Award-winning fiddler Deanie Richardson is celebrating today. The reigning IBMA Fiddle Player of the Year has just been announced as the latest signee with Nashville's Engelhardt Music Group. Richardson, a veteran of both the country and bluegrass touring scene, is currently
What an interesting and inspiring story Deanie Richardson has to tell. She fiddles with the IBMA nominated all female bluegrass group Sister Sadie. Richardson grew up in a very musical family about 30 miles west of Nashville, in the small
If Deanie Richardson ever moves on from Sister Sadie or the Likely Culprits and needs a job, her new solo CD on Pinecastle, Love Hard, Work Hard, Play Hard, will be the perfect resume. Richardson masterfully moves through original material, well
Today’s single release, the 9th in the 11 weeks of new singles program by Pinecastle Records, is Deanie Richardson’s Stoney Mae, a song written by Richardson and Bill Tennyson. Richardson says this about how the song came to be and what
This review of Join The Jam is a contribution from Deanie Richardson, fiddler with Sister Sadie, and prominent session player and instructor in Nashville. She has recorded and performed with top country artists and bluegrass acts alike, and has very
Special project bands are sprouting all around bluegrass this year. The Masters of Bluegrass have been struttin' it old school with Bobby Osborne, Del McCoury, J.D. Crowe, Bobby Hicks and Jerry McCoury at festivals, and Sideline, featuring members of Mountain
The Likely Culprits will make their official band debut, Saturday night at the world famous Station Inn, in Nashville, TN. This new group consists of Ashby Frank (mandolin, vocals), Deanie Richardson (fiddle), Melonie Cannon (vocals), Garnet Imes Bowman (vocals), Brandon Bostic
Awards season has begun for the the Academy of Country Music. In addition to the nominations announced on Tuesday for all the glittery pop stars, a list of "lesser lights" was quietly passed out. This includes musicians, producers, engineers, radio hosts,
Bluegrass Today always pays special attention where young pickers are concerned. The education and nurturing of our next generation of bluegrass artists is a matter of great concern to many formerly young people such as myself who care deeply about
