Two new singles from Steve Bruce and the Steve Bruce Band

Banjo pickin’ pastor Steve Bruce and his family band have released a pair of singles, one from their bluegrass gospel EP, A Family Tradition, and one from Steve’s most recent banjo album, What I Know Now.

Both are originals written within the band, the first, The Far Country, is a banjo tune Steve has composed, and the other, Don’t Wait, comes from his son Andrew, who supplies guitar and vocals in the band.

Let’s have a listen to The Far Country, with Steve on banjo, Ron Stewart on fiddle, Glen Duncan on mandolin, and Andrew Bruce on guitar and bass.

The Steve Bruce Band performs on Don’t Wait, with Steve again on banjo, Andrew on guitar and lead vocal, Steve’s daughter Whitney Alderman on harmony vocals, her husband Lukus on bass, their daughter, Eden Alderman, on fiddle, and Bob Powell on mandolin.

Both The Far Country and Don’t Wait are available now from popular download and streaming services online, and to radio programmers via AirPlay Direct.

Gene Horner passes

Gene Horner in his shop (12/6/16) – photo © Hollie Deese, Nashville Interiors


Well-known east Tennessee violin maker and luthier Gene Horner died on January 14 at the Ben Atchley Tennessee Veteran’s Home in Knoxville, TN He was 91 years of age.

Born Charles Eugene Horner, he was known as Gene (or Jean) over the course of more than 75 years of building and repairing fiddles and mandolins in east Tennessee. Most of his life was lived on family property near Crossville, where he had converted the one-room cabin where both he and his father had been born into a wood storage shed for his instruments.

Nearly every bluegrass and old time musician in eastern Tennessee had visited Horner’s shop, and many owned fiddles or mandolins he had made. Touring artists from Nashville were also regulars, to look at new instruments, have repairs done, or just to swap stories with Gene. John Hartford was one who had one of Gene’s fiddles. Other Music City pros who stopped by include Earl Scruggs, Bill Monroe, Jimmy Martin, Mel Tillis, and Kenny Sears. Chattanooga’s Fletcher Bright was also a regular visitor.

This lifelong passion for luthiery began as a quest to repair his family’s old fiddle when he was a teenager. After it had been roughly handled for years by Gene and his brothers, he took it upon himself to fix the heirloom so it could be played. Both his fiddling and his luthiery were self-taught skills, which he used to re-top that old Horner family fiddle in 1984, one he kept until his passing.

Over his lifetime he built well over 500 fiddles, roughly sixty mandolins, and the odd cello, viola, or double bass, plus some cabinets and wooden toys. Horner also built a couple of banjos, but only after friends had badgered him into it. Fiddles were his first love.

He was given a Tennessee Governor’s Award in 2009 for his life’s work, and was the feature of a video biography a few years later by The Jackson Foundation.

Until a blood clot took one of his legs a number of years back, he was out in the shop every day working on something. Even following the amputation, you could still find him there in his wheelchair most days.

As per his wishes, there will be no funeral or memorial service for Gene, though his good friend Jack Hatfield will be hosting a public jam in his honor next month in Knoxville, to which all owners/players of Horner’s instruments will be invited.

R.I.P., Gene Horner.

Winner Every Time from Casey Penn

For her latest single, bluegrass singer and songwriter Casey Penn has chosen an acoustic swing number she wrote with Larry Cordle, Daniel Crabtree, and Keith Ward Eudy called Winner Every Time.

It’s a cheery song about a woman who is living the life of Riley since she found the man of her dreams, perfectly suited for the shuffle beat she puts to the song with a group of Nashville studio pros.

Casey says that this one came to her, starting with a comment she heard in conversation.

“I had written down something someone had said … ‘I got so used to losing, I kind of liked it that way.’ From that idea sprang this fun song about finally winning at the game of love. I’m such a fan of Larry Cordle, and it was an honor to write with all three of these writers. Larry started us off on a great shuffle melody. Before long, we were off and running on a true winner of a song!”

Helping out were Justin Moses on mandolin, Jason Roller on fiddle and guitar; and Kevin Grant on bass. Larry Cordle and Val Storey sang harmony.

Listen in…

Winner Every Time, and Penn’s full One step Away album, is available from Mountain Fever Records at popular download and streaming services online. Radio programmers will find the tracks at AirPlay Direct.

Josh Swift recovering from brain surgery

Josh Swift, reso-guitarist supreme, studio owner, producer, and longtime member of Doyle Lawson & Quicksilver, reports that he is just home from successful surgery to remove a tumor from his brain.

If you find that shocking, just listen to his description from yesterday of how this came to be.

“Well, I think it’s now time to fill everyone in on what’s been going on in our little world.

I’m telling you all, now, because we have successfully come out on the other side of this journey. God is good.

For the last 10 years or so, I’ve dealt with some weird hormone related health issues. Recently, I had a new urologist recommend a brain scan to look for a brain tumor. I literally laughed out loud. That said, we did the scans and one was found. If we didn’t get it handled, I’d be looking at severe health problems in the future. So, my family and I made the decision to immediately move forward with surgery to remove the tumor.

I’m currently riding shotgun in the car with my bride, who is driving me back home. We had a little stay at Vanderbilt this week, but the tumor is GONE. I can’t say enough about the folks at Vanderbilt. They went above and beyond and I feel like I had the best team in the world taking care of me.

Now, I’ll be taking some time to heal. I won’t be with my road family (The Isaacs) until I’m 100% but I suspect I’ll be back in six weeks or so.

Though it’s been a long/hard journey, we are on the winning side of it. We are awaiting the pathology report in hopes that I should have a normal, long, and HEALTHY life. To be honest, I’m fully expecting a good report. I’ve apparently (unknowingly) had this tumor for most of my life, and honestly, I’m thankful to know that. I suspect if it was REALLY BAD, it would have taken me out years ago.

To the few folks who have known and been praying, thank you for those prayers. For those just now finding out, remember us in the coming weeks. I’m a workaholic and am not fond of ‘doing nothing,’ which is exactly what I have strict orders to do.

Love you all and thank you for your love and support.”

He says that he is doing well, but has a whopper of a headache.

Such marvelous news! Looks like we’ll have Josh around for quite some time yet.

Route 3 releases Your Love Is A Miracle

Pinecastle Records has a new single for Missouri’s Route 3, one from their current album, Just Believe.

It’s their remake of Your Love Is A Miracle, written by Bill Kenner and Mark Wright for country artist Mark Chestnutt, who included on his debut album 34 years ago.

Route 3 bassist Doug Clifton says that they took a roundabout way to recording this song.

“We first heard Your Love Is A Miracle on the radio in 1991 when it was a hit for country artist Mark Chesnutt. We loved the story of finally finding true love, and how that love completely changed him and made him want to settle down.

Fast forward 30 years later, we were on a band trip coming home from a festival, listening to a classic country station, and that song came on. We started discussing how we loved the melody and how cool that might be to cut it in a bluegrass style.”

And so they did. Guitar man Jason Jordan takes the lead vocal, with Doug on bass, Greg Potter on mandolin (who adds a tasty Dempsey Young flourish to end his break), and Janice Martin on banjo. Ron Stewart added fiddle.

Your Love Is A Miracle fits right into the band’s smooth, contemporary bluegrass sound.

Have a listen…

Your Love Is A Miracle, and the full Just Believe album, are available from popular download and streaming services online, and to radio programmers via AirPlay Direct. Audio CDs can be ordered directly from the artists.

Bluegrass Trucker from the SW Bluegrass All-Stars

Southwest Bluegrass All-Stars are a relatively new group from a part of the country which produces relatively few bands in the genre. But this quartet consists of some of the top pickers and singers in the region, and they have produced a debut EP with the perfectly appropriate title, Introducing The Southwest Bluegrass All-Stars.

The opening track is one written by guitarist Elliott Rogers, a well-known Texas songwriter from ’round about Austin, which he calls Bluegrass Trucker. It tells the story of a driver with an overloaded rig, hoping he can deliver the shipment in one piece before his tires give way.

Support comes from his fellow All-Stars: Steve Smith, a mandolin man from New Mexico; banjoist Bill Evans, who was also living in New Mexico when the group was formed; and Anne Luna, bass player and fellow Land of Enchantment stater.

Throughout the song these’s a repeated instrumental signature with a chugging sound, like a truck trying to make a hill, which gets a full treatment just ahead of the final chorus.

Have a listen…

Bluegrass Trucker, and the full Introducing The SW Bluegrass All-Stars album, are available from popular download and streaming services online. Radio programmers are invited to contact Bill Evans online to obtain an airplay copy.

South Carolina Banjo Day coming up March 11

Once again this year, the state of South Carolina will dedicate a day to their native son, Todd Taylor, as they celebrate South Carolina Banjo Day on March 11.

The honor was first bestowed on Todd in 2018, both in recognition of his achievements as a banjo player, and in recognition of his having overcome serious health issues throughout his life. He had suffered illness for a number of years leading up to a diagnosis of mitochondrial myopathy, as well as additional issues related to the disease since.

In a cruel sort of irony, Taylor has just been diagnosed with colon cancer, and is starting treatment quite soon, so one imagines he will especially appreciate his “day” in March.

The following is the proclamation passed in 2018 by the South Carolina state legislature, and read on the floor of the Senate.

Whereas, the members of the General Assembly are pleased to recognize Todd “Banjoman” Taylor as an outstanding citizen who has positively impacted the State of South Carolina;

Whereas, in 2012, Mr. Taylor received the Order of the Palmetto, the state’s highest civilian honor, in recognition of his musical contributions to the State of South Carolina;

and Whereas, it would be fitting and proper to pay tribute to the accomplishments and public service of this son of South Carolina by annually recognizing the second Tuesday in March as “South Carolina Banjo Day.”

Now, therefore, Be it resolved by the Senate, the House of Representatives concurring: That the members of the General Assembly, by this resolution, recognize Wednesday, March 14, 2018, and the second Tuesday in March of each year thereafter as “South Carolina Banjo Day” in honor of Todd “Banjoman” Taylor’s musical contributions to the State of South Carolina.

Remember, come March 11, 2025, to think of your favorite banjo player, and if you play one yourself, be sure to pick one for Todd!

B Funky from Laney and Bishop

Sound Biscuit Records are bringing out a new single from Laney and Bishop, an instrumental whirlwind written by Colby Laney called B Funky.

Sharp-eyed grassers may have caught the hint in the tune’s title that this one is likely in the key of B, a challenging signature for new string players, but a favorite for seasoned pickers.

Colby says that, yes, this is the case.

“It’s just a fun tune that really lets us stretch out and improvise in the key of B. Bluegrass players often think of B as the ‘blues jam’ or ‘mash’ key, but we wanted to take it in a completely different direction—something fresh and different but still rooted in the tradition of jamming.

It’s one of those tracks that just makes you smile and have a good time while playing or listening.”

Support comes from his partner, Danielle Bishop on fiddle, and a crew of east Tennessee all-stars. Both Laney and Bishop are widely-recognized bluegrass professionals, he with Volume Five, Larry Stephenson, and others, and she taking titles at Fiddlers Grove, the Old Fiddlers Convention in Galax, and the Georgia Mountain State Fair.

Helping out on this funky romp are Aaron Ramsey on mandolin, Jeff Partin on reso-guitar, and Jacob Burleson on bass. Colby plays guitar and Danielle fiddle.

Check it out…

B Funky will be available from popular download and streaming services on January 17. Radio programmers can get the track now via AirPlay Direct.

Colton Powers leaving Seth Mulder & Midnight Run

Colton Powers, the hard-charging’ banjo picker and tenor singer with Seth Mulder & Midnight Run, has announced that he will be leaving the band to start work on a new project he is working on.

He shared the following statement online…

“I’ve been a part of Midnight Run for around seven and a half years. It’s been one heck of a ride as I’ve seen several iterations of this band come and go. I’ve done some thinking and I have decided to leave Seth Mulder & Midnight Run.

When I first joined, it was Seth, Jasper T. Lorentzen, and Jereme Brown. They soon parted to pursue their careers with The Po’ Ramblin’ Boys. Soon after came Max Etling, and Robert Russell, who was then followed by Ben Watlington. Max, Ben, and I stayed with the band for a long time. After a couple of years we brought Max Silverstein, who’s seen this iterations and the next. Once Ben and Max left, we were joined by Joseph Sharp, then Tyler Griffith and Chevy Watson. Since being a part of this band, I have traveled to somewhere around 25 countries and 30 states.

This doesn’t mean that I’m not going to be playing music though! I’ve got some stuff in the works, and it’ll take a little bit to get it all worked out and ready to go, so look for me out there, I’ll be around! If anyone needs some fill in on banjo as well, drop me a line!

Thank you all so much for your support and for enjoying the music…

And most of all, thanks for the memories.”

Bossman Mulder wishes him well on the way out.

“I have truly enjoyed the past seven-plus years of making music with Colton. There have been lots of good times, and I’ll miss singing with him. However, change is a natural part of the journey, and I look forward to seeing him strike out on his own. I know great things are in store.

With change comes a renewed sense of energy and excitement, and I’m looking forward to getting out on the road this year with some new faces as we continue to bring folks the music they have come to love with Seth Mulder & Midnight Run.”

We look forward to news, both on Colton’s next venture, and the new faces with Midnight Run.

Peter Rowan accepts Lifetime Achievement Award at Folk In Fusion

Anna Kline, Peter Rowan, and Alison Brown as Pete accepts his Lifetime Achievement Award


Lifelong bluegrass icon Peter Rowan accepted a Lifetime Achievement Achievement Award last night at the kickoff concert for Ireland’s Your Roots Are Showing conference, Folk In Fusion.

The show was held at the INEC Arena in Killarney, where Rowan performed along with Ron Block, Rhiannon Giddens, Sandy Kelly, Brendan McCreanor, Gerry O’Connor, Liam Ó Maonlaí, and Kenny Sharp and Brown Liquor Music.

Rowan’s Lifetime Achievement Award, the first such given by the organization, was presented by Anna Kline, Business Development Director for the IBMA, and Alison Brown, award-winning banjo player and producer, and founder of Compass Records.

Brendan McCreanor, Co-Founder and Creative Director of Your Roots Are Showing, says that Peter was a perfect choic. for the debut of this award.

“Peter Rowan’s music is timeless, blending tradition with innovation in a way that resonates deeply. Playing onstage with him was an unforgettable experience, and this award is a fitting tribute to his profound impact on the global folk community and the stories he’s brought to life.”

After accepting his award Peter played a brief set on stage and then sat in with many of the artists on the bill.

Congratulations Peter Rowan!

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