Bayla Davis, newest Gold Tone endorser

Bayla Davis with her new custom Gold Tone open back banjo


Gold Tone Music Group has announced their newest endorser, and perhaps their youngest, in the person of Bayla Davis, a 17-year-old old time player from western North Carolina. In just a few years time, this talented young lady has turned heads all across the music world for her skillful playing, and her full-on embrace of traditional mountain music.

Last spring she was chosen to be featured on From The Top, a television show and podcast that highlights exceptionally talented teen musicians. For years the show focused on classical artists, but has only recently begun to showcase traditional music players like Davis and Wyatt Ellis.

Bayla says that she is delighted with her new banjo, one that was custom built for her unique stylistic preferences as a clawhammer picker who also plays bluegrass, and by having one made just for her.

“I am really excited to be endorsed by a banjo company! I actually thought only really famous instrumentalists could be endorsed, but I was really excited when some of my friends recently got endorsed, and then I got asked a couple weeks following! It really seems like the music world is beginning to take the younger generation seriously and professionally, and I am really thankful. 

I’ve only ever played Gold Tone banjos, but the ones I currently have are only banjos that I have won or never picked out personally. I was invited to Titusville, Florida during my Christmas break from school to check out a custom banjo they had begun to work on for me, and to show me around the factory. I visited Mr. Justin and Mr. Wayne, who I’ve known for years at various festivals, but it was amazing to see them in their working environment, and to meet the luthiers

When I was asked what type of banjo I would be interested in, they were very surprised that I wanted something exactly like a resonator banjo (I play clawhammer, so that isn’t very common); however, I wanted an open back to promote my style and the culture of old time music.

They put together an open back Tubaphone banjo, with three rings, and very low action for a loud and bright sound. They put on an Ome armrest, and they used a gorgeous Gold Tone neck with all the frets and no scoop (usually something only resonators have). I played it for the first time with my siblings in Mr. Justin’s office, and the only thing that was changed was the string gauge sizes: I like to have different weird sizes for the strings specifically so nothing buzzes. I’ve found that clawhammer is a rougher style that can hit the strings in a certain way that promotes annoying pick noise and a ring – and the luthier was able to adjust them in minutes.

I have officially named my new baby banjo “Frankenstein,” because it is a banjo made up of many other parts of different banjos. I feel like average open back banjos are muffled and softer, but because I play more bluegrass and contemporary on clawhammer than I do old time, I wanted to be able to be heard just as loud and clear as other players, but with my own style.”

Well done Gold Tone!

Young Ms. Davis is currently absorbed in applying to music colleges, looking for the best fit for her particular interests.

Hey music schools… time to reach out to this talented artist!

Ralph II does the Opry with the Clinch Mountain Boys

Ralph Stanley II on the Grand Ole Opry at the Ryman Auditorium (1/17/25)


January 17 was a special night for Ralph Stanley II. After many years of playing the Grand Ole Opry as a member of the Clinch Mountain Boys, alongside his father, the great Dr. Ralph Stanley, he had his first opportunity to play the Opry under his own name, leading The Clinch Mountain Boys as his father and uncle had done in the past.

To make it even sweeter, the show was at The Ryman Auditorium, where it all began, and it was in honor of Dr. Ralph’s induction as an Opry member on January 15, 2000, the first member of the new millennium!

So II brought the band to Nashville, and tells us that he really felt the thread that runs through the multi-generational Stanley sound.

“Being back on the Ryman stage where I had stood many times with my dad, but now as a solo headliner meant the world to me. There were so many emotions that night! I was proud and honored to represent my dad, and also show the world that the Stanley sound is alive and well!!!”

With him were regular members of the Clinch Mountain Boys Alex Leach on guitar, Curtis Coleman on banjo, Stanley Efaw on fiddle, and Randall Hibbitts on bass, along with special guest Wyatt Ellis on mandolin.

II shared a number of photos of his big night, along with this behind-the-scenes video of their time at the Ryman.

Well done, Ralph! Your dad would be proud.

Looks Like The End Of The Road from Alison Krauss & Union Station

Alison Krauss & Union Station have announced the March 28 release of Arcadia on Down The Road Records. At the same time, the band has released a debut single, Looks Like The End Of The Road.

Arcadia marks a number of firsts for Alison and the boys. It’s their first album in 14 years, the first to feature new guitarist and vocalist Russell Moore, and their first not on Rounder Records, though the new label is one recently launched by the founders of Rounder, Ken Irwin, Marian Leighton Levy, and Bill Nowlin, as well as John Virant. In another numerical convergence, Rounder first signed a young Alison when she was 14 years of age.

The rest of AKUS remains the same. Ron Block is on banjo and guitar, Jerry Douglas on reso-guitar, and Barry Bales on bass along with Alison on fiddle and lead vocals. They sound as good as they ever have, if not better. Krauss is in fine voice, and she has chosen strong material, and arranged and recorded it to sonic perfection.

As evidence, see this first single, which Alison says was another first… the first one she picked for the album.

“Usually, I find something that’s a first song, and then things fall into place. That song was Looks Like The End Of The Road. Jeremy Lister wrote it, and it just felt so alive – and as always, I could hear the guys already playing it.”

It’s dreamy ballad, very much in the AKUS tradition, sure to be a welcome relief to fans of the band who have waited so long for a new recording.

Have a listen…

Looks Like The End Of The Road is available now from popular download and streaming services online. Pre-orders and pre-saves for Arcadia are likewise enabled.

Alison Krauss & Union Station will be touring in support of Arcadia, starting on April 17 with two nights in Louisville, KY, and running through a total of 75 dates finishing up at the end of September. More details and ticket information can be found online.

Jesse Smathers to Mountain Home Music

Jesse Smathers – photo © Laci Mack


Jesse Smathers has been announced as the newest signee with the Mountain Home Music label.

Currently guitarist and vocalist with Lonesome River Band, Jesse grew up in a deeply musical family in North Carolina. His first instrument was the mandolin, and he joined LRB in 2015 playing just that, but switched to guitar when the need arose. He’s toured previously with James King and with Nothin’ Fancy, and has recorded as a solo artist in the past.

Now a powerful singer and multi-instrumentalist, Smathers has demonstrated both his passion and love for traditional mountain music, as well as his ability to relate it in a contemporary environment.

He says that he is delighted to become a Mountain Home artist.

“I am so honored to be joining the Mountain Home family amongst friends, influences and heroes. Since 2015, I have recorded numerous projects with the Lonesome River Band on the Mountain Home label and have considered it ‘home.’ Some of my fondest times making music have been at the studio; so it is such a blessing to continue to record and release my own material on the label and be part of the Mountain Home Family!”

A debut single, his version of the old chestnut, Sleepy Eyed John, is expected in February. Pre-orders and pre-saves are enabled now online.

American Banjo Museum announces 2025 Hall of Fame inductees

The American Banjo Museum, located in Oklahoma City and dedicated to promoting and preserving banjo players and music of all kinds, has announced five new members to their Hall of Fame. They will be officially inducted during the weekend of October 9-11 as part of their annual Banjo Fest weekend in Oklahoma City.

Two of the new members will be well familiar to our readers, Noam Pikelny of Punch Brothers fame, who is going in for Five-String Performance, and Dom Flemons, noted multi-instrumentalist, singer, songwriter, and folklorist, who goes in for Promotion.

Also to be inducted in 2025 are 20th century four string virtuoso Fred Van Eps in the Historical category, Sean Moyses for Four-String Performance, and banjo builder Vinnie Mondello for Education & Innovation.

The Museum has provided the following thumbnail biographies of their newest Hall of Famers:

Noam Pikelny – Five-String Performance – Born in Skokie, Illinois in 1981, Pikelny began playing the banjo at the age of eight, studying at the Old Town School of Music. Best known for his current band, the Grammy award-winning Punch BrothersNoam’s extraordinary talent and eclectic musical tastes found him performing in groups such as Leftover Salmon and the John Cowan Band, in addition to his own solo endeavors. Respected by a diverse musical community, Pikelny was named IBMA Banjo Player of the Year in 2014 and 2017 and, in 2010, was the first recipient of the Steve Martin Prize for Excellence in Banjo and Bluegrass. Currently residing in Nashville, Tennessee, Pikelny and the Punch Brothers continue to excel in and expand the perceived boundaries of bluegrass, folk, and acoustic music.

Sean Moyses – Four-String Performance – From his first banjo ukulele strums as part of a family band to a present day one man show, Sean Moyses has devoted his life to music and the banjo. Inspired by Eddie Peabody, Moyses has taken a journeyman approach to a musical career, adapting his skill set as needed, and devoted enough to go where the work was. Whether performing as part of British and European jazz bands, lending his formidable stage presence to comedy shows, or taking listeners on a unique musical journey from ragtime to classics to pop, Sean pours his kind heart and impressive talent into every show he does. Admittedly born with an “old soul,” Moyses bridges the gap between the banjo’s glorious past and its modern-day identity.

Fred Van Eps – Historical – After learning to play the banjo by studying the recordings of Vess Ossman, Fred Van Eps went on to even greater popularity than his mentor. A fixture in the Edison studios in the early 1900s, he – as both a soloist and leader of different bands – made hundreds of audio recordings which documented the technical skill and musicianship which was required of banjoists during the instrument’s Classic Era of the late 1800s. Having been chosen to appear in early experimental sound films, as well as marketing the Van Eps Recording brand of banjos, is indicative of the artist’s popularity during the first three decades of the twentieth century.

Dom Flemons – Promotion – Dominique “Dom” Flemons is an American old-time, and blues multi-instrumentalist, singer, and songwriter. He is a proficient player of the banjo, fife, guitar, harmonica, percussion, quills, and rhythm bones. Known as The American Songster, Flemons’ repertoire of music spans nearly a century of American folklore, ballads, and tunes. A founding member of the Carolina Chocolate Drops from their inception in 2005 until 2013, Flemons played a key role in black culture’s recapturing of the banjo’s African heritage. In addition to performing and recording with numerous artists and bands including Mike Seeger, Taj Mahal, and the Old Crow Medicine Show, Flemons has released numerous albums under his own name, including Black Cowboys (which was nominated for a Grammy award in 2018).

Vinnie Mondello – Education & Innovation – With a family musical performance and instrument manufacturing lineage going back three generations, Vinnie Mondello seemed destined to become the “go to” banjo builder and repairperson of the current generation.  Utilizing mechanical skills and philosophy developed while working on high performance cars and boats, Mondello willed himself to learn the necessary skills and passion for maximizing a banjo’s tone, playability, and appearance. While the goal of his repair work is to match the original manufacturer’s fit and finish as closely as possible, the custom instruments crafted in his shop have set new and exacting standards in tone and décor. 

More details about Banjo Fest 2025 and the gala Hall of Fame induction ceremony will be announced in the near future.

Dozens of cars vandalized at SPBGMA (updated)

Kat Brake’s rental vehicle damaged in the Music City Sheraton parking lot during SPBGMA (1/25/25)


During this past weekend’s National Convention of the Society for the Preservation of Bluegrass Music of America (SPBGMA), the music, the jamming, and the fun was marred by two nights of parking lot vandalism.

Both Friday and Saturday nights, many cars had windows smashed by robbers at the Sheraton Music City Hotel, 105 in total over the two days. Fortunately, we haven’t been able to find anyone reporting the loss of any instruments, as it appears that the individuals breaking windows were looking for things they could steal and sell quickly.

Police told Kat Brake, a mandolinist and singer from Florida whose rental car was damaged, that these robbers had hit 15 different hotel parking lots on Saturday night. They took three hours in responding to the Sheraton incidents as a result.

She tells us that she had nothing in her vehicle, but that it was a major inconvenience all the same.

“The hotel staff says that it happened before 8:00 pm, before their security guard comes in. But I arrived there at 9:00 and it occurred afterwards. 28 cars were hit in the front parking lot on Saturday, after 77 on Friday (these were at the Embassy Suites and Hampton Inn, edited), and the hotel did not notify guests.

Whoever was doing it seemed to be focusing on vans, SUVs, and trucks. The police said that they thought they were looking for weapons.

It was a mess. There was glass everywhere, and the next day no one could get auto glass companies to come out because they ran out of inventory with so many break ins.

I waited 12 hours for a tow truck to take it back to the rental agency.”

Many others who had driven their personal or band vehicles had to make the trip home with a taped over window, no fun in the wintertime.

One such was Amanda Cook, who was at SPBGMA representing Mountain Fever Records. She tells us that she got away with only the damage to her car.

“Thankfully, I did not have anything stolen. They left my CDs in the seat. For sure not bluegrass fans. 😃

The drive home on Sunday was awful with no driver’s window, and the cost of replacement is hurtful, but it could have been so much worse. I know folks that had wallets stolen, etc. 

It does make me think twice about going again…or at least not staying there.

We were staying at the Embassy Suites down the hill, so it was ALL of the hotels in the area. The hotels are aware of it; our hotel rep said they have been getting hit on a regular basis for the last 18 months. The employees are leaving their cars unlocked and the windows rolled down so they don’t get busted out. Wish we would have known that.”

We spoke briefly with Josh, who was the manager on duty on Monday morning at the Sheraton, and he told us that any comment on this situation would have to come from their corporate headquarters. We haven’t received any as yet.

SPBGMA says they knew nothing about the break ins, only being notified after the convention had concluded.

A most unfortunate marring of an otherwise successful celebration of the 50th anniversary of SPBGMA.

UPDATE 3:45 p.m. – We spoke just now with Mark Deinhart, Area Managing Director at HEI Hotels & Resorts, which includes the Sheraton Music City, who tells us that they actually had no break ins on Friday or Saturday, but did have 22 cars damaged on Sunday evening. Only four were SPBGMA guests.

Deinhart also indicated that they are working with Nashville Police to be sure that this never happens again, possibly positioning police vehicles in the lot for special events. “We are determined to keep the parking lot safe for all of our guests,” he said.

Stephanie Jones with SPBGMA reiterates that she was never notified of break ins in the parking lot, and didn’t learn about this problem until things closed down. She has also been assured that the Sheraton is planning to provide more security for next year.

She also shared her heartfelt sympathies for the people who were affected, and mentioned that anyone who ever has issues while at at SPBGMA event should contact them right away so that they can assist in resolving them.

We also spoke again to Kat Brake who made clear that the break ins on Friday were, in fact, “down the hill” at the other hotels (Embassy Suites and Hampton Inn), and that the discrepancy between her account of the break ins on Saturday showing up on Sunday, as the police didn’t arrive until Sunday, after midnight.

Face Of Appalachia from The Herculeons

Two Nashville vocal powerhouses have joined together to form The Herculeons, in the persons of John Cowan and Andrea Zonn. They have a new album coming in March on True Lonesome Records which will also feature fellow singing stars Michael McDonald, Darrell Scott, John Hall, and Reese Wynans.

Today they have released a first single, Face of Appalachia, tracked back before the terrible storm that ravaged so many communities in that area at the end of September ’24. So they have decided to use the song, and its music video, to continue raising awareness about the ongoing needs of these mountain people and their families, especially now that media attention has been drawn to the ruination from the California wildfires.

Speaking jointly, John and Andrea say…

“When we recorded this song, we couldn’t have foreseen the fate that would befall our beloved Appalachian region with the destructive force of Hurricane Helene. The heart center of the music and musicians that have nurtured and nourished us has been dealt an unimaginable blow.

Our dear friend and gifted photographer, Madison Thorn, traveled to the region in the aftermath of the hurricane and captured stunning images of the devastation. We asked her to help us make this video to raise awareness and funds as this region embarks on the long and difficult process of rebuilding their homes and their lives.”

Face of Appalachian is a lovely song, written by John Sebastian and Lowell George, and recorded on Sebastian’s 1974 album, Tarzana Kid. This is the same team that composed Dixie Chicken, the title track of Little Feat’s 1973 album, also included on Tarzana Kid.

Andrea sings the lead here, with John’s harmony wailing behind her, on a stark track that lets their voices take the forefront. Beautifully done.

They are using the video to encourage people to contribute time and treasure, as they are able, to the various organizations who are doing such exemplary work to bring relief to the Appalachian region.

The Herculeons, i.e., John and Andrea, especially recommend the following agencies when you consider donations:

We’ll see more information from The Herculeons in the coming weeks, and their upcoming project, expected March 21.

Wyatt Ellis studio visualizer video with Peter Rowan

Wyatt Ellis has been getting a lot of mileage from his current single, Winds of Rowan County. He’s released it as a double-side, 45 RPM vinyl single, backed with Bill Monroe’s Memories of You, also available through the popular download and streaming services.

The combination of these two artists, at the opposite ends of their careers – Rowan is 82 and Ellis is 15 – has captured the attention of people both inside the bluegrass world, and well beyond.

Now Wyatt has released a music video for Winds of Rowan County, filled with behind the scenes clips from the recording studio. Ellis and Christopher Henry play mandolins, with Rowan on guitar and vocals, David Mansfield and Christian Ward on fiddles, Max Wareham on banjo, and Mike Bub on bass.

Check it out…

2025 SPBGMA International Band Championship results

This past Saturday and Sunday the Society for the Preservation of Bluegrass Music of America held their annual Band Championship during their 41st National Convention in Nashville. Competitors performed multiple times for the judges over the two days, before the final results were announced yesterday afternoon.

And the winners are:

  1. Riley Gilbreath & Lonestar Blue
  2. Remedy Tree
  3. Bonnie Bevins & Carolina Drive
  4. Headin’ Home
  5. Lake Side
  6. Pearl Grace & Co
  7. Shannon Baker & Sometime Soon
  8. Travis Watts & Mountain Blessings

Congratulations and well done all!

2025 SPBGMA Bluegrass Music Award winners

Tonight the 2025 Bluegrass Music Awards are being announced in Nashville at the Sheraton Music City hotel during the 41st annual SPBGMA National Convention & Band Championship.

Our SPBGMA correspondent, Nick Newlon, will be reporting the winners as they are announced. To see the list as it progresses, simply return to this page throughout the evening as we will add the information during the awards show.

And the winners are:

  • Bluegrass Promoter of the Year – Aaron McDaris
  • Bluegrass Radio Station of the Year – SiriusXM 77
  • Bluegrass DJ of the Year – Chris Jones – SiriusXM
  • Bluegrass Songwriter of the Year – Daryl Mosley
  • Bluegrass Album of the YearIf There’s A Will There’s A Way by Junior Sisk for Mountain Fever Records
  • Bluegrass Song of the YearTennessee Hound Dog by The Grascals for Mountain Home Music Company
  • Bass Fiddle Performer of the Year – Maddie Dalton
  • Dobro Performer of the Year – Matt Leadbetter
  • Guitar Performer of the Year – Kody Norris
  • Mandolin Performer of the Year – Alan Bibey
  • Banjo Performer of the Year – Kristin Scott Benson
  • Fiddle Performer of the Year – Mary Rachel Nalley Norris
  • Female Vocalist of the Year – Rhonda Vincent
  • Male Vocalist of the Year – Kody Norris
  • Gospel Group of the Year – Authentic Unlimited
  • Vocal Group of the Year – The Kody Norris Show
  • Instrumental Group of the Year – East Nash Grass
  • Bluegrass Band (Overall) of the Year – Rhonda Vincent & The Rage
  • Bluegrass Entertainer(s) of the Year – Kody Norris

Congratulations to all the 2025 winners!

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