IBMA Travelogue #6

Our own intrepid correspondent, Richard Thompson [bluegrassmercury], spent a week in Nashville in early October, having traveled from the UK to attend the IBMA convention. It was his first trip to IBMA in 20 years, and we thought that his post-IBMA impressions and reflections would be of interest both to others who were likewise in attendance, and our many readers who would love to have been there.

bluegrassmercury – Travelogue #6

by Richard F Thompson

Nashville, Tenn Tuesday, September 30

Karen and I woke early to another wonderfully hot, sunny day with only a few clouds in the sky, thinking that late nights aren’t a problem. Learning quickly, we stoked up with breakfast and I set off to sign up for some mentor sessions, leaving Karen to attend to some very important technical tasks such as download yesterday’s photographs and re-charging camera batteries. Teamwork, just like with a well-oiled bluegrass band!

I was able to book an appointment for three Mentor Sessions, each giving me the opportunity to talk to experts in my chosen subjects, writing and photography.

My next ‘appointment’ was in the Music City Ballroom of the Renaissance Hotel to observe proceedings at the International Summit. I spent a good two hours learning about bluegrass music as it has developed around the world. The 29 participants reviewed the history of the music, swapping facts at a fast lick. Effectively, they were building a solid foundation from which to move on. As is often said to students of bluegrass, “You can’t go forward if you don’t know where you have been.”

After introducing myself to Fred Bartenstein, who has helped me with information or a comment so many times in the past, I left them to enjoy lunch; it had been a long session for them, having started at 8:30am.

Karen and I grabbed a sandwich and a drink and took a moment to reflect, before heading to the Print Media and Education constituency meeting, where we got to meet our new board representative, Craig Havighurst, who was taking over from Stephanie Ledgin. Stephanie was there to ensure the smooth transition of duties.

From there I visited the Exhibit Hall where we splashed the cash by buying a stack of CDs and DVDs. Well bluegrass music reminds me of warm summertime breezes, a perfect antidote to the long, dark and cold winter nights that will be here very soon. On some DVDs you can even see the summertime sun!

Up on Level 2 (the Exhibit Hall is down on Level 1, for those that have never been to the Nashville Convention Centre) Sierra Hull, Cia Cherryholmes and Ron Block were hosts to a quickly rotating roster of bluegrass songwriters. I remember seeing Louisa Branscombe and Keith Harden & Rick Alan Carpenter. Each of the hosts performed one of their own songs.

Back in the Renaissance ballroom activity resumed with the evening’s artists showcases (8:30pm to 11:00pm). Leading off was the fine Italian quintet, Red Wine; with former country singer and songwriter Donna Ulisse and her band; the Charlie Sizemore Band, performing many of the great songs from his much heralded recent CD release, Good News; Junior Sisk & Ramblers Choice; and the effervescent Valerie Smith with her fiddle-playing band-mate Becky Buller, with whom Ms. Smith has a new album, Here’s A Little Song.

Karen made a forlorn attempt to see and hear Dailey & Vincent, but too many people had the same idea and she could barely hear the band let alone see them. So she joined me in enjoying Country Current retiree Frank Solivan with his band, Dirty Kitchen; the very recently formed Summertown Road, resplendently dressed from head to toe in black; David Peterson & His Old Time Country Review, providing an alternative to bluegrass music with a classic country music act; the show stealing Gold Heart, with some very mature music that belied their predominantly very youthful ages; the Claire Lynch Band, whose set of swing numbers was interrupted by a broken guitar string, thus providing Mark Schatz an opportunity to ham bone Get Along Home, Cindy. Great entertainment!

Larry Cordle/Carl Jackson/Jerry Salley closed the evening’s entertainment for us with some of their fine original songs.

IBMA Red Carpet videos

We still have a lot of folks checking out the 2008 IBMA Red Carpet interview videos, but since they have moved off the front page, it isn’t easy to find them all in one place.

If you missed them earlier, these are videos we shot during the pre-awards show party at the 2008 IBMA convention on October 2. Katy Daley of WAMU’s Bluegrass Country was our charming hostess and she spoke briefly with many of the bluegrass stars before they headed into The Ryman for the big show.

It was fun to see our favorite artists dressed to kill and taking a turn on Bluegrass Today Red Carpet.

Here are direct links to the videos:

You can see all of our IBMA 2008 videos by following this link.

Video on the blog

We had a lot of fun producing the Red Carpet videos from IBMA, along with all the other video interviews that we did. We’ve got some ideas for future video features here on the blog, but we thought we’d check with our readers to see what you think.

So here’s the question. Did you watch the recent videos we posted? Did you enjoy them? Would you like to see more? (OK that was three questions!)

[poll:10]

If you have any ideas for video features you’d like to see, we’d be interested in your ideas (just leave a comment on this post). We can’t promise you we’ll do them, but if there is enough interest, we’re considering making videos a regular feature here on Bluegrass Today.

IBMA: Red Carpet video – episode 5

The fifth, and final, installment of our IBMA Red Carpet interviews (watch episode 1, episode 2, episode 3, and episode 4), finds our hostess Katy Daley, of BluegrassCountry.org, interviewing these bluegrass stars.

In this episdoe: The Steeldrivers, Russell Moore, Josh Williams, and David Grier.

This video is brought to you in part, by Huber Banjos.

We had a blast with these Red Carpet videos and we’d like to thank our hostess Katy Daley for making the red carpet experience so enjoyable. Until next year…

IBMA: Red Carpet video – episode 4

The fourth installment of our IBMA Red Carpet interviews (watch episode 1, episode 2, and episode 3), finds our hostess Katy Daley, of BluegrassCountry.org, interviewing these bluegrass stars.

In this episdoe: G2 Bluegrass Band, Alan Bartram (Del McCoury Band), Danny Roberts (Grascals), Missy Raines, and Steve Gully & Alan Bibey of Grasstowne.

This video is brought to you in part, by Huber Banjos.

IBMA: Red Carpet video – episode 3

Here is the third installment of our IBMA Red Carpet interviews (watch episode 1 and episode 2). Our hostess Katy Daley, of BluegrassCountry.org, continues her interviews with bluegrass stars.

In this episdoe: Eddie & Martha Adcock, Chris Jones & Ned Luberecki, Adam Steffey, Alecia Nugent, Terry & Cindy Baucom, Danny Paisley, and Chris Eldridge.

This video is brought to you in part, by Huber Banjos.

Stolen Instrument: Knilling thin body Jazz bass

Another stolen instrument report. This one is from Bryan Turner of Cumberland Gap Connection. It seems someone swiped his bass Tuesday night at IBMA.

This is a somewhat unusual instrument. It’s a Knilling Thinline Jazz Bass. It looks much the same as any other upright bass, only much thinner.

The store where I bought it has a number on the Bass of 67188. I am not sure if that is the model number or the Serial number. It has some dings around the bottom edge of the back of the bass and some nicks on the Scroll. It also was equipped with a Realist pickup.

The bass was in a gig bag case when it was stolen.

Here are a couple photos of Bryan playing the instrument to give you an idea of what it looks like and where some of the dings he’s talking about are located.

Anyone who sees this bass, please contact Bryan immediately at bryan@cumberlandgapconnection.com.

IBMA: Red Carpet video – episode 2

Here is the second installment of our IBMA Red Carpet interviews (watch episode 1). Katy Daley, of BluegrassCountry.org, continues as our hostess and interviews an all-star line up here in episode two.

You’ll see Del McCoury, Dan Tyminski, Nicky Sanders (Steep Canyon Rangers), Pete & Kitsy Kuykendall, Larry & Dreama Stephenson, Nancy Cardwell of IBMA, and Casey Henry, all grace our Red Carpet. Enjoy…

This video is brought to you in part, by Huber Banjos.

IBMA: Red Carpet video – episode 1

We know a lot of our readers didn’t have the opportunity to attend this year’s IBMA Awards Show in Nashville. We blogged it live, it was broadcast on XM Satellite Radio, but there was no television coverage of the event. If you weren’t there, you didn’t get to see all the bluegrass stars shining in their best dress for bluegrass’ biggest night.

A few weeks before the event, Katy Daley, of BluegrassCountry.org, approached us with the idea of doing a Red Carpet event and offering the video footage here on Bluegrass Today. We loved the idea, and so did all the bluegrass artists who stopped by our red carpet during the pre-show reception.

Each day this week we’ll be publishing another episode of the Red Carpet videos. Here’s the first installment…

This video is brought to you in part, by Huber Banjos.

IBMA Keynote Address available online

The IBMA has posted the text of the Keynote Address delivered by Berklee College of Music President Roger Brown at last week’s World Of Bluegrass Convention on their web site.

His speech addressed two main themes: that the period when bluegrass music emerged was a time of uncertainly in the music business, and that many parallels could be drawn between the development of bebop jazz and bluegrass music in the 1940s and ’50s.

An ASCAP strike in 1941 meant that radio and TV were prohibited from using most compositions and the composers were not being paid royalties. An AFM strike in 1942-43 meant that instrumental musicians were largely out of work. The jukebox was seen as a disruptive technology that might well destroy the market for live performance. Some estimates are that as many as half the working musicians quit. Big bands which had been ascendant took a body blow and never fully recovered.

Out of the rubble of this period the vocalists (who were not covered by the AFM strike by the way) got the upper hand on the bandleaders and have ruled popular music ever since—Bing Crosby, Frank Sinatra, Peggy Lee and Nat King Cole sold an unprecedented number of records in the immediate post-war period.

Be-bop, with its radical harmonic and rhythmic complexity emerged from the work of Dizzy Gillespie, Charlie Parker, Thelonius Monk and others who had been creating this innovative new sound in New York City under the cloud cover of the recording ban.

At almost the same moment, Bill Monroe added Lester Flatt and Earl Scruggs to his Blue Grass Boys, juiced up the tempos, tightened up the strings and let fly. And a new genre in American music was born.

You can read the address in its entirety online.

Brown also spoke with us just after delivering this speech on September 29, and the video of that interview is posted below. He condenses the content of his longer address, and discusses what Berklee has been doing with bluegrass music of late.

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