• Pocket phrase book for studio musicians

    We just got through a two-part series on studio psychology, and the role of the engineer and producer in it, touching briefly on whether it’s better to eat regular or thin crust pizza during a recording session. I thought we

  • Oozing tension and other studio tips

    Going into the studio to record is something that all professional and semi-professional (and in some cases, complete amateur) musicians will do at some point in their careers, usually early and often. The studio, as anyone with experience can tell you,

  • By the Mark… Wahlberg

    Often when I have been on the receiving end of interview questions, and particularly when the interviewers are from outside the bluegrass community, I’ll get a question about the growth of bluegrass music and the general level of interest in

  • Merch Table Etiquette and Avian Scat

    A while back, I wrote here about bluegrass artists’ accessibility to fans, and about some of the interesting things people say to artists at their merchandise tables. Those that aren’t used to approaching people they don’t know and criticizing their work,

  • You’ll get some great exposure

    A reader recently asked if I would consider, at some point, addressing the issue of playing for free. I replied: “Sure, for 80 bucks I will.” After some negotiation, my fee was reduced to barter payment of a used lime

  • Wet banjo contest – it’s come to this

    Shortly after the announcements of the IBMA Awards nominations, an important discussion was started here in Bluegrass Today about the award nominations and voting process. Many readers joined in with ideas, constructive criticism, and in some cases, good old-fashioned griping. With