• Songwriter to Songwriter: Missy Armstrong

    Last week during World of Bluegrass, David Morris caught up with Missy Armstrong, lead vocalist and one of two primary songwriters with Michigan's fast-rising Detour. As part of David's Songwriter to Songwriter series, they talked about how she wrote the song Lovin'

  • Joe Newberry at IBMA

    More winners from Bluegrass Today! OK... that may be overstating the point, but David Morris did catch up Thursday afternoon with a number of eventual IBMA Award winners, just hours before the awards presentation that evening. Here is his discussion with Joe

  • Junior Sisk at IBMA

    Junior Sisk came up big last night at the IBMA Awards, taking home both the Song of the Year and Album of the Year trophies for 2012. Yesterday afternoon, just a few hours before the awards show, David Morris caught up

  • Claire Lynch at IBMA

    Claire Lynch stopped by our booth yesterday afternoon, and spoke with David Morris about her plans for the future, near term. It sounds as though a new album is on the horizon, with a new label and a bit of a different

  • From Song Circle to Carnegie Hall

    One of the best parts about IBMA’s World of Bluegrass conference is you never know who you’ll meet around the next corner, or who will show up playing in a throw-together band. Two years ago, I dropped by an after-hours showcase

  • Next Bluebird in the Bluegrass Sept 13th

    The next installment of the Bluebird in the Bluegrass songwriter series will take place next Thursday, September 13, at the Bluebird Café in Nashville, TN. The concept behind the series is to shine a spotlight on our bluegrass tunesmiths, while also raising

  • Death & Taxes takes Vox Pop Poll award

    Canadian bluegrass/Americana trio Tiller's Folly have picked up a prestigious award in the 11th annual Independent Music Awards Vox Pop Poll. Their song, Death & Taxes, placed first in the Social Cause category, with online votes tallied from more than 60,000

  • A Podunk Family Reunion

    Imagine working with six or eight co-writers, with a goal of finishing a song and having a band learn, arrange and perform it — all in about eight hours spread over two days. Oh yeah, and the “studio” is a gritty