I was reminded recently by Ned Luberecki that I had once written a bluegrass haiku that went as follows: late in the evening Uncle Pen played the fiddle why did he do that? This led me to think that we were overdue for a discussion […]
Author Archive: John Curtis Goad
John Goad is a graduate of the East Tennessee State University Bluegrass, Old Time & Country Music program, and is now pursuing a Masters degree in Appalachian Studies at ETSU.
On their website. Staunton, Virginia-based band Bourbon Barrel Congress describes their sound as one that “blurs the lines between bluegrass, old-time, folk and country music.” It’s a good description, at least of their debut, self-titled album, which bounces from old-time fiddle tune to mournful Americana […]
Although we certainly have stars in bluegrass music, there’s really more of a feeling of community – shared between fans, musicians (professional and amateur alike), and other folks within the industry – that many other musical genres do not enjoy. It’s not every day that […]
Although I’ve heard quite a few great albums this year, from both new and established artists, one of the strongest and most enjoyable is the newest release from Richard Bennett, In the Wind Somewhere. On this, his second project for eastern Kentucky’s Lonesome Day Records, […]
Although today, the Osborne Brothers are often recognized as symbols of traditional bluegrass, during much of their recording career, they were some of the most adventurous artists in the bluegrass world. They were using country instruments – electric bass, drums, steel guitar, piano – before […]
There was little doubt that Daniel Mullins would one day host a radio show. While he might be best known to Bluegrass Today readers for his album reviews, holiday playlists, and other, often-humorous, contributions here, he is also a third-generation broadcaster. As host of Bending […]