Bluegrass Today Profiles

Darrin Vincent, and his father Johnny According to Darrin Vincent, the bass playing half of Dailey & Vincent, his daddy, Johnny, always told him, “Things come in season.”   The era of the 1960s was a season of beginnings for Johnny. He

Authenticity is a hard commodity to come by, a casualty of the need for commercial credence. Traditional music may not be the most viable option in the marketplace today, but the resurgence of bluegrass and the emergence of that hybrid

When you hear the name Marty Stuart, you visualize a stunning head of hair, neck scarf tied perfectly, and a voice that mixes superbly with his extraordinary vocal and instrumental talents. As I sat on the 2nd row at The Tower

The Kruger Brothers are an ideal example of the impact bluegrass has made on music, even on those who live far from American shores. It was that profound impression that lured brothers Jens and Uwe Kruger away from their native

All of us know at least one person who seems to have a dream job. Doing something they love so much, that they would probably have done it without being paid, but yet also being handsomely rewarded for the job.

A rare opportunity arose recently while attending a house concert, as Bryan Bowers, world renowned autoharp player, made a quick stop in Edmond, OK and performed for a select group of fans.  He's in the Autoharp Hall of fame, and Frets

Even 20 years ago, the notion of a band from another country specializing in bluegrass was somewhat startling. Back then, one group in particular pioneered the idea that bluegrass could be a universal language, and the fact that that group

On this day ….. On January 22, 1938, Bill Emerson was born in Washington D.C., from where he went on to be one of the most important banjo players in bluegrass music history.  William Hundley "Bill" Emerson, Jr. was influenced towards becoming

“More than a band, these six friends from Kobe, Japan, have shared 50 years of friendship, musicianship, and a passion for music that has promoted and championed bluegrass as a culture, genre, and lifestyle all over the world.” So says

Welcome to a brand new column, Bluegrass Beyond Borders, a twice-monthly feature that explores music made beyond our shores by artists that hold a particular penchant for Americana. In a way, there’s a certain amount of irony implied in that premise.