records. Chris assembled a band of young superpickers, and recorded the music live (in studio) using only two microphones – the old time way.

Chris is running an interesting contest on his MySpace page, which requires that visitors decode clues to the actual identities of the people Chris references in the Influences section of his MySpace profile. Whoever correctly identifies the most names will receive an autographed copy of the new CD upon its release, and be listed in his Top 8 friends, with links to their MySpace page. The next 7 runner-up entries will also be listed among Chris’ Top 8.

Details on the contest can be found in Chris’ MySpace Blog, and entries are limited to folks with a MySpace account.

New Thile CD samples up

We posted last week about the upcoming solo project from Chris Thile, How To Grow A Woman From The Ground, which is really a band project, though solo in the sense of it being recorded and promoted outside of his work with Nickel Creek. We referenced Chris’ MySpace page in that earlier post, and suggested that details about the new CD would first be posted there.

Within the past few days, Chris has posted three tracks from the new project, and says that he will post all of the tracks there, in sequence, two at a time, heading towards the September 12 release date on Sugar Hill.

As we mentioned before, the music was recorded live in the studio, and with a band of young super pickers. A quick listen to the three sample tracks will demonstrate both the virtuosity and adventurous nature of this recording.

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