Life without Earl

Jim MillsThis tribute to Earl Scruggs on the anniversary of his passing is a contribution from Jim Mills, a life-long student of Scruggs-style banjo, and a serious collector of the sort of pre war Gibson banjos that Earl played. Jim also maintains a large collection of photos and memorabilia of Flatt & Scruggs and other early bluegrass pioneers. After many years touring with the likes of Doyle Lawson and Ricky Skaggs, he now makes his living buying and selling pre war banjos.

Earl Scruggs - photo by Ted LehmannSomething really astonishing has occurred to me that I never thought possible, something I can honestly say never even crossed my mind when I was younger.

I have lived an entire year – 12 months, 52 weeks, 365 days as of today, Thursday March, 28 2013 – on this planet without my musical hero, Mr. Earl Scruggs, being here in person.

This never crossed my mind because I guess in my earlier years, Earl was simply bigger than life to me. He was there on the Beverly Hillbillies show every week,  kicking it off and ending the program with the theme song. He was there on all those Flatt and Scruggs album covers and songbooks that I studied, and still have to this day. He and his music had absolutely infiltrated my heart, brain, and mind so thoroughly that he’d become an integral part of me.

He was the one and only catalyst for my life’s passion, Playing The Banjo, like tens of thousands of others out there today. Had I not heard Earl play, I’d have more than likely not learned to play the banjo.

It’s a rare thing for a person in this day and age to actually get to meet and know their Hero in life. And by the term hero, I mean a real hero. Not just someone you look up to, admire, etc., but a major inspiration and driving force throughout your life.

Jim Mills with Earl ScruggsThink about it for a minute… what would it mean to a top classical violinist if he or she could drive over to Paganini’s house, or to a rock guitar player if they could go to Jimi Hendrix’s place? Have him come to the door and greet them warmly, then go inside and sit down and talk for a while, and maybe even play some music together. Well, I got to do just that with my Hero, Mr. Earl Eugene Scruggs, and even though I didn’t go to see him that often – or call him that often, either – I still had solace in knowing that Earl was there at home on Franklin Road, and I could pick up the phone and call say “Howdy Earl,” and hear his voice on the other end of the line whenever I wanted to.

When that came to an end last March 28th it left a great void in my world, and as I said, I guess it was one of those things you never want to think about, and so I just didn’t. But now as time has flown by this past year, as it continues to do, I can look back and be so very thankful that I did get to know my Hero in life. And not only my Hero, but many other people’s Hero too.

I thought for a moment and pondered… I’m one of the most fortunate folks I know to have gotten to know the Absolute Architects of what we know today as Bluegrass Music. I look back now with great joy in knowing that I actually met folks like Bill Monroe, Earl Scruggs, Doc Watson, Chubby Wise, Kenny Baker, Jimmy Martin, Benny Simms, Josh Graves, Benny Martin, Paul Mullins, Jim McReynolds, Doug Dillard, John Hartford and they actually knew my name. This all got me to thinking that we should be grateful for all these folks, maybe even more so than we are.

Kids coming along today in bluegrass will never get to know these musical icons. Can you imagine how many classical artists today would have liked to have met their music’s architects, from Bach to Beethoven and beyond? Or for that matter how many country music stars of today would have liked to have met Hank Williams Sr. or Patsy Cline?

Jim Mills with Earl ScruggsThis inspires me to invite you to go out and see your Hero’s of today, and tell them how much you appreciate them. We still have many of the Original Architects here with us: Ralph Stanley, Mac Wiseman, Jim Shumate, Sonny and Bobby Osborne, J. D. Crowe, Paul Williams, Bobby Hicks, Curly Seckler, Jesse McReynolds, just to name a few.

And don’t ignore the modern Hero’s on the scene today. Walk up to Shawn Lane, Michael Cleveland, Ron Stewart, Adam Steffey, Joe Mullins, Ricky Wasson, Barry Bales, Rob McCoury, Dwight McCall, John Bowman, Junior Sisk, Ronnie McCoury, Alison Krauss, Russell Moore, Stuart Duncan, Dan Tyminski, or Tim Stafford and tell them how great a singer or picker they are. They don’t come along but once in a lifetime folks. Tell Doyle Lawson, Ricky Skaggs, Jerry Douglas, J. D. Crowe, Del McCoury, Tony Rice, and Bobby Hicks how good it is to see them and that you’re glad they came. I can tell you they’ll still appreciate it just as much today as they did in their early days – maybe even more – and you’ll never forget meeting them.

Reflecting on this past year, I am reminded of a conversation I overheard at Earl Scruggs’ Memorial Service last March. This conversation was being led by a prominent rock and roll guitarist, and he wasn’t in any way a bluegrass player or historian, but had a world of reverence for Earl’s talent. He said something that day that was so utterly profound, in my opinion, that I’ve never forgotten it.

Earl ScruggsThe conversation was concerning Earl Scruggs’ worldwide influence on the masses. He said that “Earl Scruggs just may be the most imitated musician of all time on his respective instrument.” He went on to explain that if you were comparing classical violinists for example, they had their heros and imitators through the decades – Heifetz, then Perlman, and today’s violin hero may be Joshua Bell – but that they all had their heydays so to speak, their moment in the sun. Then another Top Dog’s style or technique would take over the majority of popularity for a decade or so. He then explained that in rock and roll guitar, there was Chuck Berry in the 1950s, then a decade later there was Jimi Hendrix in the ’60s, then Eric Clapton, then Eddie Van Halen, and so on.

He then changed gears completely and said, “but Earl Scruggs has held the undeniable title of the greatest single influence the five string banjo has ever known,” and has maintained that title “nonstop for over 60 years now – to this very day.” He said that you could go on You Tube, and there you’d find 9 year old kids trying to copy Earl Scruggs’ playing as closely as possible, note for note, “right this minute.”

And I guess it took this rock and roll guy, far removed from our traditional bluegrass eyes and ears to see this so clearly. I’d never really thought about it in that way before, but I can honestly say that every banjo player I’ve ever met, and had any kind of conversation with about major influences – from J. D. Crowe to Bela Fleck – all admitted that whatever they accomplish with the banjo is mainly due to the inspiration of just one man, Mr. Earl Scruggs.

And to that I say, “Long Live Earl!”

  • fdwil111

    And when paying tributes never overlook Tom T. Hall.

  • Pingback: Gordon Stoker Passes Away; New Pokey LaFarge Album Due in June; Jim Mills Remembers Earl Scruggs - Engine 145()

  • Tommy L Boyd

    Hey Jim,
    Thanks for the wonderful memories of Earl. So many of us feel the same and miss him greatly.

    For the past several years I’ve had the privilege of working the Hardly Strictly Bluegrass Festival at the Golden Gate Park in San Francisco. Earl and family were there every year and I so looked forward to visiting with him just a little each October. His absence there on stage last Oct was deafening, and his absence across from ours in the dressing tent area was so incomplete.

    Every time I pass the old Wrigley Building on North Michigan avenue in downtown Chicago, I am reminded and comforted by the fact that Earl was there with the ‘boys’ around 8pm, September 16th, 1946, making his musical magic on the first notes ever commercially recorded of the original Bluegrass Band.

    I’ll bet we’ve all listened to ‘Heavy Traffic Ahead’, ‘Toy Heart’, ‘Why Did You Wander’ a gazillion times and are still amazed today when we try to get it note for note.

    Well said, Jim, ‘long live Earl Scruggs’.

    Thanks,
    Tom Boyd

  • Benny

    Jim, you are right as always. I grew up in a Bluegrass family band who rubbed elbows with the leaders and shakers and many years later I realize what a privilege it was to know my heroes personally. From Jamming with Don Reno all night long at Lavonia Ga. to talking to Little Roy Lewis at a repair shop. Flatt, Scruggs, J.D., Jimmy Martin all of them fine people. Our bass player grew up with Charlie Waller, many are the memories that live on. As long as we remenber they will never be forgotten.

  • Niall Toner

    Hi Jim, I enjoyed reading your piece about Earl Scruggs. When I was recording my current Pinecastle Album, Onwards and Upwards, in Nashville, it was shortly after Earl’s passing, and Keith Sewell and I composed a short tribute song called The Pride And Joy Of Shelby, which is track 5 on my CD. Just about four weeks previously, Keith had been a pallbearer at Earl’s Funeral, and we were both very much affected by his passing. I hope our little song is a fitting tribute to the Master of Bluegrass Banjo, and also a sign of the influence that Earl had, and still has, on a World-wide community of Banjo Players, even here in Ireland. If you get back in touch with me, I would be glad to send you an MP3 of our tribute song, and it can also be checked out on APD, or amazon.com Regards from Ireland, yours, Niall Toner. http://www.nialltonerband.com

  • grasser

    Thanks Earl.