Mike Auldridge

The folks with the DC Bluegrass Union have opened up entries in their 4th annual tune writing competition, named in honor of one of the greatest bluegrass instrumentalists in the history of Washington, DC. Submissions can be made now for the

A gaggle of familiar names are among the winners of the 2019 Mike Auldridge Instrumental Composition Contest, sponsored by the DC Bluegrass Union. The first place song, Chapel Hill Deer Stalk, comes from George Jackson, a Madison, TN, fiddler who tours

The DC Bluegrass Union has announced the winners in their inaugural running of the Mike Auldridge Instrumental Composition Contest. After several successful years running a bluegrass song competition honoring the late Hazel Dickens, the Union decided to run a tune contest

The acoustic music world often praises the talents of songwriters, with awards like Songwriter and Song of the Year. While this is certainly a good thing, the composing prowess of musicians who focus primarily on instrumental tunes is often overlooked.

Here’s an idea that’s long overdue: A writing contest that focuses on instrumental numbers in the bluegrass and old-time traditions. The DC Bluegrass Union opened entries today for the inaugural Mike Auldridge Instrumental Contest, which will go hand-in-hand with the organization’s

One of the best parts of this job is finding new music in my mailbox on a regular basis. But the fun turns into work at the end of the year, when I wade back through all of that music

Mid-week here at IBMA's World of Bluegrass, we had a lengthy and deeply personal chat with Rob Ickes and Jerry Douglas about their relationship with reso-legend, and good friend, Mike Auldridge. The specific topic for our discussion was the recent release of Three

Three Bells is an absolute rarity in the world of recorded music. It's quite seldom that a new project conveys so much joy, so much love among the musicians, and for the instrument they share in common. Conceived as a chance for dobro buddies

Mike Auldridge has been lionized as a giant of the slide resonator guitar for many years, long before he died just after Christmas in 2012. From his early days in the Washington, DC bluegrass scene through his time with Seldom

Just as focus has been on Seldom Scene this week with their first new project in seven years, here comes a live album from another DC-based group with roots in the Scene. Chesapeake got its start when Mike Auldridge, T. Michael